1997.17 The Outskirts


GENERAL DESCRIPTION
Willie Doherty's photograph depicts the historically contested landscape where the borders of Northern Ireland and the Republic of Ireland meet. Springing from the Troubles, Doherty's work uses landscape to suggest a potentially disturbing incident has perhaps taken place within this conventionally beautiful setting. What looks at first to be stock imagery becomes suspect: a group of reeds and tall grasses at the roadside is silhouetted against a late sunset, while in the foreground is a set of tire tracks left by some unknown vehicle, suggesting a recent quick getaway for an undetermined purpose. The land is witness as well as stage, a site of incident and a bearer of meaning. The Outskirts evokes beauty and menace in a straightforward style that, despite its loaded subject matter, does not allow a simple interpretation of its source in civil strife. 

Adapted from
  • Charles Wylie, "Requisite Distance," in Willie Doherty: Requisite Distance, ed. Frances Bowles (Dallas: Dallas Museum of Art; New Haven and London: Yale University Press, 2009), 32-37.
  • Charles Wylie, DMA unpublished material, 1997.

NOTES
DMA unpublished material = TMS Notes and Charles Wylie, "Acquisition Proposal," January 14, 1997. In Collections Records object file 1997.17.

Catalogue essays

Artist/designers

Cultures

Geography

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS

PROVENANCE
Until 1997: Willie Doherty (b. 1959)

1997: Dallas Museum of Art, anonymous gift, purchased from Alexander and Bonin (Carolyn Alexander), New York

Notes:
The main source for this provenance is the copy of the invoice dated 28 February 1997 in Collections Records object file (1997.17).

AUDIO ASSETS
Listen to a gallery talk on Willie Doherty: Requisite Distance
  • 13309703: UMO

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES
apply to objects where number equals 1997.17

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General Description
Willie Doherty's photograph depicts the historically contested landscape where the borders of Northern Ireland and the Republic of Ireland meet. Springing from the Troubles, Doherty's work uses landscape to suggest a potentially disturbing incident has perhaps taken place within this conventionally beautiful setting. What looks at first to be stock imagery becomes suspect: a group of reeds and tall grasses at the roadside is silhouetted against a late sunset, while in the foreground is a set of tire tracks left by some unknown vehicle, suggesting a recent quick getaway for an undetermined purpose. The land is witness as well as stage, a site of incident and a bearer of meaning. The Outskirts evokes beauty and menace in a straightforward style that, despite its loaded subject matter, does not allow a simple interpretation of its source in civil strife. 

Adapted from
  • Charles Wylie, "Requisite Distance," in Willie Doherty: Requisite Distance, ed. Frances Bowles (Dallas: Dallas Museum of Art; New Haven and London: Yale University Press, 2009), 32-37.
  • Charles Wylie, DMA unpublished material, 1997.

Fun Facts

Archival Resources

Web Resources

Notes
DMA unpublished material = TMS Notes and Charles Wylie, "Acquisition Proposal," January 14, 1997. In Collections Records object file 1997.17.

Catalogue essays

Artist/designers

Cultures

Geography

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS

PROVENANCE
Until 1997: Willie Doherty (b. 1959)

1997: Dallas Museum of Art, anonymous gift, purchased from Alexander and Bonin (Carolyn Alexander), New York

Notes:
The main source for this provenance is the copy of the invoice dated 28 February 1997 in Collections Records object file (1997.17).

AUDIO ASSETS
Listen to a gallery talk on Willie Doherty: Requisite Distance
  • 13309703: UMO

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1997.17
tags
#draft
#completed
%copyedited_Gail
%Archived
Contemporary (style of art): AAT: 300264737
@Bilal-Gore
*Contemporary Art
landscapes (representations): AAT: 300015636
identity: AAT: 300257052
roads: AAT: 300008217
postmodern (international style and movement): AAT: 300022208
Ireland (nation): TGN: 1000078
politics: AAT: 300055537
sunset: AAT: 300343635
aluminum: AAT: 300011015
%exhibitions pending
Doherty_Willie: ULAN: 500116194
Londonderry (Derry/United Kingdom): TGN: 7012110
Northern Ireland (nation): TGN: 7002448
conflict (general sense): AAT: 300379397
Derry: TGN: 7012110
Cibachrome ™: AAT: 300133470
13309703: UMO
source file
object_notes_3_a-0403.xml.nores