1969.S.206 Two-mouthed cup with faces in relief (_kopa_)


GENERAL DESCRIPTION  
Shaped like a particular type of gourd sliced in half, this cup displays an incised face within concentric circles on each side. The slightly convex eyes are closed on one side and open on the other. The faces refer to the hemba nkisi, a wooden helmet mask that appeared during the boys' initiation into adult society. In the context of this cup, the faces ward off anyone not authorized to touch the vessel.

The only persons authorized to touch the cup and drink palm wine from it on ceremonial occasions were heads of families and regional chiefs who were vested with ancestral authority. When such leaders retired, this emblem of authority was given to a matrilineal successor. The smooth surface and warm coloring of this cup suggests it was used over several generations. 

Excerpt from
Roslyn A. Walker, Label text, Arts of Africa, 2015.

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PROVENANCE
n.d.: Clark and Frances Stillman Collection, Dallas, Texas/New York

1969: Dallas Museum of Fine Arts, gift of Eugene and Margaret McDermott [1]

[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

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Apply to objects where number equals 1969.S.206

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General Description
 
Shaped like a particular type of gourd sliced in half, this cup displays an incised face within concentric circles on each side. The slightly convex eyes are closed on one side and open on the other. The faces refer to the hemba nkisi, a wooden helmet mask that appeared during the boys' initiation into adult society. In the context of this cup, the faces ward off anyone not authorized to touch the vessel.

The only persons authorized to touch the cup and drink palm wine from it on ceremonial occasions were heads of families and regional chiefs who were vested with ancestral authority. When such leaders retired, this emblem of authority was given to a matrilineal successor. The smooth surface and warm coloring of this cup suggests it was used over several generations. 

Excerpt from
Roslyn A. Walker, Label text, Arts of Africa, 2015.

Fun Facts

Archival Resources

Web Resources
 

Notes

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE
n.d.: Clark and Frances Stillman Collection, Dallas, Texas/New York

1969: Dallas Museum of Fine Arts, gift of Eugene and Margaret McDermott [1]

[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1969.S.206
tags
#draft
#completed
%copyedited_Gail
%Archived
faces (animal or human components): AAT: 300251798
ceremonial objects: AAT: 300234117
carving (processes): AAT: 300053149
cups (drinking vessels): AAT: 300043202
rulers (people): AAT: 300025475
ceremonies: AAT: 300054754
@Bilal-Gore
wood (plant material): AAT: 300011914
*Arts of Africa
circles (plane figures): AAT: 300055627
relief (sculpture techniques): AAT: 300053622
gourd (shape): DMA
concentric: AAT: 300010274
Democratic Republic of the Congo (nation): TGN: 1000159
helmet masks: AAT: 300262835
initiations (rites of passage): AAT: 300069180
leaders (people): AAT: 300236993
Suku: AAT: 300016270
source file
object_notes_2_d-0558.xml.nores