1983.56, Ellsworth Kelly, Untitled, 1983


GENERAL DESCRIPTION  
Ellsworth Kelly created this imposing yet playful sculpture specifically for the 1984 opening of the Dallas Museum of Art's Edward Larrabee Barnes building. The sculpture is part of a series of works informally called "rockers," which Kelly began in the late 1950s. Based on the form of a child's rocking toy, the first of these sculptures, dating from 1959, is titled Pony, an unambiguous reference to the shape of a hobby horse. This untitled piece of similar form is made of two simple joined arcs that rise at one end to a height of nearly ten feet.

In almost all his work, whether painting or sculpture, Kelly takes his formal cues from an object (such as a kite) or from a certain phenomenon (such as a shadow on a wall) that he finds outside his studio. In the Dallas sculpture, Kelly retains the functional aspect of a rocking toy (this work could rock back and forth if it were not bolted to the ground) and pares down its form to a series of simple outlines. Viewing the work head on, its two arcs seem to be symmetrical. Moving around the work, one becomes aware that they are not: Kelly's curves play with the viewer's perception by swinging outward into space and then back again in graceful juxtaposition. By exploiting the way static shapes can seem to move in space, and by executing the work at this scale, Kelly has conceived a sculpture that, for all its origin in real life, functions only according to its own rules. The result is a beautifully proportioned, refined, and endlessly challenging work of art.

Excerpt from
Charles Wylie, "Untitled," in Dallas Museum of Art: A Guide to the Collection, ed. Charles Venable (New Haven, NJ: Yale University Press, 1997), 292.

NOTES
  • updated provenance. updated geo x ref to: North Haven, Connecticut (this is where the work was excecuted, by Lippincott

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PROVENANCE 
1982: Dallas Museum of Fine Arts Commission, Blum Helman Gallery [1] [2]

From 1983: Dallas Museum of Art, commission made possible through funds donated by Michael J. Collins and matching grants from The 500, Inc., and the 1982 Tiffany & Company benefit opening

[1] See invoice #890 from Blum Helman Gallery, October 1982
[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

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FUN FACTS
This sculpture weighs 17,000 pounds!

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General Description
 
Ellsworth Kelly created this imposing yet playful sculpture specifically for the 1984 opening of the Dallas Museum of Art's Edward Larrabee Barnes building. The sculpture is part of a series of works informally called "rockers," which Kelly began in the late 1950s. Based on the form of a child's rocking toy, the first of these sculptures, dating from 1959, is titled Pony, an unambiguous reference to the shape of a hobby horse. This untitled piece of similar form is made of two simple joined arcs that rise at one end to a height of nearly ten feet.

In almost all his work, whether painting or sculpture, Kelly takes his formal cues from an object (such as a kite) or from a certain phenomenon (such as a shadow on a wall) that he finds outside his studio. In the Dallas sculpture, Kelly retains the functional aspect of a rocking toy (this work could rock back and forth if it were not bolted to the ground) and pares down its form to a series of simple outlines. Viewing the work head on, its two arcs seem to be symmetrical. Moving around the work, one becomes aware that they are not: Kelly's curves play with the viewer's perception by swinging outward into space and then back again in graceful juxtaposition. By exploiting the way static shapes can seem to move in space, and by executing the work at this scale, Kelly has conceived a sculpture that, for all its origin in real life, functions only according to its own rules. The result is a beautifully proportioned, refined, and endlessly challenging work of art.

Excerpt from
Charles Wylie, "Untitled," in Dallas Museum of Art: A Guide to the Collection, ed. Charles Venable (New Haven, NJ: Yale University Press, 1997), 292.

Fun Facts
This sculpture weighs 17,000 pounds!

Archival Resources

Web Resources
 

Notes
  • updated provenance. updated geo x ref to: North Haven, Connecticut (this is where the work was excecuted, by Lippincott

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
1982: Dallas Museum of Fine Arts Commission, Blum Helman Gallery [1] [2]

From 1983: Dallas Museum of Art, commission made possible through funds donated by Michael J. Collins and matching grants from The 500, Inc., and the 1982 Tiffany & Company benefit opening

[1] See invoice #890 from Blum Helman Gallery, October 1982
[2] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

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1983.56
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Dallas (Texas/United States): TGN: 7013503
sculpture: AAT: 300047090
.TeachingIdeas
abstract: AAT: 300108127
*Contemporary Art
@Schiller
Kelly_Ellsworth: ULAN: 500004975
sculpture in the round: AAT: 300047264
sculpture garden: AAT: 300008116
matte (optical property): AAT: 300065241
gray (color): AAT: 300130811
commissions (events): AAT: 300393199
smooth (smoothness / texture): AAT: 300056364
stainless steel: AAT: 300010920
shape (form attribute): AAT: 300056273
source file
object_notes_3_a-0470.xml.nores