1976.W.605 Nose ornament (Calima, Colombia)

The pre-Hispanic goldwork of Colombia is traditionally classified by archaeological zones, or regions, each with stylistic associations, varying in iconography and technology: Calima, Quimbaya, Tolima, and Nariño in the southwest; Zenú (Sinú) and Tairona in northwestern Colombia; and Muisca in the central highlands southeast of Bogotá. The Calima region encompasses the upper Calima River valley and surrounding areas of the Western Cordillera, extending east to the Cauca River. Calima goldwork, like other styles of southwestern Colombia, is characterized by the use of high-quality gold and a preference for working the metal directly by hammering. 

Research in the Calima region has established several periods of occupation. Calima goldsmiths achieved their foremost accomplishments during the period called Yotoco (100-700 CE). The richly varied works were primarily objects of personal adornment. Pendants, headdress elements, pectorals, bracelets, anklets, and nose and ear ornaments probably functioned as ceremonial regalia for elite men. Typical Yotoco gold pieces include a large chest pectoral, an H‑shaped nose ornament (itself a face), and dish‑shaped ear ornaments which could have been attached to a cloth headdress. Others ornaments were simpler in form and decoration, such as this example. When worn together, as many pieces undoubtedly were, they would have created a dazzling golden image. 

Native Coastal Ecuadorian and Colombian styles: AAT: 300017980

Pre-Columbian Colombian styles: AAT: 300017422

Calima: AAT: 300017424

Pre-Columbian (American): AAT: 300016619

Colombia (nation): TGN: 1000050

Valle del Cauca (department): TGN: 7005078

Cauca (department): TGN: 1000554

Cordillera Central (mountain range): TGN: 108881

Río Cauca (river): TGN: 1122595

gold: AAT: 300011021

goldwork: AAT: 300044045

annealing: AAT: 300053886

casting (process): AAT: 300053104

chasing (metalworking): AAT: 300054016

embossing (technique): AAT: 300053826

repoussé: AAT: 300054023

solder: AAT: 300010993

sheet metal: AAT: 300223016

metalwork: AAT: 300015336

hammering (metal finishing): AAT: 300054098

tumbaga: AAT: 300248834

jewelry: AAT: 300209286

ornaments: AAT: 300266794

nose ornaments (jewelry): AAT: 300211628

nose rings (nose ornaments): AAT: 300046005

worn costume accessories: AAT: 300209274

costume: AAT: 300209261

decorating (process): AAT: 300056257

geometric motifs: AAT: 300009764

geometric shape: AAT: 300263819

geometric patterns: AAT: 300165213

circles (plane figures): AAT: 300055627

circular (shape): AAT: 300263827

lines (geometric concept): AAT: 300056279

funerary objects: AAT: 300234126

ceremonial costume: AAT: 300210387

nobility (nobles / aristocracy): AAT: 300025942

power: AAT: 300374809

prestige: AAT: 300343604

social status: AAT: 300065206

symmetry: AAT: 300056249

shiny (shine): AAT: 300065244

light (energy): AAT: 300056024

Until 1976: Nora and John Wise, New York [1]

From 1976: Dallas Museum of Fine Arts, The Nora and John Wise Collection, gift of Mr. and Mrs. Jake L. Hamon, the Eugene McDermott Family, Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated, and Mr. and Mrs. John D. Murchison [1], [2]

[1] The main source for this provenance is letter from A.L. Woodman, Chief of Valuation Analysis Section of the Internal Revenue Service, to Harry S. Parker, Director of the Dallas Museum of Fine Arts (dated July 23, 1979, copy in Dallas Museum of Art Collections Records Object File, Confidential). Exceptions and other supporting documents are noted.

[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

Apply to objects where number equals 1976.W.605