GENERAL DESCRIPTION
Mixtec artisans were famous for their extraordinarily refined miniature carvings made in a variety of materials, creating objects of virtually perfect design and workmanship. Smaller decorative ornaments were part of the larger elaborate costume accoutrements for nobility—often worn on the face, forehead, arms, legs, and chest—and thus projected both elite status and supernatural power.
Though not the first metal workers in the Americas, the Mixtecs were among the greatest. Cast by the lost-wax method, this copper bell in the form of a human head bears dangling ear ornaments, a filigree beard, and a headdress with distinctive horn-like elements. Mixtec lords tied strips of jaguar skin around their wrists and above their knees, from which dangled copper and gold bells. The sounds of these bells, joined by flutes and the aromas of incense and herbs, altered and controlled the visions of those lords when they made contact with the supernatural. Objects such as these often accompanied the king and other nobility on the journey through death to the otherworld.
Adapted from
- Carol Robbins, Label text [1968.20], A. H. Meadows Galleries, 2010.
- Kathy Windrow, DMA unpublished material, 1992.
- DMA unpublished material, 2009.
NOTES
- Mixtec, Postclassic period, 1100–1500, updated by KJones in TMS on 02/26/16.
- General Description drawn from: DMA unpublished material [TMS (1973.47; 1970.22.a-b; 1985.150; 1985.151; 1985.152), Notes/Curatorial Remarks, Kathy Windrow, September 1992; TMS (1985.150; 1985.151; 1985.152), Acquisition Justification, April 20, 2009].
Catalogue essays
Artist/designers
Cultures
Pre-Columbian (American): AAT: 300016619
Mixtec: AAT: 300017180
Geography
Mexico (nation): TGN: 7005560
Oaxaca (state): TGN: 7005591
Monte Albán (deserted settlement): TGN: 7007152
Process/materials
copper (metal): AAT: 300011020
Lost-wax process: AAT: 300053113
annealing: AAT: 300053886
chasing (metalworking): AAT: 300054016
embossing (technique): AAT: 300053826
repoussé: AAT: 300054023
solder: AAT: 300010993
sheet metal: AAT: 300223016
metalwork: AAT: 300015336
hammering (metal finishing): AAT: 300054098
Historical periods
Postclassic (Mesoamerican period): AAT: 300016987
Individuals
Subject terms
worn costume accessories: AAT: 300209274
jewelry: AAT: 300209286
bells (idiophones): AAT: 300041872
bracelets (jewelry): AAT: 300045991
ceremonial sound devices: AAT: 300312157
green (color): AAT: 300128438
figures (representations): AAT: 300189808
head: AAT: 300262520
faces (animal or human components): AAT: 300251798
face: DMA
human figures: AAT: 300404114
ear ornaments: AAT: 300211279
earrings (jewelry): AAT: 300045998
beards: AAT: 300379263
filigree: AAT: 300220293
masks (costume): AAT: 300138758
headdresses: AAT: 300046023
horns (animal components): AAT: 300400473
jaguar: AAT: 300310389
skin (animal component): AAT: 300400555
sound (acoustics): AAT: 300056060
music (discipline): AAT: 300054146
visions (life events): AAT: 300251603
supernatural (concepts): AAT: 300055947
underworld (doctrinal concept): AAT: 300343823
power: AAT: 300374809
social status: AAT: 300065206
nobility (nobles / aristocracy): AAT: 300025942
RELATED OBJECTS
PROVENANCE
n.d: Dr. and Sra. Josué Sáenz, Mexico, D.F. [1], [2]
Until 1973: Edward H. Merrin Gallery, Inc. [1], [2], [3]
From 1973: Dallas Museum of Fine Arts, gift of Mr. and Mrs. Eugene McDermott, the McDermott Foundation, and Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated, purchased from the above [1], [2], [3], [4]
[1] The main source for this provenance is existing information in TMS. Exceptions and other supporting documents are noted.
[2] The main source for this provenance is Collections Worksheet (n.d., copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[3] The main source for this provenance is Acquisition Worksheet (dated March 13, 1973, copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[4] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1973.47
Category
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General Description
Mixtec artisans were famous for their extraordinarily refined miniature carvings made in a variety of materials, creating objects of virtually perfect design and workmanship. Smaller decorative ornaments were part of the larger elaborate costume accoutrements for nobility—often worn on the face, forehead, arms, legs, and chest—and thus projected both elite status and supernatural power.
Though not the first metal workers in the Americas, the Mixtecs were among the greatest. Cast by the lost-wax method, this copper bell in the form of a human head bears dangling ear ornaments, a filigree beard, and a headdress with distinctive horn-like elements. Mixtec lords tied strips of jaguar skin around their wrists and above their knees, from which dangled copper and gold bells. The sounds of these bells, joined by flutes and the aromas of incense and herbs, altered and controlled the visions of those lords when they made contact with the supernatural. Objects such as these often accompanied the king and other nobility on the journey through death to the otherworld.
Adapted from
- Carol Robbins, Label text [1968.20], A. H. Meadows Galleries, 2010.
- Kathy Windrow, DMA unpublished material, 1992.
- DMA unpublished material, 2009.
Fun Facts
Archival Resources
Web Resources
Notes
- Mixtec, Postclassic period, 1100–1500, updated by KJones in TMS on 02/26/16.
- General Description drawn from: DMA unpublished material [TMS (1973.47; 1970.22.a-b; 1985.150; 1985.151; 1985.152), Notes/Curatorial Remarks, Kathy Windrow, September 1992; TMS (1985.150; 1985.151; 1985.152), Acquisition Justification, April 20, 2009].
Catalogue essays
Artist/designers
Cultures
Pre-Columbian (American): AAT: 300016619
Mixtec: AAT: 300017180
Geography
Mexico (nation): TGN: 7005560
Oaxaca (state): TGN: 7005591
Monte Albán (deserted settlement): TGN: 7007152
Process/materials
copper (metal): AAT: 300011020
Lost-wax process: AAT: 300053113
annealing: AAT: 300053886
chasing (metalworking): AAT: 300054016
embossing (technique): AAT: 300053826
repoussé: AAT: 300054023
solder: AAT: 300010993
sheet metal: AAT: 300223016
metalwork: AAT: 300015336
hammering (metal finishing): AAT: 300054098
Historical periods
Postclassic (Mesoamerican period): AAT: 300016987
Individuals
Subject terms
worn costume accessories: AAT: 300209274
jewelry: AAT: 300209286
bells (idiophones): AAT: 300041872
bracelets (jewelry): AAT: 300045991
ceremonial sound devices: AAT: 300312157
green (color): AAT: 300128438
figures (representations): AAT: 300189808
head: AAT: 300262520
faces (animal or human components): AAT: 300251798
face: DMA
human figures: AAT: 300404114
ear ornaments: AAT: 300211279
earrings (jewelry): AAT: 300045998
beards: AAT: 300379263
filigree: AAT: 300220293
masks (costume): AAT: 300138758
headdresses: AAT: 300046023
horns (animal components): AAT: 300400473
jaguar: AAT: 300310389
skin (animal component): AAT: 300400555
sound (acoustics): AAT: 300056060
music (discipline): AAT: 300054146
visions (life events): AAT: 300251603
supernatural (concepts): AAT: 300055947
underworld (doctrinal concept): AAT: 300343823
power: AAT: 300374809
social status: AAT: 300065206
nobility (nobles / aristocracy): AAT: 300025942
RELATED OBJECTS
PROVENANCE
n.d: Dr. and Sra. Josué Sáenz, Mexico, D.F. [1], [2]
Until 1973: Edward H. Merrin Gallery, Inc. [1], [2], [3]
From 1973: Dallas Museum of Fine Arts, gift of Mr. and Mrs. Eugene McDermott, the McDermott Foundation, and Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated, purchased from the above [1], [2], [3], [4]
[1] The main source for this provenance is existing information in TMS. Exceptions and other supporting documents are noted.
[2] The main source for this provenance is Collections Worksheet (n.d., copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[3] The main source for this provenance is Acquisition Worksheet (dated March 13, 1973, copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[4] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
rules
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Objects
number
Equals
1973.47
source file
object_notes_3_a-0713.xml.nores