GENERAL DESCRIPTION
Lizards are modeled in low relief on this large vessel. Among the Bamana, the lizard was considered a gne (family totem), which was believed to possess protective powers and, therefore, was not eaten.
Bamana potters are nummumusow, meaning "blacksmith women." Female potters married only male blacksmiths. Making pots for domestic and shrine use entailed a laborious and lengthy process, from digging clay out of the ground to building the vessel without a potter's wheel to firing the pots in the open air. Large decorated vessels, like this one, were placed in a residential courtyard, where visitors were received and offered cool water to drink.
Excerpt from
Roslyn A. Walker, Label text, Arts of Africa, 2015.
NOTES
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PROVENANCE
n.d.: Douglas Dawson Gallery, Chicago, collected in Mali
2014: Dallas Museum of Art, purchased from above
The main source for this provenance is the Acquisition Proposal in the Collections Records object file.
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WEB RESOURCES
- University of Iowa Museum of Art, Art & Life in Africa~Learn more about pottery in Africa.
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Apply to objects where number equals 2014.25
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General Description
Lizards are modeled in low relief on this large vessel. Among the Bamana, the lizard was considered a gne (family totem), which was believed to possess protective powers and, therefore, was not eaten.
Bamana potters are nummumusow, meaning "blacksmith women." Female potters married only male blacksmiths. Making pots for domestic and shrine use entailed a laborious and lengthy process, from digging clay out of the ground to building the vessel without a potter's wheel to firing the pots in the open air. Large decorated vessels, like this one, were placed in a residential courtyard, where visitors were received and offered cool water to drink.
Excerpt from
Roslyn A. Walker, Label text, Arts of Africa, 2015.
Fun Facts
Archival Resources
Web Resources
- University of Iowa Museum of Art, Art & Life in Africa~Learn more about pottery in Africa.
Notes
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
n.d.: Douglas Dawson Gallery, Chicago, collected in Mali
2014: Dallas Museum of Art, purchased from above
The main source for this provenance is the Acquisition Proposal in the Collections Records object file.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2014.25
source file
object_notes_3_a-0200.xml.nores