GENERAL DESCRIPTION
This pivot-style wooden door is adorned with the carved image of a female with a small head, minimal features, and a rotund body displaying prominent breasts. She stands with her arms akimbo (hands on hips, elbows out) and her feet apart. Framing her smooth form are incised, geometricized spirals which create a lively optical effect. The figure and dynamic composition project feminine reproductive power and strength.
The door was originally installed in a great thatched communal house belonging to an aristocratic, matrilineal Tetun clan. Such residences were usually embellished with painted walls, elaborately carved wall panels, and doors. The floorplan reflected Tetun notions of the cosmos which held that humans lived on earth between the upper world and the underworld. The rear of the house was viewed as the women’s domain and symbolized the sacred underworld where the birth ritual re-enacted that of the first human beings. Following the birth, a father carried his infant through the “female door” to the upper world, which was a predominantly male outer world. This door served as a material symbol, a point of interface, between the two halves of the cosmos.
Excerpt from
- Roslyn Walker, Label text, 2013.
NOTES
Catalogue essays
Artist/designers
Seran_Alfonsius: DMA
Cultures
Tetun people: DMA
Geography
West Timor (region/Indonesia): TGN: 7003705
Process/materials
bas-relief (sculpture technique): AAT: 300053623
carving (processes): AAT: 300053149
wood (plant material): AAT: 300011914
Historical periods
twentieth century (dates CE): AAT: 300404514
Individuals
Subject terms
architectural ornament: AAT: 300378995
brown (color): AAT: 300127490
cosmology (cosmological / disciplines): AAT: 300054294
domesticity: AAT: 300417468
doors: AAT: 300002803
doorways (openings): AAT: 300002767
female: AAT: 300189557
fertility: AAT: 300379149
gender role: AAT: 300055147
geometric patterns: AAT: 300165213
houses: AAT: 300005433
male: AAT: 300189559
matrilineal: DMA
patterns (design elements): AAT: 300010108
power: AAT: 300374809
sacred sites (locations): AAT: 300386998
space (general physical property): AAT: 300404143
spirals (geometric figures): AAT: 300163114
underworld (doctrinal concept): AAT: 300343823
RELATED OBJECTS
PROVENANCE
From 1975: Asher Eskenasy, Paris
c. 1993-97: Thomas Murray, purchased from above
1997-2012: Dr. Albert and Elissa Yellin, Los Angeles
2012: Diane and Andyan Rahardja
2013: Dallas Museum of Art, gift of Diane Ansberry Rahardja and Andyan Rahardja
The main source for this provenance is the acquisition proposal dated March 11, 2013, copy in Dallas Museum of Art Collections Records object file.
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VIDEO ASSETS
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WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
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Apply to objects where number equals 2013.3
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General Description
This pivot-style wooden door is adorned with the carved image of a female with a small head, minimal features, and a rotund body displaying prominent breasts. She stands with her arms akimbo (hands on hips, elbows out) and her feet apart. Framing her smooth form are incised, geometricized spirals which create a lively optical effect. The figure and dynamic composition project feminine reproductive power and strength.
The door was originally installed in a great thatched communal house belonging to an aristocratic, matrilineal Tetun clan. Such residences were usually embellished with painted walls, elaborately carved wall panels, and doors. The floorplan reflected Tetun notions of the cosmos which held that humans lived on earth between the upper world and the underworld. The rear of the house was viewed as the women’s domain and symbolized the sacred underworld where the birth ritual re-enacted that of the first human beings. Following the birth, a father carried his infant through the “female door” to the upper world, which was a predominantly male outer world. This door served as a material symbol, a point of interface, between the two halves of the cosmos.
Excerpt from
- Roslyn Walker, Label text, 2013.
Fun Facts
Archival Resources
Web Resources
Notes
Catalogue essays
Artist/designers
Seran_Alfonsius: DMA
Cultures
Tetun people: DMA
Geography
West Timor (region/Indonesia): TGN: 7003705
Process/materials
bas-relief (sculpture technique): AAT: 300053623
carving (processes): AAT: 300053149
wood (plant material): AAT: 300011914
Historical periods
twentieth century (dates CE): AAT: 300404514
Individuals
Subject terms
architectural ornament: AAT: 300378995
brown (color): AAT: 300127490
cosmology (cosmological / disciplines): AAT: 300054294
domesticity: AAT: 300417468
doors: AAT: 300002803
doorways (openings): AAT: 300002767
female: AAT: 300189557
fertility: AAT: 300379149
gender role: AAT: 300055147
geometric patterns: AAT: 300165213
houses: AAT: 300005433
male: AAT: 300189559
matrilineal: DMA
patterns (design elements): AAT: 300010108
power: AAT: 300374809
sacred sites (locations): AAT: 300386998
space (general physical property): AAT: 300404143
spirals (geometric figures): AAT: 300163114
underworld (doctrinal concept): AAT: 300343823
RELATED OBJECTS
PROVENANCE
From 1975: Asher Eskenasy, Paris
c. 1993-97: Thomas Murray, purchased from above
1997-2012: Dr. Albert and Elissa Yellin, Los Angeles
2012: Diane and Andyan Rahardja
2013: Dallas Museum of Art, gift of Diane Ansberry Rahardja and Andyan Rahardja
The main source for this provenance is the acquisition proposal dated March 11, 2013, copy in Dallas Museum of Art Collections Records object file.
AUDIO ASSETS
VIDEO ASSETS
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Objects
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