GENERAL DESCRIPTION
Among the societies of Central America, gold ornaments were important symbols of power and prestige that expressed authority and status in life and in death. Made to be suspended around the neck, gold pendants were still worn by local inhabitants of the Caribbean coast when Europeans encountered them at the turn of the 16th century. The Diquís archaeological zone on Costa Rica's southern Pacific coast became a major gold-working area after the technology diffused northward from the Northern Andes, probably about 300 to 500 CE. Goldsmiths of this region favored depiction of birds and animals of a dangerous or predatory nature, and craftsmen cleverly adapted the natural forms of totemic creatures to the functional demands of jewelry. Diquís art styles, both gold and ceramic, have much in common with those of the adjacent Chiriquí region of northwestern Panama—archaeologists often treat them together as the Greater Chiriquí subarea.
This pendant represents a characteristic Diquís type that features a central male figure standing between two flat, essentially horizontal, bars that frame the composition. The columnar torso, the narrow bands or cords that encircle the waist and knees, and the projecting flat feet are elements common to most examples, while the type of mask worn by the figure, the object held in the mouth of the mask, and whether the figure has arms or winglike forms vary. On this pendant, the curled nose and prominent ears suggest a bat mask, which holds a tiny trophy head, a reference to the importance of human sacrifice. Crescent wings extend from the torso. The configuration of concentric spirals and diagonal lines flanking the head and feet (above and below the wings) is thought to represent a crocodile head. The central figure may depict a shaman or a warrior-chief, both intermediaries between earthly and cosmic realms. Pendants of this type probably functioned as emblems of rank or status or as amulets.
Adapted from
- Bonnie Pitman, ed., "Pendant with two frogs (1976.W.292), Pendant bell depicting a turtle (1976.W.301), Pendant depicting a batlike mask (1976.W.237)," in Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 35.
- Carol Robbins, "Pendant depicting a figure with batlike mask (1976.W.237)," in Dallas Museum of Art: A Guide to the Collection, ed. Suzanne Kotz (Dallas, TX: Dallas Museum of Art, 1997), 181.
NOTES
Diquis, 700–1550 C.E. (noted on TMS), updated by KJones on 06/19/14, 03/25/16, 03/30/16, 03/31/16, and 04/19/17.
Cultures
Diquís: AAT: 300017245
Costa Rican styles: AAT: 300386018
Pre-Columbian (American): AAT: 300016619
Geography
Costa Rica (nation): TGN: 7005364
Puntarenas (province): TGN: 1001491
Palmar Sur: TGN: 1016254
Process/materials
gold: AAT: 300011021
goldwork: AAT: 300044045
annealing: AAT:
300053886
casting: AAT: 300053104
chasing (metalworking): AAT: 300054016
embossing (technique): AAT: 300053826
repoussé: AAT: 300054023
solder: AAT: 300010993
sheet metal: AAT: 300223016
metalwork: AAT: 300015336
hammering (metal finishing): AAT: 300054098
Historical periods
Individuals
Subject terms
worn costume accessories: AAT: 300209274
pendants (jewelry): AAT: 300046002
jewelry: AAT: 300209286
shiny (shine): AAT: 300065244
scrolls (spirals, motifs): AAT: 300010094
spirals (geometric figures): AAT: 300163114
bands (decorative): DMA
figures: AAT: 300189808
standing: AAT: 300239500
male: AAT: 300189559
nude: AAT: 300189568
masks (costume): AAT: 300138758
bat (animal): AAT: 300310316
trophy head: DMA
sacrifices: AAT: 300263243
crescent (motif): AAT: 300165510
wings (animal components): AAT: 300375053
crocodile (crocodylidae family): AAT: 300250293
head: AAT: 300262520
power: AAT: 300374809
prestige: AAT: 300343604
social status: AAT: 300065206
deaths: AAT: 300151836
life (biological concepts): AAT: 300055134
symmetry: AAT: 300056249
myth: AAT: 300201023
mythical or legendary beings: AAT: 300375725
supernatural (concepts): AAT: 300055947
predators: AAT: 300249916
shaman: AAT: 300218522
underworld: DMA
amulets: AAT: 300266585
funerary objects: AAT: 300234126
ceremonial costume: AAT: 300210387
RELATED OBJECTS
PROVENANCE
Until 1976: Nora and John Wise, New York [1]
From 1976: Dallas Museum of Fine Arts, The Nora and John Wise Collection, gift of Mr. and Mrs. Jake L. Hamon, the Eugene McDermott Family, Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated, and Mr. and Mrs. John D. Murchison [1], [2]
[1] The main source for this provenance is existing information in TMS. Exceptions and other supporting documents are noted.
[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1976.W.237
Category
rules_operator
AND
General Description
Among the societies of Central America, gold ornaments were important symbols of power and prestige that expressed authority and status in life and in death. Made to be suspended around the neck, gold pendants were still worn by local inhabitants of the Caribbean coast when Europeans encountered them at the turn of the 16th century. The Diquís archaeological zone on Costa Rica's southern Pacific coast became a major gold-working area after the technology diffused northward from the Northern Andes, probably about 300 to 500 CE. Goldsmiths of this region favored depiction of birds and animals of a dangerous or predatory nature, and craftsmen cleverly adapted the natural forms of totemic creatures to the functional demands of jewelry. Diquís art styles, both gold and ceramic, have much in common with those of the adjacent Chiriquí region of northwestern Panama—archaeologists often treat them together as the Greater Chiriquí subarea.
This pendant represents a characteristic Diquís type that features a central male figure standing between two flat, essentially horizontal, bars that frame the composition. The columnar torso, the narrow bands or cords that encircle the waist and knees, and the projecting flat feet are elements common to most examples, while the type of mask worn by the figure, the object held in the mouth of the mask, and whether the figure has arms or winglike forms vary. On this pendant, the curled nose and prominent ears suggest a bat mask, which holds a tiny trophy head, a reference to the importance of human sacrifice. Crescent wings extend from the torso. The configuration of concentric spirals and diagonal lines flanking the head and feet (above and below the wings) is thought to represent a crocodile head. The central figure may depict a shaman or a warrior-chief, both intermediaries between earthly and cosmic realms. Pendants of this type probably functioned as emblems of rank or status or as amulets.
Adapted from
- Bonnie Pitman, ed., "Pendant with two frogs (1976.W.292), Pendant bell depicting a turtle (1976.W.301), Pendant depicting a batlike mask (1976.W.237)," in Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 35.
- Carol Robbins, "Pendant depicting a figure with batlike mask (1976.W.237)," in Dallas Museum of Art: A Guide to the Collection, ed. Suzanne Kotz (Dallas, TX: Dallas Museum of Art, 1997), 181.
Fun Facts
Archival Resources
Web Resources
Notes
Diquis, 700–1550 C.E. (noted on TMS), updated by KJones on 06/19/14, 03/25/16, 03/30/16, 03/31/16, and 04/19/17.
Cultures
Diquís: AAT: 300017245
Costa Rican styles: AAT: 300386018
Pre-Columbian (American): AAT: 300016619
Geography
Costa Rica (nation): TGN: 7005364
Puntarenas (province): TGN: 1001491
Palmar Sur: TGN: 1016254
Process/materials
gold: AAT: 300011021
goldwork: AAT: 300044045
annealing: AAT:
300053886
casting: AAT: 300053104
chasing (metalworking): AAT: 300054016
embossing (technique): AAT: 300053826
repoussé: AAT: 300054023
solder: AAT: 300010993
sheet metal: AAT: 300223016
metalwork: AAT: 300015336
hammering (metal finishing): AAT: 300054098
Historical periods
Individuals
Subject terms
worn costume accessories: AAT: 300209274
pendants (jewelry): AAT: 300046002
jewelry: AAT: 300209286
shiny (shine): AAT: 300065244
scrolls (spirals, motifs): AAT: 300010094
spirals (geometric figures): AAT: 300163114
bands (decorative): DMA
figures: AAT: 300189808
standing: AAT: 300239500
male: AAT: 300189559
nude: AAT: 300189568
masks (costume): AAT: 300138758
bat (animal): AAT: 300310316
trophy head: DMA
sacrifices: AAT: 300263243
crescent (motif): AAT: 300165510
wings (animal components): AAT: 300375053
crocodile (crocodylidae family): AAT: 300250293
head: AAT: 300262520
power: AAT: 300374809
prestige: AAT: 300343604
social status: AAT: 300065206
deaths: AAT: 300151836
life (biological concepts): AAT: 300055134
symmetry: AAT: 300056249
myth: AAT: 300201023
mythical or legendary beings: AAT: 300375725
supernatural (concepts): AAT: 300055947
predators: AAT: 300249916
shaman: AAT: 300218522
underworld: DMA
amulets: AAT: 300266585
funerary objects: AAT: 300234126
ceremonial costume: AAT: 300210387
RELATED OBJECTS
PROVENANCE
Until 1976: Nora and John Wise, New York [1]
From 1976: Dallas Museum of Fine Arts, The Nora and John Wise Collection, gift of Mr. and Mrs. Jake L. Hamon, the Eugene McDermott Family, Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated, and Mr. and Mrs. John D. Murchison [1], [2]
[1] The main source for this provenance is existing information in TMS. Exceptions and other supporting documents are noted.
[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1976.W.237
source file
object_notes_3_a-0668.xml.nores