GENERAL DESCRIPTION
The pre-Hispanic goldwork of Colombia is traditionally classified by archaeological zones, or regions, each with stylistic associations, varying in iconography and technology: Calima, Quimbaya, Tolima, and Nariño in the southwest; Zenú (Sinú) and Tairona in northwestern Colombia; and Muisca in the central highlands southeast of Bogotá. The Calima region encompasses the upper Calima River valley and surrounding areas of the Western Cordillera, extending east to the Cauca River. Calima goldwork, like other styles of southwestern Colombia, is characterized by the use of high-quality gold and a preference for working the metal directly by hammering.
Research in the Calima region has established several periods of occupation. Calima goldsmiths achieved their foremost accomplishments during the period called Yotoco (100-700 CE). Their richly varied works were primarily objects of personal adornment. Headdress elements, pectorals, bracelets, anklets, and nose and ear ornaments probably functioned as ceremonial regalia for elite men. Typical Yotoco gold pieces include a large chest pectoral, an H‑shaped nose ornament (itself a face), and dish‑shaped ear ornaments which could have been attached to a cloth headdress. Decorated with rows of circular bosses, the two small sets of holes in the center suggest this plaque would have originally been worn hanging over the chest as a pectoral either fastened to a neckband or garment. When worn together, as many pieces undoubtedly were, they would have created a dazzling golden image.
Adapted from
- Bonnie Pitman, ed., "Ceremonial mask (1976.W.321)," in Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 33.
- Bonnie Pitman, ed., "Headdress ornament with heads flanked by crested crocodiles (1976.W.319)," in Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 34.
- Carol Robbins, "Ceremonial mask (1976.W.321)," in Dallas Museum of Art: A Guide to the Collection, ed. Suzanne Kotz (Dallas, TX: Dallas Museum of Art, 1997), 178.
NOTES
Calima, 400–700 C.E. (noted on TMS), updated by KJones on 01/14/16.
Catalogue essays
Artist/designers
Cultures
Native Coastal Ecuadorian and Colombian styles: AAT: 300017980
Pre-Columbian Colombian styles: AAT: 300017422
Calima: AAT: 300017424
Pre-Columbian (American): AAT: 300016619
Geography
Colombia (nation): TGN: 1000050
Valle del Cauca (department): TGN: 7005078
Cauca (department): TGN: 1000554
Cordillera Central (mountain range): TGN: 108881
Río Cauca (river): TGN: 1122595
Process/materials
gold: AAT: 300011021
goldwork: AAT: 300044045
repoussé: AAT: 300054023
chasing (metalworking): AAT: 300054016
embossing (technique): AAT: 300053826
sheet metal: AAT: 300223016
metalwork: AAT: 300015336
hammering (metal finishing): AAT: 300054098
Historical periods
Yotoco period (Calima / Pre-Columbian South American styles and periods): DMA
Individuals
Subject terms
sculpture: AAT: 300047090
costume: AAT: 300209261
worn costume accessories: AAT: 300209274
plaque (flat objects): AAT: 300010262
pectorals (jewelry): AAT: 300211902
jewelry: AAT: 300209286
ornaments: AAT: 300266794
decorating (process): AAT: 300056257
geometric motifs: AAT: 300009764
geometric shape: AAT: 300263819
geometric patterns: AAT: 300165213
dots (geometric motif): AAT: 300010145
circles (plane figures): AAT: 300055627
circular (shape): AAT: 300263827
lines (geometric concept): AAT: 300056279
rectangles (parallelograms): AAT: 300055636
bands (decorative): DMA
raised (form attribute): AAT: 300010354
relief (sculpture techniques): AAT: 300053622
bosses (components): AAT: 300047259
funerary objects: AAT: 300234126
ceremonial costume: AAT: 300210387
nobility (nobles / aristocracy): AAT: 300025942
power: AAT: 300374809
prestige: AAT: 300343604
social status: AAT: 300065206
symmetry: AAT: 300056249
light (energy): AAT: 300056024
polishing (finishing): AAT: 300053867
shiny (shine): AAT: 300065244
RELATED OBJECTS
PROVENANCE
Until 1976: Nora and John Wise, New York [1]
From 1976: Dallas Museum of Fine Arts, The Nora and John Wise Collection, gift of Mr. and Mrs. Jake L. Hamon, the Eugene McDermott Family, Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated, and Mr. and Mrs. John D. Murchison [1], [2]
[1] The main source for this provenance is letter from A.L. Woodman, Chief of Valuation Analysis Section of the Internal Revenue Service, to Harry S. Parker, Director of the Dallas Museum of Fine Arts (dated July 23, 1979, copy in Dallas Museum of Art Collections Records Object File, Confidential). Exceptions and other supporting documents are noted.
[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1976.W.332
Category
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General Description
The pre-Hispanic goldwork of Colombia is traditionally classified by archaeological zones, or regions, each with stylistic associations, varying in iconography and technology: Calima, Quimbaya, Tolima, and Nariño in the southwest; Zenú (Sinú) and Tairona in northwestern Colombia; and Muisca in the central highlands southeast of Bogotá. The Calima region encompasses the upper Calima River valley and surrounding areas of the Western Cordillera, extending east to the Cauca River. Calima goldwork, like other styles of southwestern Colombia, is characterized by the use of high-quality gold and a preference for working the metal directly by hammering.
Research in the Calima region has established several periods of occupation. Calima goldsmiths achieved their foremost accomplishments during the period called Yotoco (100-700 CE). Their richly varied works were primarily objects of personal adornment. Headdress elements, pectorals, bracelets, anklets, and nose and ear ornaments probably functioned as ceremonial regalia for elite men. Typical Yotoco gold pieces include a large chest pectoral, an H‑shaped nose ornament (itself a face), and dish‑shaped ear ornaments which could have been attached to a cloth headdress. Decorated with rows of circular bosses, the two small sets of holes in the center suggest this plaque would have originally been worn hanging over the chest as a pectoral either fastened to a neckband or garment. When worn together, as many pieces undoubtedly were, they would have created a dazzling golden image.
Adapted from
- Bonnie Pitman, ed., "Ceremonial mask (1976.W.321)," in Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 33.
- Bonnie Pitman, ed., "Headdress ornament with heads flanked by crested crocodiles (1976.W.319)," in Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 34.
- Carol Robbins, "Ceremonial mask (1976.W.321)," in Dallas Museum of Art: A Guide to the Collection, ed. Suzanne Kotz (Dallas, TX: Dallas Museum of Art, 1997), 178.
Fun Facts
Archival Resources
Web Resources
Notes
Calima, 400–700 C.E. (noted on TMS), updated by KJones on 01/14/16.
Catalogue essays
Artist/designers
Cultures
Native Coastal Ecuadorian and Colombian styles: AAT: 300017980
Pre-Columbian Colombian styles: AAT: 300017422
Calima: AAT: 300017424
Pre-Columbian (American): AAT: 300016619
Geography
Colombia (nation): TGN: 1000050
Valle del Cauca (department): TGN: 7005078
Cauca (department): TGN: 1000554
Cordillera Central (mountain range): TGN: 108881
Río Cauca (river): TGN: 1122595
Process/materials
gold: AAT: 300011021
goldwork: AAT: 300044045
repoussé: AAT: 300054023
chasing (metalworking): AAT: 300054016
embossing (technique): AAT: 300053826
sheet metal: AAT: 300223016
metalwork: AAT: 300015336
hammering (metal finishing): AAT: 300054098
Historical periods
Yotoco period (Calima / Pre-Columbian South American styles and periods): DMA
Individuals
Subject terms
sculpture: AAT: 300047090
costume: AAT: 300209261
worn costume accessories: AAT: 300209274
plaque (flat objects): AAT: 300010262
pectorals (jewelry): AAT: 300211902
jewelry: AAT: 300209286
ornaments: AAT: 300266794
decorating (process): AAT: 300056257
geometric motifs: AAT: 300009764
geometric shape: AAT: 300263819
geometric patterns: AAT: 300165213
dots (geometric motif): AAT: 300010145
circles (plane figures): AAT: 300055627
circular (shape): AAT: 300263827
lines (geometric concept): AAT: 300056279
rectangles (parallelograms): AAT: 300055636
bands (decorative): DMA
raised (form attribute): AAT: 300010354
relief (sculpture techniques): AAT: 300053622
bosses (components): AAT: 300047259
funerary objects: AAT: 300234126
ceremonial costume: AAT: 300210387
nobility (nobles / aristocracy): AAT: 300025942
power: AAT: 300374809
prestige: AAT: 300343604
social status: AAT: 300065206
symmetry: AAT: 300056249
light (energy): AAT: 300056024
polishing (finishing): AAT: 300053867
shiny (shine): AAT: 300065244
RELATED OBJECTS
PROVENANCE
Until 1976: Nora and John Wise, New York [1]
From 1976: Dallas Museum of Fine Arts, The Nora and John Wise Collection, gift of Mr. and Mrs. Jake L. Hamon, the Eugene McDermott Family, Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated, and Mr. and Mrs. John D. Murchison [1], [2]
[1] The main source for this provenance is letter from A.L. Woodman, Chief of Valuation Analysis Section of the Internal Revenue Service, to Harry S. Parker, Director of the Dallas Museum of Fine Arts (dated July 23, 1979, copy in Dallas Museum of Art Collections Records Object File, Confidential). Exceptions and other supporting documents are noted.
[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1976.W.332
source file
object_notes_3_a-0654.xml.nores