2004.20.A-D Lothar Baumgarten, "I like it better here than in Westphalia," Eldorado 1968-1976


GENERAL DESCRIPTION  
Using three slide projectors, a multi-layered sound recording, and 187 slides, Lothar Baumgarten has created a tour of what appears to be a primeval paradise. Slow yet cinematic, the work plays on the intersection between nature and culture via the depiction of landscape. As the idyllic gives way to the analytic, incongruous details show themselves in the sequential changing images: certain geometric objects and even plastics emerge in this supposedly untouched realm. Finally, the sound of a jet flying overhead destroys any sense of remoteness and confirms that the landscape is much closer to "civilization." In reality, the "exotic" locale is an industrial wasteland surrounding Düsseldorf airport, transformed by Baumgarten into a rendering of a completely fabricated, natural world.

Adapted from
Charles Wylie, DMA unpublished material, 2004.

NOTES
Fast Forward, 2005, Archive ID: 11749; TMS ID: 205;

*Tate translates title "I like it better there than in Westphalia" 

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Artist/designers

Cultures

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PROVENANCE 
Until 2004: Lothar Baumgarten (b. 1944)

2004: Dallas Museum of Art, purchased through Marian Goodman Gallery, New York [1]

[1] See the copy of the invoice dated May 27, 2004 in the Collections Records object file (2004.20.A-D).

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General Description
 
Using three slide projectors, a multi-layered sound recording, and 187 slides, Lothar Baumgarten has created a tour of what appears to be a primeval paradise. Slow yet cinematic, the work plays on the intersection between nature and culture via the depiction of landscape. As the idyllic gives way to the analytic, incongruous details show themselves in the sequential changing images: certain geometric objects and even plastics emerge in this supposedly untouched realm. Finally, the sound of a jet flying overhead destroys any sense of remoteness and confirms that the landscape is much closer to "civilization." In reality, the "exotic" locale is an industrial wasteland surrounding Düsseldorf airport, transformed by Baumgarten into a rendering of a completely fabricated, natural world.

Adapted from
Charles Wylie, DMA unpublished material, 2004.

Fun Facts

Archival Resources

Web Resources
 

Notes
Fast Forward, 2005, Archive ID: 11749; TMS ID: 205;

*Tate translates title "I like it better there than in Westphalia" 

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 2004: Lothar Baumgarten (b. 1944)

2004: Dallas Museum of Art, purchased through Marian Goodman Gallery, New York [1]

[1] See the copy of the invoice dated May 27, 2004 in the Collections Records object file (2004.20.A-D).

AUDIO ASSETS 

VIDEO ASSETS

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2004.20.A-D
tags
#draft
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sculpture: AAT: 300047090
%Archived
@Bilal-Gore
*Contemporary Art
landscapes (representations): AAT: 300015636
time-based works: AAT: 300185191
installations (visual works): AAT: 300047896
landscapes (environments): AAT: 300008626
sound (acoustics): AAT: 300056060
nature: AAT: 300179372
photography (discipline): AAT: 300389795
Dusseldorf: TGN: 7004443
Baumgarten_Lothar: ULAN: 500088417
airports: AAT: 300000681
slides (photographs): AAT: 300128371
wasteland: AAT: 300008654
source file
object_notes_3_a-0505.xml.nores