GENERAL DESCRIPTION
The pre-Hispanic goldwork of Colombia is traditionally classified by archaeological zones, or regions, each with stylistic associations, varying in iconography and technology: Zenú (Sinú) and Tairona in northwestern Colombia, Muisca in the central highlands southeast of Bogotá, and in the southwest, Quimbaya, Calima, Tolima, and Nariño. TThe richly varied works were primarily objects of personal adornment. Pendants, headdress elements, pectorals, bracelets, anklets, and nose and ear ornaments probably functioned as ceremonial regalia for elite men. Tairona goldworkers produced some of the most elaborate gold objects made in the Americas—featuring delicate spirals, intricate line-work, and braided elements in cast filigree, Tairona ornaments often emphasize volume and three-dimensional form, as seen in this example.
Made to be suspended around the neck, the image on this gold pendant is flattened and bilaterally symmetrical for maximum decorative effect. Although not visible from the front, suspension loops are located on the reverse at the base of the bird head—craftsmen thus also cleverly adapted the natural forms of totemic creatures to the functional demands of the jewelry. This pendant depicts a frontal bird wearing an elaborate headdress of concentric spirals with dangles, and large wings extend from either side, while the crescent-shaped base forms the long outspread tail of the figure. Though it in unclear what type of bird is represented, it is likely a bird of prey, indicated by the sharply hooked beak.
Bird pendants, common among the cultures of Intermediate Central America, are found in a variety of sizes and styles and represent a number of different bird species. Both single and double bird pendants are common, though their exact meaning is unknown. Pendants were likely worn on ceremonial occasions, and similar pendants were still being worn at the beginning of the 16th century conquest. Bird imagery remained important to indigenous peoples of the region into the 20th century. For many peoples of the ancient Americas, birds were likely mythic figures, often considered intercessors between sky and land. Bird pendants may have offered protection to the wearer, and when represented in gold, such as this example, they are even more powerful. When worn together, as many of these personal gold ornaments undoubtedly were, they would have created a dazzling golden image.
Drawn from
- Bonnie Pitman, ed., "Ceremonial mask (1976.W.321)," in Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 33.
- Bonnie Pitman, ed., "Headdress ornament with heads flanked by crested crocodiles (1976.W.319)," in Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 34.
- Carol Robbins, "Ceremonial mask (1976.W.321)," in Dallas Museum of Art: A Guide to the Collection, ed. Suzanne Kotz (Dallas, TX: Dallas Museum of Art, 1997), 178.
- Anne R. Bromberg, Dallas Museum of Art: Selected Works (Dallas, TX: Dallas Museum of Art, 1983), 45.
- Carol Robbins, Label text [1976.W.298; 1976.W.297; 1976.W.292], A. H. Meadows Galleries.
- "Nose Ornament (1979.206.545)." In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.http://www.metmuseum.org/toah/works-of-art/1979.206.541,.545/. (August 2009).
- "Eagle Pendant (1977.187.22)." In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.http://www.metmuseum.org/toah/works-of-art/1977.187.22/. (August 2009).
NOTES
1000–1550, Tumbaga, updated by KJones in TMS on 06/19/14 and 01/14/16.
Catalogue essays
Artist/designers
Cultures
Native Coastal Ecuadorian and Colombian styles: AAT: 300017980
Pre-Columbian Colombian styles: AAT: 300017422
Pre-Columbian (American): AAT: 300016619
Tairona: AAT: 300017998
Geography
Colombia (nation): TGN: 1000050
Parque Tayrona (Tairona National Park): TGN: 8697573
Sierra Nevada de Santa Marta (mountain range / Colombia): DMA
Process/materials
tumbaga: AAT: 300248834
gold: AAT: 300011021
annealing: AAT: 300053886
casting (process): AAT: 300053104
chasing (metalworking): AAT: 300054016
embossing (technique): AAT: 300053826
repoussé: AAT: 300054023
solder: AAT: 300010993
sheet metal: AAT: 300223016
metalwork: AAT: 300015336
hammering (metal finishing): AAT: 300054098
Historical periods
Individuals
Subject terms
worn costume accessories: AAT: 300209274
jewelry: AAT: 300209286
pendants (jewelry): AAT: 300046002
shiny (shine): AAT: 300065244
figures (representations): AAT: 300189808
birds (animals): AAT: 300266506
birds (motifs): AAT: 300375751
wings (animal components): AAT: 300375053
beaks (animal components): AAT: 300400475
tails (animal components): AAT: 300251800
ornaments: AAT: 300266794
headdresses: AAT: 300046023
necklaces: AAT: 300046001
collars (neckwear): AAT: 300210058
disks (object genres): AAT: 300251427
beads (pierced objects): AAT: 300234006
geometric motifs: AAT: 300009764
geometric shape: AAT: 300263819
dots (geometric motif): AAT: 300010145
concentric: AAT: 300010274
spirals (geometric figures): AAT: 300163114
scrolls (spirals/motifs): AAT: 300010094
circles (plane figures): AAT: 300055627
lines (geometric concept): AAT: 300056279
crescent (motif): AAT: 300165510
ceremonial costume: AAT: 300210387
nobility (nobles / aristocracy): AAT: 300025942
power: AAT: 300374809
prestige: AAT: 300343604
social status: AAT: 300065206
symmetry: AAT: 300056249
mythical or legendary beings: AAT: 300375725
Falconiformes (order / diurnal birds of prey): AAT: 300310286
raptors (birds): AAT: 300250055
deities: AAT: 300343850
supernatural (concepts): AAT: 300055947
protection: AAT: 300164923
RELATED OBJECTS
PROVENANCE
Until 1976: Nora and John Wise, New York [1]
1976-1989: Dallas Museum of Fine Arts, on long-term loan from the above [1], [2]
From 1989: Dallas Museum of Art, the Nora and John Wise Collection, bequest of Nora Wise [1]
[1] The main source for this provenance is existing information in TMS. Exceptions and other supporting documents are noted.
[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1989.W.474
Category
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General Description
The pre-Hispanic goldwork of Colombia is traditionally classified by archaeological zones, or regions, each with stylistic associations, varying in iconography and technology: Zenú (Sinú) and Tairona in northwestern Colombia, Muisca in the central highlands southeast of Bogotá, and in the southwest, Quimbaya, Calima, Tolima, and Nariño. TThe richly varied works were primarily objects of personal adornment. Pendants, headdress elements, pectorals, bracelets, anklets, and nose and ear ornaments probably functioned as ceremonial regalia for elite men. Tairona goldworkers produced some of the most elaborate gold objects made in the Americas—featuring delicate spirals, intricate line-work, and braided elements in cast filigree, Tairona ornaments often emphasize volume and three-dimensional form, as seen in this example.
Made to be suspended around the neck, the image on this gold pendant is flattened and bilaterally symmetrical for maximum decorative effect. Although not visible from the front, suspension loops are located on the reverse at the base of the bird head—craftsmen thus also cleverly adapted the natural forms of totemic creatures to the functional demands of the jewelry. This pendant depicts a frontal bird wearing an elaborate headdress of concentric spirals with dangles, and large wings extend from either side, while the crescent-shaped base forms the long outspread tail of the figure. Though it in unclear what type of bird is represented, it is likely a bird of prey, indicated by the sharply hooked beak.
Bird pendants, common among the cultures of Intermediate Central America, are found in a variety of sizes and styles and represent a number of different bird species. Both single and double bird pendants are common, though their exact meaning is unknown. Pendants were likely worn on ceremonial occasions, and similar pendants were still being worn at the beginning of the 16th century conquest. Bird imagery remained important to indigenous peoples of the region into the 20th century. For many peoples of the ancient Americas, birds were likely mythic figures, often considered intercessors between sky and land. Bird pendants may have offered protection to the wearer, and when represented in gold, such as this example, they are even more powerful. When worn together, as many of these personal gold ornaments undoubtedly were, they would have created a dazzling golden image.
Drawn from
- Bonnie Pitman, ed., "Ceremonial mask (1976.W.321)," in Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 33.
- Bonnie Pitman, ed., "Headdress ornament with heads flanked by crested crocodiles (1976.W.319)," in Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 34.
- Carol Robbins, "Ceremonial mask (1976.W.321)," in Dallas Museum of Art: A Guide to the Collection, ed. Suzanne Kotz (Dallas, TX: Dallas Museum of Art, 1997), 178.
- Anne R. Bromberg, Dallas Museum of Art: Selected Works (Dallas, TX: Dallas Museum of Art, 1983), 45.
- Carol Robbins, Label text [1976.W.298; 1976.W.297; 1976.W.292], A. H. Meadows Galleries.
- "Nose Ornament (1979.206.545)." In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.http://www.metmuseum.org/toah/works-of-art/1979.206.541,.545/. (August 2009).
- "Eagle Pendant (1977.187.22)." In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.http://www.metmuseum.org/toah/works-of-art/1977.187.22/. (August 2009).
Fun Facts
Archival Resources
Web Resources
Notes
1000–1550, Tumbaga, updated by KJones in TMS on 06/19/14 and 01/14/16.
Catalogue essays
Artist/designers
Cultures
Native Coastal Ecuadorian and Colombian styles: AAT: 300017980
Pre-Columbian Colombian styles: AAT: 300017422
Pre-Columbian (American): AAT: 300016619
Tairona: AAT: 300017998
Geography
Colombia (nation): TGN: 1000050
Parque Tayrona (Tairona National Park): TGN: 8697573
Sierra Nevada de Santa Marta (mountain range / Colombia): DMA
Process/materials
tumbaga: AAT: 300248834
gold: AAT: 300011021
annealing: AAT: 300053886
casting (process): AAT: 300053104
chasing (metalworking): AAT: 300054016
embossing (technique): AAT: 300053826
repoussé: AAT: 300054023
solder: AAT: 300010993
sheet metal: AAT: 300223016
metalwork: AAT: 300015336
hammering (metal finishing): AAT: 300054098
Historical periods
Individuals
Subject terms
worn costume accessories: AAT: 300209274
jewelry: AAT: 300209286
pendants (jewelry): AAT: 300046002
shiny (shine): AAT: 300065244
figures (representations): AAT: 300189808
birds (animals): AAT: 300266506
birds (motifs): AAT: 300375751
wings (animal components): AAT: 300375053
beaks (animal components): AAT: 300400475
tails (animal components): AAT: 300251800
ornaments: AAT: 300266794
headdresses: AAT: 300046023
necklaces: AAT: 300046001
collars (neckwear): AAT: 300210058
disks (object genres): AAT: 300251427
beads (pierced objects): AAT: 300234006
geometric motifs: AAT: 300009764
geometric shape: AAT: 300263819
dots (geometric motif): AAT: 300010145
concentric: AAT: 300010274
spirals (geometric figures): AAT: 300163114
scrolls (spirals/motifs): AAT: 300010094
circles (plane figures): AAT: 300055627
lines (geometric concept): AAT: 300056279
crescent (motif): AAT: 300165510
ceremonial costume: AAT: 300210387
nobility (nobles / aristocracy): AAT: 300025942
power: AAT: 300374809
prestige: AAT: 300343604
social status: AAT: 300065206
symmetry: AAT: 300056249
mythical or legendary beings: AAT: 300375725
Falconiformes (order / diurnal birds of prey): AAT: 300310286
raptors (birds): AAT: 300250055
deities: AAT: 300343850
supernatural (concepts): AAT: 300055947
protection: AAT: 300164923
RELATED OBJECTS
PROVENANCE
Until 1976: Nora and John Wise, New York [1]
1976-1989: Dallas Museum of Fine Arts, on long-term loan from the above [1], [2]
From 1989: Dallas Museum of Art, the Nora and John Wise Collection, bequest of Nora Wise [1]
[1] The main source for this provenance is existing information in TMS. Exceptions and other supporting documents are noted.
[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
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Equals
1989.W.474
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object_notes_3_a-0603.xml.nores