1969.S.42 Tusk with multiple scenes carved in relief


GENERAL DESCRIPTION  
Life on the Loango Coast in the late 19th century is recorded on a spiral that winds around this tusk from the base to the tip. Rendered naturalistically, the figures include men in wrapper skirts, some with European-style jackets and hats; a caravan of porters carrying loads on their heads; a man carried in a hammock; African captives in chains; and a bald man at the top. Tusks usually do not tell a continuous story but depict subjects selected by the patron—foreign or African. This one shows the patron traveling along the "coil of life." Caravans of trade goods and captives are the source of this individual's wealth. His journey ends at the top of the tusk where he is reclining in the hammock rather than sitting African-fashion; now as a bald, deceased elder, he has entered the realm of the ancestors, escorted by two businessmen.

Adapted from
Roslyn A. Walker, Label text, Arts of Africa, 2015.

NOTES

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PROVENANCE 
n.d.: Clark and Frances Stillman Collection, Dallas, Texas/New York

1969: Dallas Museum of Fine Arts, gift of Eugene and Margaret McDermott [1]

[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

AUDIO ASSETS 
Souvenir: A Carved Tusk from the Loango Coast of Africa , 13317797: UMO

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Apply to objects where number equals 1969.S.42

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General Description
 
Life on the Loango Coast in the late 19th century is recorded on a spiral that winds around this tusk from the base to the tip. Rendered naturalistically, the figures include men in wrapper skirts, some with European-style jackets and hats; a caravan of porters carrying loads on their heads; a man carried in a hammock; African captives in chains; and a bald man at the top. Tusks usually do not tell a continuous story but depict subjects selected by the patron—foreign or African. This one shows the patron traveling along the "coil of life." Caravans of trade goods and captives are the source of this individual's wealth. His journey ends at the top of the tusk where he is reclining in the hammock rather than sitting African-fashion; now as a bald, deceased elder, he has entered the realm of the ancestors, escorted by two businessmen.

Adapted from
Roslyn A. Walker, Label text, Arts of Africa, 2015.

Fun Facts

Archival Resources

Web Resources
 

Notes

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
n.d.: Clark and Frances Stillman Collection, Dallas, Texas/New York

1969: Dallas Museum of Fine Arts, gift of Eugene and Margaret McDermott [1]

[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

AUDIO ASSETS 
Souvenir: A Carved Tusk from the Loango Coast of Africa , 13317797: UMO

VIDEO ASSETS

rules
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Objects
number
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1969.S.42
tags
ivory (material): AAT: 300011857
#draft
#completed
%copyedited_Gail
%Archived
trade (function): AAT: 300061886
men: AAT: 300025928
carving (processes): AAT: 300053149
captive (prisoners of war): AAT: 300259895
@Bilal-Gore
travel: AAT: 300080094
*Arts of Africa
wealth: AAT: 300055767
naturalism (artistic form of expression): AAT: 300311115
Democratic Republic of the Congo (nation): TGN: 1000159
clothing: AAT: 300266639
tusks (animal components): AAT: 300400464
journeys (events-activities): AAT: 300162867
life (biological concepts): AAT: 300055134
history (discipline): AAT: 300054394
porters (baggage carriers): AAT: 300025868
Kongo: AAT: 300016229
Vili peoples: AAT: 300016238
source file
object_notes_3_a-0534.xml.nores