2016.25.1 Anklet


GENERAL DESCRIPTION  
This heavy, hollow hinged anklet is decorated with chased and punched (hammered) motifs. In Oman, a powerful Islamic empire from the 17th to the 19th century, pairs of anklets were given to pubescent girls by their fathers and worn until they were married. On Zanzibar, an island ruled by Oman and a major slave market, the anklets were used to adorn African girls for sale. After the abolition of slavery in East Africa around the mid-19th century, Swahili women acquired their own silver anklets, like this one, for personal adornment and financial security.  The anklets were made both in Oman and along the Swahili coast. 

Excerpt from
  • Roslyn A. Walker, Label text, Arts of Africa.

NOTES

Catalogue essays

Artist/designers

Cultures

Geography 
Swahili Coast: includes the coastal areas of present-day Kenya, Tanzania, and Mozambique. 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
By 1980s: Sidney Perutz, acquired in Mombasa, Kenya from a Tutsi or Somali merchant

2016: Dallas Museum of Art, The Otis and Velma Davis Dozier Fund, purchase from above

The main source for this provenance is the information registered on the Dallas Museum of Art TMS.  

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Apply to objects where number equals 2016.25.1

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General Description
 
This heavy, hollow hinged anklet is decorated with chased and punched (hammered) motifs. In Oman, a powerful Islamic empire from the 17th to the 19th century, pairs of anklets were given to pubescent girls by their fathers and worn until they were married. On Zanzibar, an island ruled by Oman and a major slave market, the anklets were used to adorn African girls for sale. After the abolition of slavery in East Africa around the mid-19th century, Swahili women acquired their own silver anklets, like this one, for personal adornment and financial security.  The anklets were made both in Oman and along the Swahili coast. 

Excerpt from
  • Roslyn A. Walker, Label text, Arts of Africa.

Fun Facts

Archival Resources

Web Resources
 

Notes

Catalogue essays

Artist/designers

Cultures

Geography 
Swahili Coast: includes the coastal areas of present-day Kenya, Tanzania, and Mozambique. 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
By 1980s: Sidney Perutz, acquired in Mombasa, Kenya from a Tutsi or Somali merchant

2016: Dallas Museum of Art, The Otis and Velma Davis Dozier Fund, purchase from above

The main source for this provenance is the information registered on the Dallas Museum of Art TMS.  

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
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2016.25.1
tags
#draft
#completed
%copyedited_Gail
women: AAT: 300025943
%Archived
trade (function): AAT: 300061886
jewelry: AAT: 300209286
geometric patterns: AAT: 300165213
@Courtney
nineteenth century (dates CE): AAT: 300404513
*Arts of Africa
wealth: AAT: 300055767
chasing (metalworking): AAT: 300054016
silver (metal): AAT: 300011029
girls: AAT: 300247581
twentieth century (dates CE): AAT: 300404514
Islam: AAT: 300073715
slavery: AAT: 300055309
silver (color): AAT: 300311368
hinges (hardware): AAT: 300033367
anklet: AAT: 300209294
rites of passage: AAT: 300247989
virgins: AAT: 300188706
Swahili (culture or style): AAT: 300016496
Zanzibar (island): TGN: 6006673
Omani: AAT: 300386483
Indian Ocean: TGN: 7016682
source file
object_notes_3_a-0291.xml.nores