GENERAL DESCRIPTION
The pre-Hispanic goldwork of Colombia is traditionally classified by archaeological zones, or regions, each with stylistic associations, varying in iconography and technology: Muisca in the central highlands southeast of Bogotá; Zenú (Sinú) and Tairona in northwestern Colombia; and in the southwest, Quimbaya, Calima, Tolima, and Nariño. The richly varied works were primarily objects of personal adornment. Pendants, headdress elements, pectorals, bracelets, anklets, and nose and ear ornaments probably functioned as ceremonial regalia for elite men. In contrast, however, Muisca gold objects consist primarily of votive offerings. Muisca gold objects were usually comprised of a concentrated copper-gold alloy, known as tumbaga, and created by lost-wax casting. Objects often had multiple parts, and the surface was often left unpolished. Since the Muisca region lacked a source of gold, they traded other precious materials to acquire the metal.
Metalworkers favored objects with multiple parts and the addition of dangles, and the surface was often left unpolished, as in this example. This nose ornament features delicate openwork with cut-out motifs and braided elements with filigreelike detail. The disk-shaped ornamental gold dangles attached along the base would have created a dazzling golden image when worn.
Drawn from
- Bonnie Pitman, ed., "Ceremonial mask (1976.W.321)," in Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 33.
- Bonnie Pitman, ed., "Headdress ornament with heads flanked by crested crocodiles (1976.W.319)," in Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 34.
- Carol Robbins, "Ceremonial mask (1976.W.321)," in Dallas Museum of Art: A Guide to the Collection, ed. Suzanne Kotz (Dallas, TX: Dallas Museum of Art, 1997), 178.
- "Bird Pendant (1979.206.509)." In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.http://www.metmuseum.org/toah/works-of-art/1979.206.509/. (August 2009).
- "Bird Pendant (1992.121)." In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.http://www.metmuseum.org/toah/works-of-art/1992.121/. (August 2009).
NOTES
Muisca, 1200–1500, updated by KJones in TMS on 02/09/16, 03/25/16, 03/30/16, and 03/31/16; no period noted.
Catalogue essays
Artist/designers
Cultures
Native Coastal Ecuadorian and Colombian styles: AAT: 300017980
Pre-Columbian Colombian styles: AAT: 300017422
Muisca (Chibcha): AAT: 300017986
Geography
Colombia (nation): TGN: 1000050
Process/materials
gold: AAT: 300011021
goldwork: AAT: 300044045
annealing: AAT: 300053886
repoussé: AAT: 300054023
casting (process): AAT: 300053104
chasing (metalworking): AAT: 300054016
embossing (technique): AAT: 300053826
solder: AAT: 300010993
sheet metal: AAT: 300223016
metalwork: AAT: 300015336
hammering (metal finishing): AAT: 300054098
Lost-wax process: AAT: 300053113
tumbaga: AAT: 300248834
filigree: AAT: 300220293
Historical periods
Individuals
Subject terms
jewelry: AAT: 300209286
ornaments: AAT: 300266794
nose ornaments (jewelry): AAT: 300211628
nose rings (nose ornaments): AAT: 300046005
geometric motifs: AAT: 300009764
circles (plane figures): AAT: 300055627
triangles (polygons): AAT: 300009806
diamonds (motifs): AAT: 300009791
crescent (motif): AAT: 300165510
lines (geometric concept): AAT: 300056279
zigzags (geometric patterns): AAT: 300165028
braids (motifs): AAT: 300400658
disks (object genres): AAT: 300251427
beads (pierced objects): AAT: 300234006
shiny (shine): AAT: 300065244
ceremonial costume: AAT: 300210387
nobility (nobles / aristocracy): AAT: 300025942
power: AAT: 300374809
prestige: AAT: 300343604
social status: AAT: 300065206
symmetry: AAT: 300056249
RELATED OBJECTS
PROVENANCE
Until 1976: Nora and John Wise, New York [1]
From 1976: Dallas Museum of Fine Arts, The Nora and John Wise Collection, gift of Mr. and Mrs. Jake L. Hamon, the Eugene McDermott Family, Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated, and Mr. and Mrs. John D. Murchison [1], [2]
[1] The main source for this provenance is existing information in TMS. Exceptions and other supporting documents are noted.
[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1976.W.478
Category
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General Description
The pre-Hispanic goldwork of Colombia is traditionally classified by archaeological zones, or regions, each with stylistic associations, varying in iconography and technology: Muisca in the central highlands southeast of Bogotá; Zenú (Sinú) and Tairona in northwestern Colombia; and in the southwest, Quimbaya, Calima, Tolima, and Nariño. The richly varied works were primarily objects of personal adornment. Pendants, headdress elements, pectorals, bracelets, anklets, and nose and ear ornaments probably functioned as ceremonial regalia for elite men. In contrast, however, Muisca gold objects consist primarily of votive offerings. Muisca gold objects were usually comprised of a concentrated copper-gold alloy, known as tumbaga, and created by lost-wax casting. Objects often had multiple parts, and the surface was often left unpolished. Since the Muisca region lacked a source of gold, they traded other precious materials to acquire the metal.
Metalworkers favored objects with multiple parts and the addition of dangles, and the surface was often left unpolished, as in this example. This nose ornament features delicate openwork with cut-out motifs and braided elements with filigreelike detail. The disk-shaped ornamental gold dangles attached along the base would have created a dazzling golden image when worn.
Drawn from
- Bonnie Pitman, ed., "Ceremonial mask (1976.W.321)," in Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 33.
- Bonnie Pitman, ed., "Headdress ornament with heads flanked by crested crocodiles (1976.W.319)," in Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 34.
- Carol Robbins, "Ceremonial mask (1976.W.321)," in Dallas Museum of Art: A Guide to the Collection, ed. Suzanne Kotz (Dallas, TX: Dallas Museum of Art, 1997), 178.
- "Bird Pendant (1979.206.509)." In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.http://www.metmuseum.org/toah/works-of-art/1979.206.509/. (August 2009).
- "Bird Pendant (1992.121)." In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.http://www.metmuseum.org/toah/works-of-art/1992.121/. (August 2009).
Fun Facts
Archival Resources
Web Resources
Notes
Muisca, 1200–1500, updated by KJones in TMS on 02/09/16, 03/25/16, 03/30/16, and 03/31/16; no period noted.
Catalogue essays
Artist/designers
Cultures
Native Coastal Ecuadorian and Colombian styles: AAT: 300017980
Pre-Columbian Colombian styles: AAT: 300017422
Muisca (Chibcha): AAT: 300017986
Geography
Colombia (nation): TGN: 1000050
Process/materials
gold: AAT: 300011021
goldwork: AAT: 300044045
annealing: AAT: 300053886
repoussé: AAT: 300054023
casting (process): AAT: 300053104
chasing (metalworking): AAT: 300054016
embossing (technique): AAT: 300053826
solder: AAT: 300010993
sheet metal: AAT: 300223016
metalwork: AAT: 300015336
hammering (metal finishing): AAT: 300054098
Lost-wax process: AAT: 300053113
tumbaga: AAT: 300248834
filigree: AAT: 300220293
Historical periods
Individuals
Subject terms
jewelry: AAT: 300209286
ornaments: AAT: 300266794
nose ornaments (jewelry): AAT: 300211628
nose rings (nose ornaments): AAT: 300046005
geometric motifs: AAT: 300009764
circles (plane figures): AAT: 300055627
triangles (polygons): AAT: 300009806
diamonds (motifs): AAT: 300009791
crescent (motif): AAT: 300165510
lines (geometric concept): AAT: 300056279
zigzags (geometric patterns): AAT: 300165028
braids (motifs): AAT: 300400658
disks (object genres): AAT: 300251427
beads (pierced objects): AAT: 300234006
shiny (shine): AAT: 300065244
ceremonial costume: AAT: 300210387
nobility (nobles / aristocracy): AAT: 300025942
power: AAT: 300374809
prestige: AAT: 300343604
social status: AAT: 300065206
symmetry: AAT: 300056249
RELATED OBJECTS
PROVENANCE
Until 1976: Nora and John Wise, New York [1]
From 1976: Dallas Museum of Fine Arts, The Nora and John Wise Collection, gift of Mr. and Mrs. Jake L. Hamon, the Eugene McDermott Family, Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated, and Mr. and Mrs. John D. Murchison [1], [2]
[1] The main source for this provenance is existing information in TMS. Exceptions and other supporting documents are noted.
[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1976.W.478
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object_notes_3_a-0627.xml.nores