GENERAL DESCRIPTION
The human figure was a popular sculptural theme at Teotihuacan (Teotihuacán), carved in a range of sizes and in a variety of stones. As exemplified in this carved obsidian standing figure, the body tends to be idealized in form with a focus on the human face with less emphasis on the definition of individual features, form, or expression. The almond-shaped eyes, flattened nose, and large mouth reflect features common to the Teotihuacan style. The hands rest clasped across the chest and may indicate a ritual gesture, but further costume details are absent. Though the original function of such figures are unknown, both figures and masks were often inlaid with additional decoration, usually on the teeth and eyes, and often dressed for special occasions. Despite the miniature scale, this carved figure is both impersonal, yet imposing, and conveys an emblematic sense of authority.
Adapted from
- Carol Robbins, Label text [1973.49], A. H. Meadows Galleries, 2010.
- "Standing Figure, 1979.206.585," The Metropolitan Museum of Art, http://www.metmuseum.org/toah/works-of-art/1979.206.585/ (Accessed August 15, 2016).
NOTES
Teotihuacan, III, 250–650 C.E., updated by KJones in TMS on 03/31/14.
Catalogue essays
Artist/designers
Cultures
Pre-Columbian (American): AAT: 300016619 Teotihuacán: AAT: 300017031 |
Geography
Mexico (nation): TGN: 7005560
Teotihuacán (deserted settlement): TGN: 7007218
Process/materials
obsidian (volcanic glass / pyroclastic rock): AAT: 300011254
carving: AAT: 300053149
incising: AAT: 300053847
polishing (finishing): AAT: 300053867
drillwork (sculpture technique): AAT: 300186211
Historical periods
Teotihuacán III Period (Tlamimilolpa): AAT: 300017018
Classic (mesoamerican period): AAT: 300016983
Individuals
Subject terms
sculpture: AAT: 300047090
figurine: AAT: 300047455
ritual objects: AAT: 300312158
standing: AAT: 300239500
male: AAT: 300189559
figures: AAT: 300189808
human figures: AAT: 300404114
portrait: AAT: 300015637
faces (animal or human components): AAT: 300251798
face: DMA
masks (costume): AAT: 300138758
funerary objects: AAT: 300234126
funerary sculpture: AAT: 300184644
eyes (animal or human components): AAT: 300400484
nose: DMA
mouth: DMA
hands (animal or human components): AAT: 300310193
gesture: AAT: 300056179
inlays (decorations): AAT: 300256033
teeth (animal components): AAT: 300400467
ritual (events): AAT: 300065284
authority (concepts): DMA
black (color): AAT: 300130920
miniature (size): AAT: 300121995
RELATED OBJECTS
PROVENANCE
n.d.: Dean Warner [1]
n.d.: Michele Herling [1]
Until 1976: Jerry L. Abramson (d. 2007), Dallas [1], [2], [3], [4]
From 1976: Dallas Museum of Fine Arts, gift of Celia B. and Jerry L. Abramson, in memory of Max Abramson [1], [2], [3], [4], [5]
[1] The main source for this provenance is Acquisition Checklist (dated December 08, 1976, copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[2] The main source for this provenance is letter from Jerry L. Abramson to Harry S. Parker III, Director of the Dallas Museum of Fine Arts (dated December 04, 1976, copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[3] The main source for this provenance is Acquisition Record (dated December 08, 1976, copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[4] The main source for this provenance is signed statement from Jerry L. Abramson (dated December 08, 1976, copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[5] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1976.41
Category
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General Description
The human figure was a popular sculptural theme at Teotihuacan (Teotihuacán), carved in a range of sizes and in a variety of stones. As exemplified in this carved obsidian standing figure, the body tends to be idealized in form with a focus on the human face with less emphasis on the definition of individual features, form, or expression. The almond-shaped eyes, flattened nose, and large mouth reflect features common to the Teotihuacan style. The hands rest clasped across the chest and may indicate a ritual gesture, but further costume details are absent. Though the original function of such figures are unknown, both figures and masks were often inlaid with additional decoration, usually on the teeth and eyes, and often dressed for special occasions. Despite the miniature scale, this carved figure is both impersonal, yet imposing, and conveys an emblematic sense of authority.
Adapted from
- Carol Robbins, Label text [1973.49], A. H. Meadows Galleries, 2010.
- "Standing Figure, 1979.206.585," The Metropolitan Museum of Art, http://www.metmuseum.org/toah/works-of-art/1979.206.585/ (Accessed August 15, 2016).
Fun Facts
Archival Resources
Web Resources
Notes
Teotihuacan, III, 250–650 C.E., updated by KJones in TMS on 03/31/14.
Catalogue essays
Artist/designers
Cultures
Pre-Columbian (American): AAT: 300016619 Teotihuacán: AAT: 300017031 |
Geography
Mexico (nation): TGN: 7005560
Teotihuacán (deserted settlement): TGN: 7007218
Process/materials
obsidian (volcanic glass / pyroclastic rock): AAT: 300011254
carving: AAT: 300053149
incising: AAT: 300053847
polishing (finishing): AAT: 300053867
drillwork (sculpture technique): AAT: 300186211
Historical periods
Teotihuacán III Period (Tlamimilolpa): AAT: 300017018
Classic (mesoamerican period): AAT: 300016983
Individuals
Subject terms
sculpture: AAT: 300047090
figurine: AAT: 300047455
ritual objects: AAT: 300312158
standing: AAT: 300239500
male: AAT: 300189559
figures: AAT: 300189808
human figures: AAT: 300404114
portrait: AAT: 300015637
faces (animal or human components): AAT: 300251798
face: DMA
masks (costume): AAT: 300138758
funerary objects: AAT: 300234126
funerary sculpture: AAT: 300184644
eyes (animal or human components): AAT: 300400484
nose: DMA
mouth: DMA
hands (animal or human components): AAT: 300310193
gesture: AAT: 300056179
inlays (decorations): AAT: 300256033
teeth (animal components): AAT: 300400467
ritual (events): AAT: 300065284
authority (concepts): DMA
black (color): AAT: 300130920
miniature (size): AAT: 300121995
RELATED OBJECTS
PROVENANCE
n.d.: Dean Warner [1]
n.d.: Michele Herling [1]
Until 1976: Jerry L. Abramson (d. 2007), Dallas [1], [2], [3], [4]
From 1976: Dallas Museum of Fine Arts, gift of Celia B. and Jerry L. Abramson, in memory of Max Abramson [1], [2], [3], [4], [5]
[1] The main source for this provenance is Acquisition Checklist (dated December 08, 1976, copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[2] The main source for this provenance is letter from Jerry L. Abramson to Harry S. Parker III, Director of the Dallas Museum of Fine Arts (dated December 04, 1976, copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[3] The main source for this provenance is Acquisition Record (dated December 08, 1976, copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[4] The main source for this provenance is signed statement from Jerry L. Abramson (dated December 08, 1976, copy in Dallas Museum of Art Collections Records Object File). Exceptions and other supporting documents are noted.
[5] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1976.41
source file
object_notes_3_a-0707.xml.nores