GENERAL DESCRIPTION
The carved images kings wore on their foreheads and chests projected supernatural power. This carved jadeite pendant depicts a figure that may represent a contortionist or a bound prisoner and would have originally been suspended from a necklace by the holes on the sides. Incised lines form the profile of the face, and the figure wears a necklace and earspools. The figure's body contorts around the base and side of the bead, his arms rest at the waist, and his feet rest against the top of the head. Captives were often bound in this same way, taken during warfare for the purpose of sacrifice or bloodletting. Objects such as these often accompanied the king on his journey through death to the otherworld.
Elaine Higgins Smith, Digital Collections Content Coordinator, 2016.
Drawn from
- Carol Robbins, Label text [1968.20], A. H. Meadows Galleries, 2010.
- Getty Vocabulary, AAT (pendants (jewelry): AAT: 300046002).
- Mary Ellen Miller and Megan E. O'Neil, Maya art and architecture, 2nd edition (London: Thames & Hudson, 2014): 30, 152-154, 245.
NOTES
Maya, Early Classic period, 250–550 C.E., updated by KJones in TMS on 09/23/13 and 02/26/16.
Catalogue essays
Artist/designers
Cultures
Pre-Columbian (American): AAT: 300016619
Maya: AAT: 300017826
Highland Maya: AAT: 300017120
Geography
Mexico (nation): TGN: 7005560
Chiapas (state): TGN: 7005580
Process/materials
jadeite (mineral): AAT: 300011121
carving: AAT: 300053149
incising: AAT: 300053847
polishing (finishing): AAT: 300053867
drillwork (sculpture technique): AAT: 300186211
Historical periods
Classic (mesoamerican period): AAT: 300016983
Early Classic: AAT: 300016984
Individuals
Subject terms
worn costume accessories: AAT: 300209274
jewelry: AAT: 300209286
pendants (jewelry): AAT: 300046002
green (color): AAT: 300128438
figures: AAT: 300189808
human figures: AAT: 300404114
head: AAT: 300262520
faces (animal or human components): AAT: 300251798
male: AAT: 300189559
contortionists (performing artists): DMA
acrobats (performing artists): AAT: 300263157
captive (prisoners of war): AAT: 300259895
sacrifices: AAT: 300263243
blood: AAT: 300011797
bloodletting (self-sacrifice / ritual): DMA
wars: AAT: 300055314
rituals (events): AAT: 300065284
earrings (jewelry): AAT: 300045998
earspools: AAT: 300209300
ear ornaments: AAT: 300211279
necklaces: AAT: 300046001
underworld (doctrinal concept): AAT: 300343823
king: AAT: 300025481
rulers (people): AAT: 300025475
RELATED OBJECTS
PROVENANCE
n.d: Dr. and Sra. Josué Sáenz, Mexico, D.F. [1], [2]
Until 1973: Edward H. Merrin Gallery, Inc. [1], [2], [3]
From 1973: Dallas Museum of Fine Arts, gift of Mr. and Mrs. Eugene McDermott, the McDermott Foundation, and Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated, purchased from the above [1], [2], [3], [4]
[1] The main source for this provenance is existing information in TMS. Exceptions and other supporting documents are noted.
[2] The main source for this provenance is Collections Worksheet (n.d., copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[3] The main source for this provenance is Acquisition Worksheet (dated March 13, 1973, copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[4] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1973.42
Category
rules_operator
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General Description
The carved images kings wore on their foreheads and chests projected supernatural power. This carved jadeite pendant depicts a figure that may represent a contortionist or a bound prisoner and would have originally been suspended from a necklace by the holes on the sides. Incised lines form the profile of the face, and the figure wears a necklace and earspools. The figure's body contorts around the base and side of the bead, his arms rest at the waist, and his feet rest against the top of the head. Captives were often bound in this same way, taken during warfare for the purpose of sacrifice or bloodletting. Objects such as these often accompanied the king on his journey through death to the otherworld.
Elaine Higgins Smith, Digital Collections Content Coordinator, 2016.
Drawn from
- Carol Robbins, Label text [1968.20], A. H. Meadows Galleries, 2010.
- Getty Vocabulary, AAT (pendants (jewelry): AAT: 300046002).
- Mary Ellen Miller and Megan E. O'Neil, Maya art and architecture, 2nd edition (London: Thames & Hudson, 2014): 30, 152-154, 245.
Fun Facts
Archival Resources
Web Resources
Notes
Maya, Early Classic period, 250–550 C.E., updated by KJones in TMS on 09/23/13 and 02/26/16.
Catalogue essays
Artist/designers
Cultures
Pre-Columbian (American): AAT: 300016619
Maya: AAT: 300017826
Highland Maya: AAT: 300017120
Geography
Mexico (nation): TGN: 7005560
Chiapas (state): TGN: 7005580
Process/materials
jadeite (mineral): AAT: 300011121
carving: AAT: 300053149
incising: AAT: 300053847
polishing (finishing): AAT: 300053867
drillwork (sculpture technique): AAT: 300186211
Historical periods
Classic (mesoamerican period): AAT: 300016983
Early Classic: AAT: 300016984
Individuals
Subject terms
worn costume accessories: AAT: 300209274
jewelry: AAT: 300209286
pendants (jewelry): AAT: 300046002
green (color): AAT: 300128438
figures: AAT: 300189808
human figures: AAT: 300404114
head: AAT: 300262520
faces (animal or human components): AAT: 300251798
male: AAT: 300189559
contortionists (performing artists): DMA
acrobats (performing artists): AAT: 300263157
captive (prisoners of war): AAT: 300259895
sacrifices: AAT: 300263243
blood: AAT: 300011797
bloodletting (self-sacrifice / ritual): DMA
wars: AAT: 300055314
rituals (events): AAT: 300065284
earrings (jewelry): AAT: 300045998
earspools: AAT: 300209300
ear ornaments: AAT: 300211279
necklaces: AAT: 300046001
underworld (doctrinal concept): AAT: 300343823
king: AAT: 300025481
rulers (people): AAT: 300025475
RELATED OBJECTS
PROVENANCE
n.d: Dr. and Sra. Josué Sáenz, Mexico, D.F. [1], [2]
Until 1973: Edward H. Merrin Gallery, Inc. [1], [2], [3]
From 1973: Dallas Museum of Fine Arts, gift of Mr. and Mrs. Eugene McDermott, the McDermott Foundation, and Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated, purchased from the above [1], [2], [3], [4]
[1] The main source for this provenance is existing information in TMS. Exceptions and other supporting documents are noted.
[2] The main source for this provenance is Collections Worksheet (n.d., copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[3] The main source for this provenance is Acquisition Worksheet (dated March 13, 1973, copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[4] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1973.42
source file
object_notes_3_a-0790.xml.nores