1985.126 Otis Dozier, Cotton Boll


GENERAL DESCRIPTION  
Otis Dozier represents the cotton plant in all its stages of growth, from planting to maturity to harvest, investing the plant with the symbolism of the life cycle itself. Raised on a cotton ranch near present-day Mesquite, Texas, Dozier pays tribute to the value of the agricultural product that sustained the state of Texas until after World War II, when oil and ranching became dominant. This painting was exhibited at the 1936 Texas Centennial. After training in Dallas at the Aunspaugh Art School and the Dallas Art Institute, Dozier himself taught for years at Southern Methodist University and at the Dallas Museum of Fine Arts.

Excerpt from
Bonnie Pitman, ed., Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 273. 

NOTES                                              
Sue had located studies or photos connected to this work? See my notes from curatorial meetings in early 2016.
—JR cannot find in Piction. 1/17

1/11
Added artist, historical periods, subject terms, tags, TI, rule
Audio " A Salute to the Doziers of Dallas" one has beeping throughout, but the recording is not useful, neither are the others

Created in 1936

Exhibition: Lone Star Regionalism :The Dallas Nine and their Circle 1928-1945, February 3, 1985-July 10, 1988


The gifted teacher and ardent supporter of the Dallas Nine and
other Texas regionalists, Otis Dozier wrought an almost surrealist
quality to his still lifes, enlarging his forms and animating them
in much the same way as Georgia O'Keefe in her flower paintings.
His vibrant colors and sinuous forms also recall the work of Thomas
Hart Benton, who visited Dallas in 1935. Dozier monumentalized the
life blood of Texas agriculture, placing a single cotton plant in
the front of an endless landscape. To further emphasize its iconic
stature, Dozier depicted each stage of the plant's growth: from the
 new leaves at the top of the plant, to the cotton blossom of
summer, to the mature boll with its autumnal foliage.

Label from Dallas Nine folder in the Education files

Catalogue essays

Artist/designers

Cultures

Geography 
Depicted place and place of origin: Texas (state/United States): TGN: 7007826
Place of origin: Southwest (general region/United States): TGN: 4010660

Process/materials
Oil on Masonite

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
1985: Dallas Museum of Art, purchased from the artist
From 1985: Gift of Eleanor and C. Thomas May, Jr., Dallas Museum of Art 

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES
Apply to objects where number equals 1985.126
Apply to objects where constituent_id equals 1375

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General Description
 
Otis Dozier represents the cotton plant in all its stages of growth, from planting to maturity to harvest, investing the plant with the symbolism of the life cycle itself. Raised on a cotton ranch near present-day Mesquite, Texas, Dozier pays tribute to the value of the agricultural product that sustained the state of Texas until after World War II, when oil and ranching became dominant. This painting was exhibited at the 1936 Texas Centennial. After training in Dallas at the Aunspaugh Art School and the Dallas Art Institute, Dozier himself taught for years at Southern Methodist University and at the Dallas Museum of Fine Arts.

Excerpt from
Bonnie Pitman, ed., Dallas Museum of Art: A Guide to the Collection (New Haven, CT: Yale University Press, 2012), 273. 

Fun Facts

Archival Resources

Web Resources
 

Notes
                                             
Sue had located studies or photos connected to this work? See my notes from curatorial meetings in early 2016.
—JR cannot find in Piction. 1/17

1/11
Added artist, historical periods, subject terms, tags, TI, rule
Audio " A Salute to the Doziers of Dallas" one has beeping throughout, but the recording is not useful, neither are the others

Created in 1936

Exhibition: Lone Star Regionalism :The Dallas Nine and their Circle 1928-1945, February 3, 1985-July 10, 1988


The gifted teacher and ardent supporter of the Dallas Nine and
other Texas regionalists, Otis Dozier wrought an almost surrealist
quality to his still lifes, enlarging his forms and animating them
in much the same way as Georgia O'Keefe in her flower paintings.
His vibrant colors and sinuous forms also recall the work of Thomas
Hart Benton, who visited Dallas in 1935. Dozier monumentalized the
life blood of Texas agriculture, placing a single cotton plant in
the front of an endless landscape. To further emphasize its iconic
stature, Dozier depicted each stage of the plant's growth: from the
 new leaves at the top of the plant, to the cotton blossom of
summer, to the mature boll with its autumnal foliage.

Label from Dallas Nine folder in the Education files

Catalogue essays

Artist/designers

Cultures

Geography 
Depicted place and place of origin: Texas (state/United States): TGN: 7007826
Place of origin: Southwest (general region/United States): TGN: 4010660

Process/materials
Oil on Masonite

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
1985: Dallas Museum of Art, purchased from the artist
From 1985: Gift of Eleanor and C. Thomas May, Jr., Dallas Museum of Art 

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1985.126
tags
#draft
#completed
%copyedited_Gail
%Archived
.TeachingIdeas
@Schiller
*American Art
@Russell
Great Depression: DMA
The Dust Bowl: DMA
farmhouse: AAT: 300005574
Dozier_Otis: ULAN: 500331590
Southwest (general region/United States): TGN: 4010660
Texas (state/United States): TGN: 7007826
plants (living organisms): AAT: 300132360
roads: AAT: 300008217
leaf (plant material): AAT: 300011892
cotton (fiber): AAT: 300183670
horizon line: AAT: 300067731
windmills: AAT: 300006273
growth: AAT: 300055136
source file
object_notes_3_a-0065.xml.nores