57.2006.4 Maurice Prendergast, Seashore, Crepuscule 1907


GENERAL DESCRIPTION  
This image of fashionably dressed strollers enjoying the early evening seaside at Gloucester, Massachusetts, was painted in 1907, after Maurice Brazil Prendergast made an eventful trip to Paris. There, awakened by the coloristic experiments in contemporary painting, he reveled in the deep, jewel-like colors used in this scene. The work is not only highly decorative but also an important moment in Prendergast's career; it was painted the year before he began to exhibit independently with a group of seven other modern artists.  

Excerpt from
William Keyse Rudolph, DMA label copy (57.2006.4), November 2007.

NOTES
Lent by Pauline Allen Gill Foundation

I am submitting this online content, despite it being mostly incomplete, because I reviewed and tagged the object in the process of working on other works in the gallery. It is not part of our permanent collection and therefore is not covered under the current online collection policy.

Geographies added to constituent record. (See object draft for Prendergast, Beach Scene, 1962.23)

Removed TMS object tag because rule exists.

Because the object number will change if this object is ever exloaned or accessioned, I am not using the following rule: Apply to objects with number equals 57.2006.4. I am rewriting the rule to rely on the ObjectID because this is the constant identifier for the TMS record.

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials
oil paint
canvas

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES
Apply to objects where id equals 5328613
Category
rules_operator
AND
General Description
 
This image of fashionably dressed strollers enjoying the early evening seaside at Gloucester, Massachusetts, was painted in 1907, after Maurice Brazil Prendergast made an eventful trip to Paris. There, awakened by the coloristic experiments in contemporary painting, he reveled in the deep, jewel-like colors used in this scene. The work is not only highly decorative but also an important moment in Prendergast's career; it was painted the year before he began to exhibit independently with a group of seven other modern artists.  

Excerpt from
William Keyse Rudolph, DMA label copy (57.2006.4), November 2007.

Fun Facts

Archival Resources

Web Resources
 

Notes
Lent by Pauline Allen Gill Foundation

I am submitting this online content, despite it being mostly incomplete, because I reviewed and tagged the object in the process of working on other works in the gallery. It is not part of our permanent collection and therefore is not covered under the current online collection policy.

Geographies added to constituent record. (See object draft for Prendergast, Beach Scene, 1962.23)

Removed TMS object tag because rule exists.

Because the object number will change if this object is ever exloaned or accessioned, I am not using the following rule: Apply to objects with number equals 57.2006.4. I am rewriting the rule to rely on the ObjectID because this is the constant identifier for the TMS record.

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials
oil paint
canvas

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
id
Equals
5328613
tags
#draft
#completed
%copyedited_Gail
figures (representations): AAT: 300189808
canvas: AAT: 300014078
oil paint: AAT: 300015050
trees (plants): AAT: 300132410
@Schiller
*American Art
blue (color): AAT: 300129361
clouds: AAT: 300343840
promenades (walkways): AAT: 300008329
Post-Impressionist: AAT: 300021508
brush strokes: AAT: 300185434
Prendergast_Maurice Brazil: ULAN: 500004329
seashores (landforms): AAT: 300138972
dusk: AAT: 300343622
Gloucester (Massachusetts/United States): TGN: 7014073
source file
object_notes_3_a-0195.xml.nores