GENERAL DESCRIPTION
According to Roman Catholic tradition, the Virgin Mary, mother of Christ, was conceived free of original sin, the condition of sinfulness and separation from God into which all humanity is born. The Immaculate Conception of the Virgin began appearing as a subject in art in 17th-century Spain, and from there it spread into the Spanish colonies of the New World.
The artist has adapted the vision of St. John, as expressed in Revelations 12:1:"And there appeared a great wonder in heaven; a woman clothed with the sun, and the moon under her feet, and upon her head a crown of twelve stars." The Virgin is flanked by her parents, St. Joachim and St. Anne, who hold branches representing the Tree of Jesse, the symbol of the Virgin's earthly forebears. Meanwhile, the tiny figures of Adam and Eve in the background allude to the fall of humanity from grace, thanks to temptation by Satan, indicated here by the seven-headed dragon at the bottom of the canvas. As the New Eve, however, born without sin and the mother of the savior of humanity, the Virgin triumphs over Satan, represented by her dominant position at the center of the canvas.
Excerpt from
- William Keyse Rudolph, Label text, 2008.
NOTES
Catalogue essays
Artist/designers
Cultures
Geography
Peru (nation): TGN: 1000056
Cuzco: TGN: 7005819
Process/materials
painting (visual works): AAT: 300033618
Historical periods
eighteenth century: AAT: 300404512
Spanish Colonial (Spanish Renaissance-Baroque styles / styles and periods): AAT: 300107033
Individuals
Subject terms
Bible_New Testament: DMA
colonies: AAT: 300235115
devils (spirits): AAT: 300379005
dragons (mythical beings): AAT: 300375726
immaculate conception (Christian doctrinal concept): AAT: 300066049
moon: AAT: 300386951
Roman Catholicism (Christianity): AAT: 300073730
sin (religious concepts): AAT: 300309064
Spain (nation): TGN: 1000095
Spanish Colonial (Spanish Renaissance-Baroque styles / styles and periods): AAT: 300107033
stars (extraterrestrial bodies): AAT: 300387654
suns (stars): AAT: 300379806
temptations: AAT: 300404325
Virgin Birth (Christian): DMA
Virgin Mary (Blessed Virgin Mary / Christian figure): DMA
RELATED OBJECTS
PROVENANCE
Before 1956: Cleofas de la Garza (1870-1956) and Celia de la Garza
By 1994: Virginia de la Garza and Mary de la Garza-Hanna, by descent from the above
1994: Dallas Museum of Art, gift of Virginia de la Garza and Mary de la Garza-Hanna, and an anonymous donor
The main source for this provenance is a letter from Eleanor Jones Harvey of the Dallas Museum of Art to Virginia de la Garza and Mary de la Garza-Hanna, dated June 16, 1994, copy in Dallas Museum of Art Collections Records Object File.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
- Heilbrunn Timeline of Art History~Delve deeper into the history of Spanish colonial art.
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1994.37.2
Category
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General Description
According to Roman Catholic tradition, the Virgin Mary, mother of Christ, was conceived free of original sin, the condition of sinfulness and separation from God into which all humanity is born. The Immaculate Conception of the Virgin began appearing as a subject in art in 17th-century Spain, and from there it spread into the Spanish colonies of the New World.
The artist has adapted the vision of St. John, as expressed in Revelations 12:1:"And there appeared a great wonder in heaven; a woman clothed with the sun, and the moon under her feet, and upon her head a crown of twelve stars." The Virgin is flanked by her parents, St. Joachim and St. Anne, who hold branches representing the Tree of Jesse, the symbol of the Virgin's earthly forebears. Meanwhile, the tiny figures of Adam and Eve in the background allude to the fall of humanity from grace, thanks to temptation by Satan, indicated here by the seven-headed dragon at the bottom of the canvas. As the New Eve, however, born without sin and the mother of the savior of humanity, the Virgin triumphs over Satan, represented by her dominant position at the center of the canvas.
Excerpt from
- William Keyse Rudolph, Label text, 2008.
Fun Facts
Archival Resources
Web Resources
Notes
Catalogue essays
Artist/designers
Cultures
Geography
Peru (nation): TGN: 1000056
Cuzco: TGN: 7005819
Process/materials
painting (visual works): AAT: 300033618
Historical periods
eighteenth century: AAT: 300404512
Spanish Colonial (Spanish Renaissance-Baroque styles / styles and periods): AAT: 300107033
Individuals
Subject terms
Bible_New Testament: DMA
colonies: AAT: 300235115
devils (spirits): AAT: 300379005
dragons (mythical beings): AAT: 300375726
immaculate conception (Christian doctrinal concept): AAT: 300066049
moon: AAT: 300386951
Roman Catholicism (Christianity): AAT: 300073730
sin (religious concepts): AAT: 300309064
Spain (nation): TGN: 1000095
Spanish Colonial (Spanish Renaissance-Baroque styles / styles and periods): AAT: 300107033
stars (extraterrestrial bodies): AAT: 300387654
suns (stars): AAT: 300379806
temptations: AAT: 300404325
Virgin Birth (Christian): DMA
Virgin Mary (Blessed Virgin Mary / Christian figure): DMA
RELATED OBJECTS
PROVENANCE
Before 1956: Cleofas de la Garza (1870-1956) and Celia de la Garza
By 1994: Virginia de la Garza and Mary de la Garza-Hanna, by descent from the above
1994: Dallas Museum of Art, gift of Virginia de la Garza and Mary de la Garza-Hanna, and an anonymous donor
The main source for this provenance is a letter from Eleanor Jones Harvey of the Dallas Museum of Art to Virginia de la Garza and Mary de la Garza-Hanna, dated June 16, 1994, copy in Dallas Museum of Art Collections Records Object File.
AUDIO ASSETS
VIDEO ASSETS
rules
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Objects
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1994.37.2
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object_notes_3_a-0413.xml.nores