GENERAL DESCRIPTION
Asante regalia includes state swords (afena), which are the second most important symbols of power and authority after stools (i.e., thrones). This sword typifies the Asante state sword: its form is a simple and slightly curved iron blade with a wooden hilt shaped like a dumbbell and decorated with carved geometric patterns. The entire hilt may be covered with gold leaf or, like this one, whitened with kaolin with only the grip and finial gilded. The scabbard, or sheath, is made of highly prized stingray skin on one side and animal skin (probably antelope) on the other. The kaolin on the pommels of the hilt and ray skin was periodically refreshed, and the gold leaf was restored. Depending on how this sword was used, it may have had a cast gold ornament (abosodee) tied to it, which has been lost.
Excerpt from
Roslyn A. Walker, Label text, Arts of Africa, 2015.
NOTES
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RELATED OBJECTS
PROVENANCE
Around 1995: Ibrahim Abdoulaye, Paris
1995-2010: Davis Collection, New Orleans [1]
Notes:
The main source for this provenance is the copy of the Acquisition Proposal in the Collections Records object file. Exceptions and other supporting documents are noted.
[1] See the copy of the Deed of Gift in the Collections Records object file.
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FUN FACTS
TEACHING IDEAS
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Apply to objects where number equals 2010.3
Category
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General Description
Asante regalia includes state swords (afena), which are the second most important symbols of power and authority after stools (i.e., thrones). This sword typifies the Asante state sword: its form is a simple and slightly curved iron blade with a wooden hilt shaped like a dumbbell and decorated with carved geometric patterns. The entire hilt may be covered with gold leaf or, like this one, whitened with kaolin with only the grip and finial gilded. The scabbard, or sheath, is made of highly prized stingray skin on one side and animal skin (probably antelope) on the other. The kaolin on the pommels of the hilt and ray skin was periodically refreshed, and the gold leaf was restored. Depending on how this sword was used, it may have had a cast gold ornament (abosodee) tied to it, which has been lost.
Excerpt from
Roslyn A. Walker, Label text, Arts of Africa, 2015.
Fun Facts
Archival Resources
Web Resources
Notes
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Around 1995: Ibrahim Abdoulaye, Paris
1995-2010: Davis Collection, New Orleans [1]
Notes:
The main source for this provenance is the copy of the Acquisition Proposal in the Collections Records object file. Exceptions and other supporting documents are noted.
[1] See the copy of the Deed of Gift in the Collections Records object file.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2010.3
source file
object_notes_2_d-0573.xml.nores