GENERAL DESCRIPTION
Enameled gold jewelry was popular from at least the 16th century onward in north India, and the best-known center of production is Jaipur in the modern state of Rajasthan—from which this whistle probably originates. However, enameled jewelry is also made elsewhere, and Varanasi, famous for its pink enameled hues, is another important source. Enameled gold jewelry was manufactured by a team of workmen that included a designer, a goldsmith, an engraver, an enameler, a polisher, a stone setter, and in some cases a stringer. Enamelers in Jaipur originally came from Lahore, today in modern Pakistan, when Raja Man Singh, an important general in the Mughal court, brought them to his capital in the 16th century. This whistle could have been worn by a man or a woman and underscores the tendency in India to adorn the male and female body with ornament from head to foot.
Adapted from
Catherine Asher, "Whistle pendant," in The Arts of India, South East Asia, and the Himalayas, Anne R. Bromberg (Dallas: Dallas Museum of Art; New Haven: Yale University Press, 2013), 142.
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PROVENANCE
1970: Alta Brenner, Dallas, Texas
1994: Dallas Museum of Art, gift of Alta Brenner
The main source for this provenance is the copy of the Deed of Gift in the Collections Records object file.
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General Description
Enameled gold jewelry was popular from at least the 16th century onward in north India, and the best-known center of production is Jaipur in the modern state of Rajasthan—from which this whistle probably originates. However, enameled jewelry is also made elsewhere, and Varanasi, famous for its pink enameled hues, is another important source. Enameled gold jewelry was manufactured by a team of workmen that included a designer, a goldsmith, an engraver, an enameler, a polisher, a stone setter, and in some cases a stringer. Enamelers in Jaipur originally came from Lahore, today in modern Pakistan, when Raja Man Singh, an important general in the Mughal court, brought them to his capital in the 16th century. This whistle could have been worn by a man or a woman and underscores the tendency in India to adorn the male and female body with ornament from head to foot.
Adapted from
Catherine Asher, "Whistle pendant," in The Arts of India, South East Asia, and the Himalayas, Anne R. Bromberg (Dallas: Dallas Museum of Art; New Haven: Yale University Press, 2013), 142.
Fun Facts
Archival Resources
Web Resources
Notes
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
1970: Alta Brenner, Dallas, Texas
1994: Dallas Museum of Art, gift of Alta Brenner
The main source for this provenance is the copy of the Deed of Gift in the Collections Records object file.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
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1994.46
source file
object_notes_3_a-0010.xml.nores