GENERAL DESCRIPTION
The human figure was a popular sculptural theme at Teotihuacan (Teotihuacán), carved in a range of sizes and in a variety of stones. As exemplified in this carved obsidian standing male figure, the body tends to be idealized in form with a focus on the human face, and less emphasis on the definition of individual features, form, or expression. The almond-shaped eyes, flared nostrils, flattened nose, large lips, and open mouth reflect features common to the Teotihuacan style. The slanted forehead may represent cranial deformation, in which head flattening or binding intentionally alters the shape of the skull, a form of ritual beautification common among Mesoamerican peoples. The hands rest at the hips, and portions of both legs are missing. The figure wears a decorated headband, but further costume details are absent. Though the original function of such figures are unknown, both figures and masks were often inlaid with additional decoration, usually on the teeth and eyes, and often dressed for special occasions. This carved figure is both impersonal yet imposing, and conveys an emblematic sense of authority.
Elaine Higgins Smith, Digital Collections Content Coordinator, 2016.
Adapted from
- Carol Robbins, Label text [1973.49], A. H. Meadows Galleries, 2010.
- "Standing Figure, 1979.206.585," The Metropolitan Museum of Art, http://www.metmuseum.org/toah/works-of-art/1979.206.585/ (Accessed August 15, 2016).
NOTES
- Teotihuacan II, 100–250 C.E., NOT updated by KJones in TMS.
- Noted in TMS, Notes / Text Entries, Other (see remarks) -- Provenance Note: Dr. and Sra. Josue Saenz, Mexico, D.F.
Catalogue essays
Artist/designers
Cultures
Pre-Columbian (American): AAT: 300016619
Teotihuacán: AAT: 300017031
Geography
Mexico (nation): TGN: 7005560
Teotihuacán (deserted settlement): TGN: 7007218
Process/materials
greenstone (rock): AAT: 300386691
carving: AAT: 300053149
incising: AAT: 300053847
polishing (finishing): AAT: 300053867
drillwork (sculpture technique): AAT: 300186211
Historical periods
Teotihuacán II period (Miccaotli / Central Plateau Mesoamerican styles and periods): AAT: 300017017
Teotihuacán III period (Tlamimilolpa/Central Plateau Mesoamerican style and period): AAT: 300017018
Classic (mesoamerican period): AAT: 300016983
Individuals
Subject terms
sculpture: AAT: 300047090
figurine: AAT: 300047455
ritual objects: AAT: 300312158
standing: AAT: 300239500
male: AAT: 300189559
figures: AAT: 300189808
human figures: AAT: 300404114
portrait: AAT: 300015637
faces (animal or human components): AAT: 300251798
head: AAT: 300262520
beautification: AAT: 300111985
deformation: AAT: 300072976
body modification: AAT: 300262468
masks (costume): AAT: 300138758
funerary objects: AAT: 300234126
funerary sculpture: AAT: 300184644
eyes (animal or human components): AAT: 300400484
nose: DMA
mouth: DMA
hands (animal or human components): AAT: 300310193
headdresses: AAT: 300046023
headbands (headgear): AAT: 300046115
circles (plane figures): AAT: 300055627
geometric motifs: AAT: 300009764
fragments (object portions): AAT: 300117130
inlays (decorations): AAT: 300256033
teeth (animal components): AAT: 300400467
ritual (events): AAT: 300065284
clothing: AAT: 300266639
authority (concepts): DMA
green (color): AAT: 300128438
RELATED OBJECTS
PROVENANCE
n.d: Dr. and Sra. Josué Sáenz, Mexico, D.F. [1], [2]
Until 1973: Edward H. Merrin Gallery, Inc. [1], [2]
From 1973: Dallas Museum of Fine Arts, gift of Mr. and Mrs. Eugene McDermott and The Eugene McDermott Foundation and Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated, purchased from the above [1], [2], [3]
[1] The main source for this provenance is Object Worksheet (n.d., copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[2] The main source for this provenance is Acquisition Record (dated March 13, 1973, copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[3] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1973.48
Category
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General Description
The human figure was a popular sculptural theme at Teotihuacan (Teotihuacán), carved in a range of sizes and in a variety of stones. As exemplified in this carved obsidian standing male figure, the body tends to be idealized in form with a focus on the human face, and less emphasis on the definition of individual features, form, or expression. The almond-shaped eyes, flared nostrils, flattened nose, large lips, and open mouth reflect features common to the Teotihuacan style. The slanted forehead may represent cranial deformation, in which head flattening or binding intentionally alters the shape of the skull, a form of ritual beautification common among Mesoamerican peoples. The hands rest at the hips, and portions of both legs are missing. The figure wears a decorated headband, but further costume details are absent. Though the original function of such figures are unknown, both figures and masks were often inlaid with additional decoration, usually on the teeth and eyes, and often dressed for special occasions. This carved figure is both impersonal yet imposing, and conveys an emblematic sense of authority.
Elaine Higgins Smith, Digital Collections Content Coordinator, 2016.
Adapted from
- Carol Robbins, Label text [1973.49], A. H. Meadows Galleries, 2010.
- "Standing Figure, 1979.206.585," The Metropolitan Museum of Art, http://www.metmuseum.org/toah/works-of-art/1979.206.585/ (Accessed August 15, 2016).
Fun Facts
Archival Resources
Web Resources
Notes
- Teotihuacan II, 100–250 C.E., NOT updated by KJones in TMS.
- Noted in TMS, Notes / Text Entries, Other (see remarks) -- Provenance Note: Dr. and Sra. Josue Saenz, Mexico, D.F.
Catalogue essays
Artist/designers
Cultures
Pre-Columbian (American): AAT: 300016619
Teotihuacán: AAT: 300017031
Geography
Mexico (nation): TGN: 7005560
Teotihuacán (deserted settlement): TGN: 7007218
Process/materials
greenstone (rock): AAT: 300386691
carving: AAT: 300053149
incising: AAT: 300053847
polishing (finishing): AAT: 300053867
drillwork (sculpture technique): AAT: 300186211
Historical periods
Teotihuacán II period (Miccaotli / Central Plateau Mesoamerican styles and periods): AAT: 300017017
Teotihuacán III period (Tlamimilolpa/Central Plateau Mesoamerican style and period): AAT: 300017018
Classic (mesoamerican period): AAT: 300016983
Individuals
Subject terms
sculpture: AAT: 300047090
figurine: AAT: 300047455
ritual objects: AAT: 300312158
standing: AAT: 300239500
male: AAT: 300189559
figures: AAT: 300189808
human figures: AAT: 300404114
portrait: AAT: 300015637
faces (animal or human components): AAT: 300251798
head: AAT: 300262520
beautification: AAT: 300111985
deformation: AAT: 300072976
body modification: AAT: 300262468
masks (costume): AAT: 300138758
funerary objects: AAT: 300234126
funerary sculpture: AAT: 300184644
eyes (animal or human components): AAT: 300400484
nose: DMA
mouth: DMA
hands (animal or human components): AAT: 300310193
headdresses: AAT: 300046023
headbands (headgear): AAT: 300046115
circles (plane figures): AAT: 300055627
geometric motifs: AAT: 300009764
fragments (object portions): AAT: 300117130
inlays (decorations): AAT: 300256033
teeth (animal components): AAT: 300400467
ritual (events): AAT: 300065284
clothing: AAT: 300266639
authority (concepts): DMA
green (color): AAT: 300128438
RELATED OBJECTS
PROVENANCE
n.d: Dr. and Sra. Josué Sáenz, Mexico, D.F. [1], [2]
Until 1973: Edward H. Merrin Gallery, Inc. [1], [2]
From 1973: Dallas Museum of Fine Arts, gift of Mr. and Mrs. Eugene McDermott and The Eugene McDermott Foundation and Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated, purchased from the above [1], [2], [3]
[1] The main source for this provenance is Object Worksheet (n.d., copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[2] The main source for this provenance is Acquisition Record (dated March 13, 1973, copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[3] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
rules
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Objects
number
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1973.48
source file
object_notes_3_a-0712.xml.nores