GENERAL DESCRIPTION
This sculpture is one of seventeen standing female figures attributed to the Master of Ogol, an artist who worked in villages located on the Bandiagara Escarpment. Standing on slightly bent legs, each figure has a bullet-shaped head under a crested arrow-shaped "catfish" coiffure ending in a long braid at the back. The face has holes for eyes and a nose with broad nostrils parallel to the equally wide lips. Beneath a prominent chin is a long labret, an ornament worn in a perforation of the lip. The arms are held away from the elongated torso and bent at the elbow, with the hands placed at either side of the abdomen. Most figures have perforated ears for earrings and wear bracelets on the arms, just above the elbows.
The function of these figures, which are said to represent the first female ancestor, is not precisely known. They are placed on altars kept by women and used in both fertility and mortuary rituals.
Excerpt from
- Roslyn A. Walker, Label text, Arts of Africa, 2015.
NOTES
Catalogue essays
Artist/designers
Master of Ogol (active mid- to late 19th century)
Cultures
Geography
Process/materials
Historical periods
Individuals
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RELATED OBJECTS
PROVENANCE
n.d.: Schindler Collection, New York
1974: Dallas Museum of Fine Arts, the Gustave and Franyo Schindler Collection of African Sculpture, gift of the McDermott Foundation [1]
[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
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General Description
This sculpture is one of seventeen standing female figures attributed to the Master of Ogol, an artist who worked in villages located on the Bandiagara Escarpment. Standing on slightly bent legs, each figure has a bullet-shaped head under a crested arrow-shaped "catfish" coiffure ending in a long braid at the back. The face has holes for eyes and a nose with broad nostrils parallel to the equally wide lips. Beneath a prominent chin is a long labret, an ornament worn in a perforation of the lip. The arms are held away from the elongated torso and bent at the elbow, with the hands placed at either side of the abdomen. Most figures have perforated ears for earrings and wear bracelets on the arms, just above the elbows.
The function of these figures, which are said to represent the first female ancestor, is not precisely known. They are placed on altars kept by women and used in both fertility and mortuary rituals.
Excerpt from
- Roslyn A. Walker, Label text, Arts of Africa, 2015.
Fun Facts
Archival Resources
Web Resources
Notes
Catalogue essays
Artist/designers
Master of Ogol (active mid- to late 19th century)
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
n.d.: Schindler Collection, New York
1974: Dallas Museum of Fine Arts, the Gustave and Franyo Schindler Collection of African Sculpture, gift of the McDermott Foundation [1]
[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
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VIDEO ASSETS
rules
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Objects
number
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1974.Sc.5
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object_notes_3_a-0527.xml.nores