GENERAL DESCRIPTION
This pectoral or chest ornament is an extremely rare object from the Olmec tradition and one of the largest known examples. The concave surface is intricately carved with eight flanges spaced around the outer edges of all four sides and may represent foliage. This pectoral would have originally been suspended by a cord from the two smaller drilled holes at the top, tied at the neck, and worn hanging over the chest. The drilled perforation in the center indicates it may have originally been part of a larger pectoral, though its size would have already been impressive on its own.
Adapted from
- DMA unpublished material.
- Merrill C. Rueppel, DMA unpublished material, 1968.
NOTES
- Olmec, 1200–400 B.C.E., updated by KJones in TMS on 03/14/16 and 03/21/16.
- General Description drawn from: DMA unpublished material ["Concave Pectoral," Object Information Sheet (1968.3), n.d., Dallas Museum of Art Collections Records Object File; Letter from Merrill C. Rueppel, Director of the Dallas Museum of Fine Arts, to William R. Eliassof, Vice President and Trust Officer, First National Bank in Dallas (dated April 19, 1968, copy in Dallas Museum of Art Collections Records Object File)].
Cultures
Pre-Columbian (American): AAT: 300016619
Olmec: AAT: 300017051
Geography
Mexico (nation): TGN: 7005560
Guerrero (state): TGN: 7005585
Process/materials
jadeite (mineral): AAT: 300011121
carving: AAT: 300053149
polishing (finishing): AAT: 300053867
drillwork (sculpture technique): AAT: 300186211
Historical periods
Middle Preclassic Period (Formative): AAT: 300016973
Late Preclassic Period (Formative): AAT: 300016976
Preclassic (Archaic / Formative / Mesoamerican period): AAT: 300016967
Formative Period (Preclassic): AAT: 300016973
Individuals
Subject terms
worn costume accessories: AAT: 300209274
jewelry: AAT: 300209286
pectorals (jewelry): AAT: 300211902
plant-derived motifs: AAT: 300164599
foliation (pattern): AAT: 300165104
green (color): AAT: 300128438
RELATED OBJECTS
PROVENANCE
From 1968: Dallas Museum of Fine Arts, gift of the Hillcrest Foundation, purchased from Teochita, Inc., New York (Frances Pratt, dealer) [1], [2], [3]
[1] The main source for this provenance is Object Information Sheet (1968.3) (n.d., copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[2] The main source for this provenance is letter from Merrill C. Rueppel, Director of the Dallas Museum of Fine Arts, to William R. Eliassof, Vice President and Trust Officer, First National Bank in Dallas (dated April 19, 1968, copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[3] The Dallas Art Association is the predecessor to the Dallas Museum of Fine Arts. The name was abandoned in 1970. Works from this collection were transferred to the Dallas Museum of Fine Arts. The name of the Dallas Museum of Fine Arts, founded in 1933, changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
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WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1968.3
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General Description
This pectoral or chest ornament is an extremely rare object from the Olmec tradition and one of the largest known examples. The concave surface is intricately carved with eight flanges spaced around the outer edges of all four sides and may represent foliage. This pectoral would have originally been suspended by a cord from the two smaller drilled holes at the top, tied at the neck, and worn hanging over the chest. The drilled perforation in the center indicates it may have originally been part of a larger pectoral, though its size would have already been impressive on its own.
Adapted from
- DMA unpublished material.
- Merrill C. Rueppel, DMA unpublished material, 1968.
Fun Facts
Archival Resources
Web Resources
Notes
- Olmec, 1200–400 B.C.E., updated by KJones in TMS on 03/14/16 and 03/21/16.
- General Description drawn from: DMA unpublished material ["Concave Pectoral," Object Information Sheet (1968.3), n.d., Dallas Museum of Art Collections Records Object File; Letter from Merrill C. Rueppel, Director of the Dallas Museum of Fine Arts, to William R. Eliassof, Vice President and Trust Officer, First National Bank in Dallas (dated April 19, 1968, copy in Dallas Museum of Art Collections Records Object File)].
Cultures
Pre-Columbian (American): AAT: 300016619
Olmec: AAT: 300017051
Geography
Mexico (nation): TGN: 7005560
Guerrero (state): TGN: 7005585
Process/materials
jadeite (mineral): AAT: 300011121
carving: AAT: 300053149
polishing (finishing): AAT: 300053867
drillwork (sculpture technique): AAT: 300186211
Historical periods
Middle Preclassic Period (Formative): AAT: 300016973
Late Preclassic Period (Formative): AAT: 300016976
Preclassic (Archaic / Formative / Mesoamerican period): AAT: 300016967
Formative Period (Preclassic): AAT: 300016973
Individuals
Subject terms
worn costume accessories: AAT: 300209274
jewelry: AAT: 300209286
pectorals (jewelry): AAT: 300211902
plant-derived motifs: AAT: 300164599
foliation (pattern): AAT: 300165104
green (color): AAT: 300128438
RELATED OBJECTS
PROVENANCE
From 1968: Dallas Museum of Fine Arts, gift of the Hillcrest Foundation, purchased from Teochita, Inc., New York (Frances Pratt, dealer) [1], [2], [3]
[1] The main source for this provenance is Object Information Sheet (1968.3) (n.d., copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[2] The main source for this provenance is letter from Merrill C. Rueppel, Director of the Dallas Museum of Fine Arts, to William R. Eliassof, Vice President and Trust Officer, First National Bank in Dallas (dated April 19, 1968, copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[3] The Dallas Art Association is the predecessor to the Dallas Museum of Fine Arts. The name was abandoned in 1970. Works from this collection were transferred to the Dallas Museum of Fine Arts. The name of the Dallas Museum of Fine Arts, founded in 1933, changed to the Dallas Museum of Art in 1983.
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