GENERAL DESCRIPTION
During the late second millennium BCE, ceramic female figures were a popular theme among the peoples of central Mexico. They often share a number of characteristics including unnatural limbs and distinctive, sometimes abnormal, facial features, which may have granted them more direct access to the supernatural world. Though there are a wide variety of types and depictions, they are generally interpreted as fertility figurines. In this example the ample hips and legs, full and rounded, convey nurturing abundance. Some figures indicate social status, through hairstyle and ornamentation as seen here, and many of the figures reflect regional traditions. The distorted body proportions and characteristic narrow mouth and eyes of this figure, for instance, identify this as a "pretty lady" figure from Tlatilco, an early site in the Valley of Mexico contemporaneous to the Olmec culture. A favorite theme for Mesoamerica’s earliest ceramic artists, these types of female figures probably alluded to hopes for human and agricultural fertility.
Elaine Higgins Smith, Digital Collections Content Coordinator, 2016.
Drawn from
- Carol Robbins, Label text [1973.52], A. H. Meadows Galleries, 2010.
- "Female Figure (1983.424)." In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.http://www.metmuseum.org/toah/works-of-art/1983.424/. (August 2009).
NOTES
Tlatilco style, Early Formative period, 1200–900 B.C.E. (noted on TMS), updated by KJones on 06/19/14.
Catalogue essays
Artist/designers
Cultures
Pre-Columbian (American): AAT: 300016619
Tlatilco (Central Plateau Mesoamerican styles and periods): AAT: 300017007
Central Plateau Mesoamerican styles: AAT: 300017030
Geography
Mexico (nation): TGN: 7005560
Tlatilco (inhabited place): TGN: 7433510
Process/materials
ceramic (material): AAT: 300235507
paint (coating): AAT: 300015029
slip (clay): AAT: 300010459
slip glaze: AAT: 300015110
clay: AAT: 300010439
resin (organic material): AAT: 300012882
glazing (coating): AAT: 300053914
incising: AAT: 300053847
burnishing (polishing): AAT: 30053869
modeling (forming): AAT: 300053130
coiling (pottery technique): AAT: 300053903
slab method (pottery technique): AAT: 300053905
Historical periods
Formative Period (Preclassic): AAT: 300016973
Preclassic period (Formative period / Archaic period /Mesoamerican periods and styles): AAT: 300016967
Early Preclassic period (Formative period / Mesoamerican periods and styles): AAT: 300016970
Individuals
Subject terms
sculpture: AAT: 300047090
figurine: AAT: 300047455
funerary objects: AAT: 300234126
effigies (funerary sculpture): AAT: 300047108
burials: AAT: 300263485
figures (representations): AAT: 300189808
standing: AAT: 300239500
female: AAT: 300189557
women (female humans): AAT: 300025943
nude: AAT: 300189568
hairstyles: AAT: 300262903
hair ornaments: AAT: 300209287
beads (pierced objects): AAT: 300234006
circular (shape): AAT: 300263827
round (shape): AAT: 300121969
legs (animal or human components): AAT: 300310192
hips (animal or human components): AAT: 300310191
fertility: AAT: 300379149
supernatural (concepts): AAT: 300055947
social status: AAT: 300065206
beauty (aesthetic concepts): AAT: 300055821
agriculture (sciences): AAT: 300054463
hollow (form attribute): AAT: 300163023
RELATED OBJECTS
PROVENANCE
From 1971: Dallas Museum of Fine Arts, General Acquisitions Fund, purchased from Teochita, Inc., New York [1], [2], [3]
[1] The main source for this provenance was existing provenance information in TMS. Exceptions and other supporting documents are noted.
[2] The main source for this provenance is Acquisition Record (dated April 13, 1971, copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[3] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1971.22
Category
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General Description
During the late second millennium BCE, ceramic female figures were a popular theme among the peoples of central Mexico. They often share a number of characteristics including unnatural limbs and distinctive, sometimes abnormal, facial features, which may have granted them more direct access to the supernatural world. Though there are a wide variety of types and depictions, they are generally interpreted as fertility figurines. In this example the ample hips and legs, full and rounded, convey nurturing abundance. Some figures indicate social status, through hairstyle and ornamentation as seen here, and many of the figures reflect regional traditions. The distorted body proportions and characteristic narrow mouth and eyes of this figure, for instance, identify this as a "pretty lady" figure from Tlatilco, an early site in the Valley of Mexico contemporaneous to the Olmec culture. A favorite theme for Mesoamerica’s earliest ceramic artists, these types of female figures probably alluded to hopes for human and agricultural fertility.
Elaine Higgins Smith, Digital Collections Content Coordinator, 2016.
Drawn from
- Carol Robbins, Label text [1973.52], A. H. Meadows Galleries, 2010.
- "Female Figure (1983.424)." In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.http://www.metmuseum.org/toah/works-of-art/1983.424/. (August 2009).
Fun Facts
Archival Resources
Web Resources
Notes
Tlatilco style, Early Formative period, 1200–900 B.C.E. (noted on TMS), updated by KJones on 06/19/14.
Catalogue essays
Artist/designers
Cultures
Pre-Columbian (American): AAT: 300016619
Tlatilco (Central Plateau Mesoamerican styles and periods): AAT: 300017007
Central Plateau Mesoamerican styles: AAT: 300017030
Geography
Mexico (nation): TGN: 7005560
Tlatilco (inhabited place): TGN: 7433510
Process/materials
ceramic (material): AAT: 300235507
paint (coating): AAT: 300015029
slip (clay): AAT: 300010459
slip glaze: AAT: 300015110
clay: AAT: 300010439
resin (organic material): AAT: 300012882
glazing (coating): AAT: 300053914
incising: AAT: 300053847
burnishing (polishing): AAT: 30053869
modeling (forming): AAT: 300053130
coiling (pottery technique): AAT: 300053903
slab method (pottery technique): AAT: 300053905
Historical periods
Formative Period (Preclassic): AAT: 300016973
Preclassic period (Formative period / Archaic period /Mesoamerican periods and styles): AAT: 300016967
Early Preclassic period (Formative period / Mesoamerican periods and styles): AAT: 300016970
Individuals
Subject terms
sculpture: AAT: 300047090
figurine: AAT: 300047455
funerary objects: AAT: 300234126
effigies (funerary sculpture): AAT: 300047108
burials: AAT: 300263485
figures (representations): AAT: 300189808
standing: AAT: 300239500
female: AAT: 300189557
women (female humans): AAT: 300025943
nude: AAT: 300189568
hairstyles: AAT: 300262903
hair ornaments: AAT: 300209287
beads (pierced objects): AAT: 300234006
circular (shape): AAT: 300263827
round (shape): AAT: 300121969
legs (animal or human components): AAT: 300310192
hips (animal or human components): AAT: 300310191
fertility: AAT: 300379149
supernatural (concepts): AAT: 300055947
social status: AAT: 300065206
beauty (aesthetic concepts): AAT: 300055821
agriculture (sciences): AAT: 300054463
hollow (form attribute): AAT: 300163023
RELATED OBJECTS
PROVENANCE
From 1971: Dallas Museum of Fine Arts, General Acquisitions Fund, purchased from Teochita, Inc., New York [1], [2], [3]
[1] The main source for this provenance was existing provenance information in TMS. Exceptions and other supporting documents are noted.
[2] The main source for this provenance is Acquisition Record (dated April 13, 1971, copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[3] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
rules
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Objects
number
Equals
1971.22
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object_notes_3_a-0750.xml.nores