GENERAL DESCRIPTION
This black-on-black jar by famed Pueblo artist Maria Martinez combines ancient Indian symbolism and ceramic techniques with a sleek austerity akin to 20th-century American design aesthetics. Martinez began experimenting with blackware following a commission from archaeologists to re-create ancient Indian pottery excavated near San Ildefonso, New Mexico. Working with members of her family, here her husband, Julian, Martinez spent seventy years practicing early firing processes and perfecting hew own iconic polished designs set within a matte band and a polished background.
This impressive blackware jar has a wide lip that slopes outward through the neck and shoulder of the vessel. From the prominent shoulder, the jar tapers elegantly back to rest on a narrow base. Only the upper zones of the vessel bear decoration, utilizing the black-on-black painting technique developed by Julian Martinez between 1919 and 1921. The burnished black surface, which provides an impressive sheen to the vessel, is visually contrasted by textured surfaces resulting from applied slip paints. The contrasting textures form bold geometric or abstract patterns around the wide prominent neck of the jar, capturing and reflecting light in complementary opposition. The designs feature broad diamonds, zigzags, and swirls. Two parallel bands—one formed by a solid painted surface and the other by evenly-spaced squares—encircle the shoulder of the vessel, framing the painted surface. This necklace jar with its fluid contour was a common form made by Maria throughout her career. Over her lifetime, Martinez's exemplary craftsmanship became an emblem for Pueblo artistry and cultural heritage.
Adapted from
- Kimberly L. Jones, PhD, Label text, 2017, A. H. Meadows Galleries.
- Kimberly L. Jones, PhD, DMA unpublished material.
NOTES
- San Ildefonso Pueblo, c. 1920 (noted on TMS), updated by KJones on 12/01/15 and 07/27/16.
- DMA unpublished material: TMS / Front Card / Description.
Catalogue essays
Artist/designers
Martinez_María: ULAN: 500127102
Martinez_Julian: ULAN: 500127100
Cultures
Southwestern North American styles (Pre-Columbian): AAT: 300016920
Pueblo (Native American style): AAT: 300017746
San Ildefonso (Rio Grande Pueblo culture / Native American style): AAT: 300017754
Geography
New Mexico (state/United States): TGN: 7007566
Southwest (general region): TGN: 4010660
San Ildefonso Pueblo (inhabited place): TGN: 7014551
San Ildefonso Indian Reservation: TGN: 2067485
Process/materials
ceramic (material): AAT: 300235507
clay: AAT: 300010439
slip (clay): AAT: 300010459
slip glaze: AAT: 300015110
paint (coating): AAT: 300015029
modeling (forming): AAT: 300053130
coiling (pottery technique): AAT: 300053903
firing (technique): AAT: 300053887
burnishing (polishing): AAT: 300053869
Historical periods
Individuals
Subject terms
vessels (containers): AAT: 300193015
jars (vessels): AAT: 300195347
ritual vessels: AAT: 300265801
ritual objects: AAT: 300312158
portable: AAT: 300256252
black (color): AAT: 300130920
geometric abstraction: AAT: 300056509
geometric motifs: AAT: 300009764
geometric patterns: AAT: 300165213
geometric shape: AAT: 300263819
diamonds (motifs): AAT: 300009791
zigzags (geometric patterns): AAT: 300165028
scrolls (spirals/motifs): AAT: 300010094
spirals (geometric figures): AAT: 300163114
parallel (positional attributes): AAT: 300010284
lines (geometric concept): AAT: 300056279
bands (decorative): DMA
squares (geometric figures): AAT: 300055637
triangles (polygons): AAT: 300009806
circles (plane figures): AAT: 300055627
dots (geometric motif): AAT: 300010145
frets (pattern): AAT: 300010155
fretwork: AAT: 300165040
stepped frets (meanders (patterns)/motifs): AAT: 300010171
step pattern: AAT: 300010229
borders (ornament areas): AAT: 300010252
lip spouts: AAT: 300203343
decorating (process): AAT: 300056257
shiny (shine): AAT: 300065244
surface texture: AAT: 300219406
San Ildefonso Polychrome (ceramic type / Southwestern North American style): DMA
oxides (compounds): AAT: 300400890
pigment: AAT: 300013109
repetition (artistic concept): AAT: 300400861
design (discipline): AAT: 300054171
archaeology (social sciences): AAT: 300054328
ancient (style and period): AAT: 300106711
polishing (finishing): AAT: 300053867
matte (optical property): AAT: 300065241
emblems (symbols): AAT: 300123036
culture: AAT: 300055768
RELATED OBJECTS
PROVENANCE
From 1929-d. 1948: Frederick Bradley Orman, Sr. (d. 1948) and Ella Catherine Matty Orman, Pueblo, Colorado and Franklinton, Louisiana, purchased from the artists [1]
1948-d. 1983: his son, Frederick Bradley Orman, Jr., Pueblo, Colorado and Franklinton, Louisiana, by inheritance [1]
1983-2014: his daughter, Cathy Orman Castille, Baton Rouge, by inheritance [1]
From 2014: Dallas Museum of Art, The Otis and Velma Davis Dozier Fund, purchased from Shango Galleries, Dallas (John A. Buxton, dealer) [1]
[1] The main source for this provenance is existing provenance information in TMS. Exceptions and other supporting documents are noted.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 2014.26.3
Category
rules_operator
AND
General Description
This black-on-black jar by famed Pueblo artist Maria Martinez combines ancient Indian symbolism and ceramic techniques with a sleek austerity akin to 20th-century American design aesthetics. Martinez began experimenting with blackware following a commission from archaeologists to re-create ancient Indian pottery excavated near San Ildefonso, New Mexico. Working with members of her family, here her husband, Julian, Martinez spent seventy years practicing early firing processes and perfecting hew own iconic polished designs set within a matte band and a polished background.
This impressive blackware jar has a wide lip that slopes outward through the neck and shoulder of the vessel. From the prominent shoulder, the jar tapers elegantly back to rest on a narrow base. Only the upper zones of the vessel bear decoration, utilizing the black-on-black painting technique developed by Julian Martinez between 1919 and 1921. The burnished black surface, which provides an impressive sheen to the vessel, is visually contrasted by textured surfaces resulting from applied slip paints. The contrasting textures form bold geometric or abstract patterns around the wide prominent neck of the jar, capturing and reflecting light in complementary opposition. The designs feature broad diamonds, zigzags, and swirls. Two parallel bands—one formed by a solid painted surface and the other by evenly-spaced squares—encircle the shoulder of the vessel, framing the painted surface. This necklace jar with its fluid contour was a common form made by Maria throughout her career. Over her lifetime, Martinez's exemplary craftsmanship became an emblem for Pueblo artistry and cultural heritage.
Adapted from
- Kimberly L. Jones, PhD, Label text, 2017, A. H. Meadows Galleries.
- Kimberly L. Jones, PhD, DMA unpublished material.
Fun Facts
Archival Resources
Web Resources
Notes
- San Ildefonso Pueblo, c. 1920 (noted on TMS), updated by KJones on 12/01/15 and 07/27/16.
- DMA unpublished material: TMS / Front Card / Description.
Catalogue essays
Artist/designers
Martinez_María: ULAN: 500127102
Martinez_Julian: ULAN: 500127100
Cultures
Southwestern North American styles (Pre-Columbian): AAT: 300016920
Pueblo (Native American style): AAT: 300017746
San Ildefonso (Rio Grande Pueblo culture / Native American style): AAT: 300017754
Geography
New Mexico (state/United States): TGN: 7007566
Southwest (general region): TGN: 4010660
San Ildefonso Pueblo (inhabited place): TGN: 7014551
San Ildefonso Indian Reservation: TGN: 2067485
Process/materials
ceramic (material): AAT: 300235507
clay: AAT: 300010439
slip (clay): AAT: 300010459
slip glaze: AAT: 300015110
paint (coating): AAT: 300015029
modeling (forming): AAT: 300053130
coiling (pottery technique): AAT: 300053903
firing (technique): AAT: 300053887
burnishing (polishing): AAT: 300053869
Historical periods
Individuals
Subject terms
vessels (containers): AAT: 300193015
jars (vessels): AAT: 300195347
ritual vessels: AAT: 300265801
ritual objects: AAT: 300312158
portable: AAT: 300256252
black (color): AAT: 300130920
geometric abstraction: AAT: 300056509
geometric motifs: AAT: 300009764
geometric patterns: AAT: 300165213
geometric shape: AAT: 300263819
diamonds (motifs): AAT: 300009791
zigzags (geometric patterns): AAT: 300165028
scrolls (spirals/motifs): AAT: 300010094
spirals (geometric figures): AAT: 300163114
parallel (positional attributes): AAT: 300010284
lines (geometric concept): AAT: 300056279
bands (decorative): DMA
squares (geometric figures): AAT: 300055637
triangles (polygons): AAT: 300009806
circles (plane figures): AAT: 300055627
dots (geometric motif): AAT: 300010145
frets (pattern): AAT: 300010155
fretwork: AAT: 300165040
stepped frets (meanders (patterns)/motifs): AAT: 300010171
step pattern: AAT: 300010229
borders (ornament areas): AAT: 300010252
lip spouts: AAT: 300203343
decorating (process): AAT: 300056257
shiny (shine): AAT: 300065244
surface texture: AAT: 300219406
San Ildefonso Polychrome (ceramic type / Southwestern North American style): DMA
oxides (compounds): AAT: 300400890
pigment: AAT: 300013109
repetition (artistic concept): AAT: 300400861
design (discipline): AAT: 300054171
archaeology (social sciences): AAT: 300054328
ancient (style and period): AAT: 300106711
polishing (finishing): AAT: 300053867
matte (optical property): AAT: 300065241
emblems (symbols): AAT: 300123036
culture: AAT: 300055768
RELATED OBJECTS
PROVENANCE
From 1929-d. 1948: Frederick Bradley Orman, Sr. (d. 1948) and Ella Catherine Matty Orman, Pueblo, Colorado and Franklinton, Louisiana, purchased from the artists [1]
1948-d. 1983: his son, Frederick Bradley Orman, Jr., Pueblo, Colorado and Franklinton, Louisiana, by inheritance [1]
1983-2014: his daughter, Cathy Orman Castille, Baton Rouge, by inheritance [1]
From 2014: Dallas Museum of Art, The Otis and Velma Davis Dozier Fund, purchased from Shango Galleries, Dallas (John A. Buxton, dealer) [1]
[1] The main source for this provenance is existing provenance information in TMS. Exceptions and other supporting documents are noted.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2014.26.3
source file
object_notes_3_a-0573.xml.nores