1981.138.A-B.FA Caryatid vessel (arugba Shango)


GENERAL DESCRIPTION 
Shrines dedicated to Shango, the Yoruba god of thunder, are furnished with mortars turned upside down to support large lidded calabash bowls. Shango priests store the deity's thunderbolts (Neolithic celts or axe heads), kola nuts, food offerings, oshe Shango (dance wands used to honor the deity), and other ritual paraphernalia in the bowls, which are placed on an upturned mortar.

In the Igbomina and Ekiti areas, Shango shrines are adorned with large sculpted arugba, or bowl carriers, like this arugba Shango, carved by Akobi Ogun Fakeye (c.1870-1946), that depicts a seated female holding a lidded bowl above her head. The central figure in a caryatid vessel is always female, depicted either kneeling or seated on a mortar, holding a large lidded bowl above her head with both hands. She represents a successful petitioner whom Shango blessed with children, one of which holds a bowl while the other one carries an oshe Shango in one hand and a dried stockfish in the other. The bowl itself is thought to be a metaphor for the womb, which Shango can fill with a new life if the devotee is faithful to him. The front and lid of the bowl are embossed with faces painted dark blue in reference to one's ori inu (inner head or personal destiny). Devotees touch the heads with their own foreheads while making an offering to Shango.

Adapted from
  • Roslyn A. Walker, Label text, Arts of Africa, 2015.
  • Roslyn A. Walker, The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 112-113.

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PROVENANCE 
1981: Dallas Museum of Art, gift of Mr. and Mrs. Stanley Marcus [1], [2]

[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

[2] The Foundation for the Arts is a non-profit corporation created as a title-holding entity to serve the people of Dallas but to operate independently of the City. In 1976, Mrs. John B. O'Hara bequest an endowment in her name to contribute to the Foundation's collection. The Dallas Museum of Art (at its own cost) is responsible for the care, storage, insurance, conservation and maintenance of the collection, and agrees to maintain the highest museum standards in the management and handling of the Foundation's collection. The title to all works of art purchased or otherwise acquired by the Foundation for the Arts is retained by the Foundation.

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General Description
 
Shrines dedicated to Shango, the Yoruba god of thunder, are furnished with mortars turned upside down to support large lidded calabash bowls. Shango priests store the deity's thunderbolts (Neolithic celts or axe heads), kola nuts, food offerings, oshe Shango (dance wands used to honor the deity), and other ritual paraphernalia in the bowls, which are placed on an upturned mortar.

In the Igbomina and Ekiti areas, Shango shrines are adorned with large sculpted arugba, or bowl carriers, like this arugba Shango, carved by Akobi Ogun Fakeye (c.1870-1946), that depicts a seated female holding a lidded bowl above her head. The central figure in a caryatid vessel is always female, depicted either kneeling or seated on a mortar, holding a large lidded bowl above her head with both hands. She represents a successful petitioner whom Shango blessed with children, one of which holds a bowl while the other one carries an oshe Shango in one hand and a dried stockfish in the other. The bowl itself is thought to be a metaphor for the womb, which Shango can fill with a new life if the devotee is faithful to him. The front and lid of the bowl are embossed with faces painted dark blue in reference to one's ori inu (inner head or personal destiny). Devotees touch the heads with their own foreheads while making an offering to Shango.

Adapted from
  • Roslyn A. Walker, Label text, Arts of Africa, 2015.
  • Roslyn A. Walker, The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 112-113.

Fun Facts

Archival Resources

Web Resources
 

Notes
Did not include footnotes from essay

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
1981: Dallas Museum of Art, gift of Mr. and Mrs. Stanley Marcus [1], [2]

[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

[2] The Foundation for the Arts is a non-profit corporation created as a title-holding entity to serve the people of Dallas but to operate independently of the City. In 1976, Mrs. John B. O'Hara bequest an endowment in her name to contribute to the Foundation's collection. The Dallas Museum of Art (at its own cost) is responsible for the care, storage, insurance, conservation and maintenance of the collection, and agrees to maintain the highest museum standards in the management and handling of the Foundation's collection. The title to all works of art purchased or otherwise acquired by the Foundation for the Arts is retained by the Foundation.

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
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1981.138.A-B.FA
tags
#draft
#completed
%copyedited_Gail
fertility: AAT: 300379149
female: AAT: 300189557
paint (coating): AAT: 300015029
%Archived
faces (animal or human components): AAT: 300251798
sitting (seated): AAT: 300263970
human figures: AAT: 300404114
@Bilal-Gore
lids (covers): AAT: 300045712
blue (color): AAT: 300129361
wood (plant material): AAT: 300011914
*Arts of Africa
Nigeria (nation): TGN: 1000182
Yoruba: AAT: 300016031
children (people by age group): AAT: 300025945
embossing (technique): AAT: 300053826
bowls (vessels): AAT: 300203596
god (deity): AAT: 300343851
caryatids: AAT: 300001583
Ila Orangun (Nigeria): TGN: 1092050
Shango: DMA
bluing: AAT: 300263384
oshe Shango: AAT: 300263495
source file
object_notes_3_a-0235.xml.nores