1984.W.148 Jar with human figure holding sling (Peru, Nasca)


GENERAL DESCRIPTION
Slings were common weapons for ancient Andean populations since the Formative Period (c. 300 BCE). This Nazca (Nasca) vessel shows a sling held in the figure’s hands, while other Nazca and Huari (Wari) vessels illustrate slings wrapped around the head. Lightweight and portable, slings provided effective tools for combat in a rock-filled Andean landscape. The wide central band would support the stones used as weapons. While the longer strap or end with a loop was secured around the fingers, the short strap was released to launch the stone.

Adapted from
Kimberly L. Jones, PhD, Inca: Conquests of the Andes / Los Incas y las conquistas de los Andes, Label text [1983.W.2168; 1983.W.2167; 1989.W.2349; 1984.W.148], 2015.

NOTES
  • Nasca, Early Intermediate Period, 100 B.C.E.–200 C.E., updated by KJones in TMS on 11/29/13 and 02/26/16.
  • Updated geography in TMS to reflect Inca label -- Perú: south coast.
  • Fun Facts Source: Junius B. Bird Report, 1/26/1976, p. 35, TMS, Notes / Text Entries, Attribution.

Catalogue essays

Artist/designers

Cultures
Nazca (Nasca): AAT: 300017290

Geography
Peru (nation): TGN: 1000056
Nazca: TGN: 7033105

Process/materials
ceramic (material): AAT: 300235507
clay: AAT: 300010439
slip (clay): AAT: 300010459
slip glaze: AAT: 300015110
mineral pigment: AAT: 300375550
paint (coating): AAT: 300015029

Historical periods
Early Intermediate period (Pre-Columbian Andean styles and periods): AAT: 300017280

Individuals

Subject terms
vessels (containers): AAT: 300193015
effigy: AAT: 300047108
slings (projectile weapons): AAT: 300037216
sitting: AAT: 300263970
figures: AAT: 300189808
human figures: AAT: 300404114
male: AAT: 300189559
warriors: AAT: 300261945
combat: AAT: 300379752
rock (inorganic material): AAT: 300011692
stone: AAT: 300011176
headdress: AAT: 300046023
Wari (Huari): AAT: 300017283

RELATED OBJECTS

PROVENANCE
Until 1984: Nora and John Wise, New York [1], [2]

From 1984: Dallas Museum of Art, the Nora and John Wise Collection, gift of Nora Wise [1], [2], [3]

[1] The main source for this provenance is Acquisition Record (dated December 27, 1984), copy in Dallas Museum of Art Collections Records Object File, Confidential). Exceptions and other supporting documents are noted.

[2] The main source for this provenance is letter from John Lunsford, Senior Curator of the Dallas Museum of Art, to Nora Wise (dated December 29, 1984), copy in Dallas Museum of Art Collections Records Object File, Confidential). Exceptions and other supporting documents are noted.

[3] The main source for this provenance is Deed of Gift (dated December 28, 1984), copy in Dallas Museum of Art Collections Records Object File, Confidential). Exceptions and other supporting documents are noted.

AUDIO ASSETS

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES

ARCHIVAL RESOURCES

FUN FACTS
  • In his 1976 report, Junius B. Bird, curator emeritus of South American archaeology at the American Museum of Natural History, notes: "Nazca III-IV.  1 large modeled jar, JWA 6, a seated man holding a sling.  Has been restored with some parts filled in, the surface in part retouched."

TEACHING IDEAS

RULES
Apply to objects where number equals 1984.W.148



Category
rules_operator
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General Description
Slings were common weapons for ancient Andean populations since the Formative Period (c. 300 BCE). This Nazca (Nasca) vessel shows a sling held in the figure’s hands, while other Nazca and Huari (Wari) vessels illustrate slings wrapped around the head. Lightweight and portable, slings provided effective tools for combat in a rock-filled Andean landscape. The wide central band would support the stones used as weapons. While the longer strap or end with a loop was secured around the fingers, the short strap was released to launch the stone.

Adapted from
Kimberly L. Jones, PhD, Inca: Conquests of the Andes / Los Incas y las conquistas de los Andes, Label text [1983.W.2168; 1983.W.2167; 1989.W.2349; 1984.W.148], 2015.

Fun Facts
  • In his 1976 report, Junius B. Bird, curator emeritus of South American archaeology at the American Museum of Natural History, notes: "Nazca III-IV.  1 large modeled jar, JWA 6, a seated man holding a sling.  Has been restored with some parts filled in, the surface in part retouched."

Archival Resources

Web Resources

Notes
  • Nasca, Early Intermediate Period, 100 B.C.E.–200 C.E., updated by KJones in TMS on 11/29/13 and 02/26/16.
  • Updated geography in TMS to reflect Inca label -- Perú: south coast.
  • Fun Facts Source: Junius B. Bird Report, 1/26/1976, p. 35, TMS, Notes / Text Entries, Attribution.

Catalogue essays

Artist/designers

Cultures
Nazca (Nasca): AAT: 300017290

Geography
Peru (nation): TGN: 1000056
Nazca: TGN: 7033105

Process/materials
ceramic (material): AAT: 300235507
clay: AAT: 300010439
slip (clay): AAT: 300010459
slip glaze: AAT: 300015110
mineral pigment: AAT: 300375550
paint (coating): AAT: 300015029

Historical periods
Early Intermediate period (Pre-Columbian Andean styles and periods): AAT: 300017280

Individuals

Subject terms
vessels (containers): AAT: 300193015
effigy: AAT: 300047108
slings (projectile weapons): AAT: 300037216
sitting: AAT: 300263970
figures: AAT: 300189808
human figures: AAT: 300404114
male: AAT: 300189559
warriors: AAT: 300261945
combat: AAT: 300379752
rock (inorganic material): AAT: 300011692
stone: AAT: 300011176
headdress: AAT: 300046023
Wari (Huari): AAT: 300017283

RELATED OBJECTS

PROVENANCE
Until 1984: Nora and John Wise, New York [1], [2]

From 1984: Dallas Museum of Art, the Nora and John Wise Collection, gift of Nora Wise [1], [2], [3]

[1] The main source for this provenance is Acquisition Record (dated December 27, 1984), copy in Dallas Museum of Art Collections Records Object File, Confidential). Exceptions and other supporting documents are noted.

[2] The main source for this provenance is letter from John Lunsford, Senior Curator of the Dallas Museum of Art, to Nora Wise (dated December 29, 1984), copy in Dallas Museum of Art Collections Records Object File, Confidential). Exceptions and other supporting documents are noted.

[3] The main source for this provenance is Deed of Gift (dated December 28, 1984), copy in Dallas Museum of Art Collections Records Object File, Confidential). Exceptions and other supporting documents are noted.

AUDIO ASSETS

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1984.W.148
tags
#draft
#completed
@Higgins
*Arts of the Americas
%copyedited_Gail
ceramic (material): AAT: 300235507
clay: AAT: 300010439
slip (clay): AAT: 300010459
slip glaze: AAT: 300015110
paint (coating): AAT: 300015029
effigies (funerary sculpture): AAT: 300047108
figures (representations): AAT: 300189808
effigies (general portraits): 300404933
%Archived
vessels (containers): AAT: 300193015
sitting (seated): AAT: 300263970
male: AAT: 300189559
headdresses: AAT: 300046023
human figures: AAT: 300404114
rock (inorganic material): AAT: 300011692
Peru (nation): TGN: 1000056
Early Intermediate period (Pre-Columbian Andean styles and periods): AAT: 300017280
Wari (Huari): AAT: 300017283
stone: AAT: 300011176
warriors: AAT: 300261945
Nazca (Nasca): AAT: 300017290
Nazca: TGN: 7033105
mineral pigment: AAT: 300375550
combat: AAT: 300379752
slings (projectile weapons): AAT: 300037216
source file
object_notes_3_a-0570.xml.nores