GENERAL DESCRIPTION
Shrines dedicated to Shango, the Yoruba god of thunder, are furnished with mortars turned upside down to support large lidded calabash bowls. Shango priests store the deity's thunderbolts (Neolithic celts or axe heads), kola nuts, food offerings, oshe Shango (dance wands used to honor the deity), and other ritual paraphernalia in the bowls, which are placed on an upturned mortar.
In the Igbomina and Ekiti areas, Shango shrines are adorned with large sculpted arugba, or bowl carriers, like this arugba Shango, carved by Akobi Ogun Fakeye (c.1870-1946), that depicts a seated female holding a lidded bowl above her head. The central figure in a caryatid vessel is always female, depicted either kneeling or seated on a mortar, holding a large lidded bowl above her head with both hands. She represents a successful petitioner whom Shango blessed with children, one of which holds a bowl while the other one carries an oshe Shango in one hand and a dried stockfish in the other. The bowl itself is thought to be a metaphor for the womb, which Shango can fill with a new life if the devotee is faithful to him. The front and lid of the bowl are embossed with faces painted dark blue in reference to one's ori inu (inner head or personal destiny). Devotees touch the heads with their own foreheads while making an offering to Shango.
Adapted from
- Roslyn A. Walker, Label text, Arts of Africa, 2015.
- Roslyn A. Walker, The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 112-113.
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1981: Dallas Museum of Art, gift of Mr. and Mrs. Stanley Marcus [1], [2]
[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
[2] The Foundation for the Arts is a non-profit corporation created as a title-holding entity to serve the people of Dallas but to operate independently of the City. In 1976, Mrs. John B. O'Hara bequest an endowment in her name to contribute to the Foundation's collection. The Dallas Museum of Art (at its own cost) is responsible for the care, storage, insurance, conservation and maintenance of the collection, and agrees to maintain the highest museum standards in the management and handling of the Foundation's collection. The title to all works of art purchased or otherwise acquired by the Foundation for the Arts is retained by the Foundation.
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General Description
Shrines dedicated to Shango, the Yoruba god of thunder, are furnished with mortars turned upside down to support large lidded calabash bowls. Shango priests store the deity's thunderbolts (Neolithic celts or axe heads), kola nuts, food offerings, oshe Shango (dance wands used to honor the deity), and other ritual paraphernalia in the bowls, which are placed on an upturned mortar.
In the Igbomina and Ekiti areas, Shango shrines are adorned with large sculpted arugba, or bowl carriers, like this arugba Shango, carved by Akobi Ogun Fakeye (c.1870-1946), that depicts a seated female holding a lidded bowl above her head. The central figure in a caryatid vessel is always female, depicted either kneeling or seated on a mortar, holding a large lidded bowl above her head with both hands. She represents a successful petitioner whom Shango blessed with children, one of which holds a bowl while the other one carries an oshe Shango in one hand and a dried stockfish in the other. The bowl itself is thought to be a metaphor for the womb, which Shango can fill with a new life if the devotee is faithful to him. The front and lid of the bowl are embossed with faces painted dark blue in reference to one's ori inu (inner head or personal destiny). Devotees touch the heads with their own foreheads while making an offering to Shango.
Adapted from
- Roslyn A. Walker, Label text, Arts of Africa, 2015.
- Roslyn A. Walker, The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 112-113.
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Notes
Did not include footnotes from essay
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
1981: Dallas Museum of Art, gift of Mr. and Mrs. Stanley Marcus [1], [2]
[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
[2] The Foundation for the Arts is a non-profit corporation created as a title-holding entity to serve the people of Dallas but to operate independently of the City. In 1976, Mrs. John B. O'Hara bequest an endowment in her name to contribute to the Foundation's collection. The Dallas Museum of Art (at its own cost) is responsible for the care, storage, insurance, conservation and maintenance of the collection, and agrees to maintain the highest museum standards in the management and handling of the Foundation's collection. The title to all works of art purchased or otherwise acquired by the Foundation for the Arts is retained by the Foundation.
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