GENERAL DESCRIPTION
This janus, or bi-faced, reliquary guardian figure is one of the most abstract depictions of the human figure in African art. Its facial features are minimized, and its body is reduced to a diamond-shaped lozenge. The flared crescent above its head represents a headdress, and cylindrical ear ornaments hang beneath the coiffure. The figure was carved from a single piece of wood and is decorated with expensive iron, copper, and brass acquired through trade with Europeans.
The two faces of janus reliquary guardians and their respective headdress decorations are different: one side is concave and the other is convex. Whether the two sides symbolize male and female, past and future, or life and death is not known.
Sacred relics of esteemed ancestors were preserved in woven baskets in the belief that the extraordinary powers of certain ancestors survived after their death and could be accessed by their descendants during a crisis.
Excerpt from
Roslyn A. Walker, Label text, Arts of Africa, 2015.
NOTES
Exhibition - Face to Face: International Art at the DMA
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Around 1915-1987: Private collection, France [1]
1987-1997: Armand P. Arman Collection, New York [2]
1997-2005: Private collection, France, purchased through Tambaran Gallery (Maureen Zarember and Damon Brandt), New York [2], [3]
[1] Collected by a French employee of the Société du haut-Ogoué and remained in the family until sold at auction in 1987. See the copy of the Acquisition Proposal in the Collections Records object file.
[2] See the copy of the invoice dated April 6, 2005, from Damon Brandt Arts, Inc. in the Collections Records object file.
[3] Works of art given or purchased by The Eugene and Margaret McDermott Art Fund, Inc., a non-profit organization, are placed in the custody of the DMA for the purpose of public display on the premises of the Museum or in other recognized art galleries or museums. The title to all works of art purchased (or otherwise acquired) by the McDermott Art Fund remains with the Fund.
AUDIO ASSETS
VIDEO ASSETS
- Curator Roslyn Walker discusses this figure, 12937198: UMO
- Janus Reliquary Figure: The Metals, 12937206: UMO
IMAGE ASSETS
WEB RESOURCES
BBC Front Row~See an image of this figure as it was displayed when in the collection of the artist Arman (1928-2005).
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 2005.36.McD
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General Description
This janus, or bi-faced, reliquary guardian figure is one of the most abstract depictions of the human figure in African art. Its facial features are minimized, and its body is reduced to a diamond-shaped lozenge. The flared crescent above its head represents a headdress, and cylindrical ear ornaments hang beneath the coiffure. The figure was carved from a single piece of wood and is decorated with expensive iron, copper, and brass acquired through trade with Europeans.
The two faces of janus reliquary guardians and their respective headdress decorations are different: one side is concave and the other is convex. Whether the two sides symbolize male and female, past and future, or life and death is not known.
Sacred relics of esteemed ancestors were preserved in woven baskets in the belief that the extraordinary powers of certain ancestors survived after their death and could be accessed by their descendants during a crisis.
Excerpt from
Roslyn A. Walker, Label text, Arts of Africa, 2015.
Fun Facts
Archival Resources
Web Resources
BBC Front Row~See an image of this figure as it was displayed when in the collection of the artist Arman (1928-2005).
Notes
Exhibition - Face to Face: International Art at the DMA
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Around 1915-1987: Private collection, France [1]
1987-1997: Armand P. Arman Collection, New York [2]
1997-2005: Private collection, France, purchased through Tambaran Gallery (Maureen Zarember and Damon Brandt), New York [2], [3]
[1] Collected by a French employee of the Société du haut-Ogoué and remained in the family until sold at auction in 1987. See the copy of the Acquisition Proposal in the Collections Records object file.
[2] See the copy of the invoice dated April 6, 2005, from Damon Brandt Arts, Inc. in the Collections Records object file.
[3] Works of art given or purchased by The Eugene and Margaret McDermott Art Fund, Inc., a non-profit organization, are placed in the custody of the DMA for the purpose of public display on the premises of the Museum or in other recognized art galleries or museums. The title to all works of art purchased (or otherwise acquired) by the McDermott Art Fund remains with the Fund.
AUDIO ASSETS
VIDEO ASSETS
- Curator Roslyn Walker discusses this figure, 12937198: UMO
- Janus Reliquary Figure: The Metals, 12937206: UMO
rules
Apply To
Objects
number
Equals
2005.36.McD
source file
object_notes_3_a-0517.xml.nores