1994.46 Whistle


GENERAL DESCRIPTION  
Enameled gold jewelry was popular from at least the 16th century onward in north India, and the best-known center of production is Jaipur in the modern state of Rajasthan—from which this whistle probably originates. However, enameled jewelry is also made elsewhere, and Varanasi, famous for its pink enameled hues, is another important source. Enameled gold jewelry was manufactured by a team of workmen that included a designer, a goldsmith, an engraver, an enameler, a polisher, a stone setter, and in some cases a stringer. Enamelers in Jaipur originally came from Lahore, today in modern Pakistan, when Raja Man Singh, an important general in the Mughal court, brought them to his capital in the 16th century. This whistle could have been worn by a man or a woman and underscores the tendency in India to adorn the male and female body with ornament from head to foot. 

Adapted from
Catherine Asher, "Whistle pendant,"  in The Arts of India, South East Asia, and the Himalayas, Anne R. Bromberg (Dallas: Dallas Museum of Art; New Haven: Yale University Press, 2013), 142.

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PROVENANCE 
1970: Alta Brenner, Dallas, Texas

1994: Dallas Museum of Art, gift of Alta Brenner

The main source for this provenance is the copy of the Deed of Gift in the Collections Records object file.

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General Description
 
Enameled gold jewelry was popular from at least the 16th century onward in north India, and the best-known center of production is Jaipur in the modern state of Rajasthan—from which this whistle probably originates. However, enameled jewelry is also made elsewhere, and Varanasi, famous for its pink enameled hues, is another important source. Enameled gold jewelry was manufactured by a team of workmen that included a designer, a goldsmith, an engraver, an enameler, a polisher, a stone setter, and in some cases a stringer. Enamelers in Jaipur originally came from Lahore, today in modern Pakistan, when Raja Man Singh, an important general in the Mughal court, brought them to his capital in the 16th century. This whistle could have been worn by a man or a woman and underscores the tendency in India to adorn the male and female body with ornament from head to foot. 

Adapted from
Catherine Asher, "Whistle pendant,"  in The Arts of India, South East Asia, and the Himalayas, Anne R. Bromberg (Dallas: Dallas Museum of Art; New Haven: Yale University Press, 2013), 142.

Fun Facts

Archival Resources

Web Resources
 

Notes

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
1970: Alta Brenner, Dallas, Texas

1994: Dallas Museum of Art, gift of Alta Brenner

The main source for this provenance is the copy of the Deed of Gift in the Collections Records object file.

AUDIO ASSETS 

VIDEO ASSETS

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1994.46
tags
#draft
#completed
%copyedited_Gail
%Archived
jewelry: AAT: 300209286
green (color): AAT: 300128438
@Bilal-Gore
*Arts of Asia
white (color): AAT: 300129784
pendants (jewelry): AAT: 300046002
red (color): AAT: 300126225
gold (metal): AAT: 300011021
India (nation): TGN: 7000198
enamel (fused coating): AAT: 300014910
Jaipur: TGN: 7001544
whistles (flutes (aerophones)): AAT: 300042706
source file
object_notes_3_a-0010.xml.nores