2001.174.10 Abraham Walkowitz, Isadora Duncan Dancing


GENERAL DESCRIPTION  
In 1906, while visiting the studio of Auguste Rodin in Paris, Abraham Walkowitz first met Isadora Duncan, the most celebrated and innovative dancer of the era. This encounter marked the beginning of a relationship spanning the next three decades in which Walkowitz made a series of thousands of drawings of Duncan. She was credited as the inventor of modern dance, dressing in free-flowing costumes with her hair loose and her feet bare and using her solar plexus and torso as the impetus for her movements. Walkowitz sketched her quickly, trying to expose her directness and dynamism. His drawings of Duncan, or, as he called them, his “calling cards,” are some of the only authentic records left of her dancing, as she never agreed to be filmed.

Excerpt from
William Keyse Rudolph, DMA label copy, 2005.

NOTES
c. 1906-1927

Object File Reviewed


Catalogue essays

Artist/designers
Walkowitz, Abraham (American, born Russian, 1878-1965)

Cultures

Geography 

Process/materials
Ink and watercolor on paper

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
n.d.: Hirschl and Adler Galleries, New York
n.d.: Sandra Wilson
From 2001: Dallas Museum of Art, the Patsy Lacy Griffith Collection, bequest of Patsy Lacy Griffith

The main source for this provenance was existing information in TMS (in Dallas Museum of Art Digital Collections Records Object Files). Exceptions and other supporting documents are noted.

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WEB RESOURCES 

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FUN FACTS

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Apply to objects where number equals 2001.174.10

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General Description
 
In 1906, while visiting the studio of Auguste Rodin in Paris, Abraham Walkowitz first met Isadora Duncan, the most celebrated and innovative dancer of the era. This encounter marked the beginning of a relationship spanning the next three decades in which Walkowitz made a series of thousands of drawings of Duncan. She was credited as the inventor of modern dance, dressing in free-flowing costumes with her hair loose and her feet bare and using her solar plexus and torso as the impetus for her movements. Walkowitz sketched her quickly, trying to expose her directness and dynamism. His drawings of Duncan, or, as he called them, his “calling cards,” are some of the only authentic records left of her dancing, as she never agreed to be filmed.

Excerpt from
William Keyse Rudolph, DMA label copy, 2005.

Fun Facts

Archival Resources

Web Resources
 
Notes
c. 1906-1927

Object File Reviewed


Catalogue essays

Artist/designers
Walkowitz, Abraham (American, born Russian, 1878-1965)

Cultures

Geography 

Process/materials
Ink and watercolor on paper

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
n.d.: Hirschl and Adler Galleries, New York
n.d.: Sandra Wilson
From 2001: Dallas Museum of Art, the Patsy Lacy Griffith Collection, bequest of Patsy Lacy Griffith

The main source for this provenance was existing information in TMS (in Dallas Museum of Art Digital Collections Records Object Files). Exceptions and other supporting documents are noted.

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
2001.174.10
tags
#draft
#completed
%copyedited_Gail
women: AAT: 300025943
legs (animal or human components): AAT: 300310192
%Archived
*American Art
@Russell
yellow (color): AAT: 300127794
hands (animal or human components): AAT: 300310193
feet (animal components): AAT: 300310200
flowers (plants): AAT: 300132399
barefoot: AAT: 300404742
signature: AAT: 300028705
dresses (garments): AAT: 300046159
dance (discipline): AAT: 300054144
costume: AAT: 300209261
Académie Julian: ULAN: 500310043
ink: AAT: 300015012
dancer: AAT: 300025653
arms (animal or human components): AAT: 300310201
dancing: AAT: 300389779
Walkowitz_Abraham: ULAN: 500026928
Duncan_Isadora: ULAN: 500337352
source file
object_notes_3_a-0050.xml.nores