GENERAL DESCRIPTION
Vajravarahi is one of the wrathful deities of Tantric Buddhism, and like other dakini (celestial female divinities) she possesses supernatural wisdom and power. The conventional iconography for Vajravarahi shows the deity holding a knife and a bowl of blood, and wearing other grotesque attributes that symbolize her power over worldly concerns and fear of death. In many images, she balances gracefully on her left foot while standing upon a prostrate humanlike figure. However, this bronze, gilded statue of Vajravarahi has been separated from its lower elements. The missing prostrate figure under her foot would have represented the "ultimate evil" of Buddhism: the delusion of a truly existent self (atmagraha). By standing upon this figure, Vajravarahi shows that she has vanquished the delusion, and that it will be conquered by all who successfully achieve her Tantra (mystical path to enlightenment).
Vajravarahi's name derives from vajra (the mystical tool of enlightenment) and varahi (sow). The sow aspect is seen in the pig head that emerges from the right side of her head. This cosmic pig represents the light of wisdom in the inner mind, and the light of the sun in the outer world, with its power to warm, nurture, and illuminate. Vajravarahi's dancing pose and kinetic energy demonstrate her power to suppress ignorance and greed, while her nudity and wrathful expression combine the seductiveness of feminine beauty with the fearsome attributes of a ferocious deity. She wears a long necklace of fifty-one severed heads representing the elimination of the fifty-one worldly states of mind. A crown of five skulls represents the extinction of the five poisons. The human skull cup in her left hand is filled with the scrambled brains of worldly thoughts and conceptions, while the upraised vajra-handled knife in her right hand cuts off all those worldly concepts and leaves only pristine awareness (jnana).
Vajravarahi's nakedness represents the purity of the mind and body, unencumbered by the "clothing" of the conventional world: misconceptions and delusions. Her beauty represents the sublime nature of pure awareness. The use of fine gold and jewels seen here represents the glory of supreme realization and is a traditional Buddhist way of paying homage to the deity embodied by the image. Images of deities are hollow-cast so that precious relic offerings and small scrolls of mantras or prayers relevant to that deity may be sealed within by a qualified monk or yogi, thus consecrating the image so that the deity abides within it. In this way the sculpture becomes a suitable object for worship, devotion, and meditation. The contrast between the jeweled luxury of the inlaid gilt-bronze sculpture and its harsh underlying meanings occurs frequently in Tantric art, where sex and death are seen as part of one universal reality, to be expressed in art by glowing colors, exuberant rhythms, lavish ornament, and expressive, earthy vigor.
Adapted from
- Robert Warren Clark, "Vajravarahi" in The Arts of India, South East Asia, and the Himalayas, Anne R. Bromberg (Dallas: Dallas Museum of Art; New Haven: Yale University Press, 2013), 179.
- Emily Sano, DMA unpublished material, 1992.
- Label text, 2018.
NOTES
Excerpt from Emily Sano found on TMS. Not sure where it was from originally.
Catalogue essays
Artist/designers
Cultures
Tibetan Buddhism: AAT: 300265647
Tantrism: AAT: 300143658
Geography
Tibet: TGN: 7001319
Process/materials
bronze: AAT: 300010957
gilding (technique): AAT: 300053789
gold (metal): AAT: 300011021
sculpture: AAT: 300047090
casting (process): AAT: 300053104
Historical periods
Individuals
Subject terms
blood: AAT: 300011797
Vajrayana: AAT: 300022016
cups (drinking vessels): AAT: 300043202
dancing: AAT: 300389779
deaths: AAT: 300151836
deities: AAT: 300343850
devotional images (religious works): AAT: 300178241
devotional objects: AAT: 300234144
enlightenment (religious concept): AAT: 300404722
eroticism: AAT: 300249821
fear: AAT: 300055160
goddess: AAT: 300343852
knives: AAT: 300024668
meditation: AAT: 300264363
mortality: AAT: 300265775
nudity (culture-related concepts): AAT: 300262617
pig (animals/genus sus): AAT: 300250114
power: AAT: 300374809
prayers (oral works): AAT: 300400521
relics: AAT: 300250795
reliquaries (liturgical containers): AAT: 300187549
ritual objects: AAT: 300312158
skull (skeleton component): AAT: 300191856
Tantrism: AAT: 300143658
Tibet: TGN: 7001319
Tibetan Buddhism: AAT: 300265647
Vajrayana: AAT: 300022016
wisdom: AAT: 300380150
worship: AAT: 300056005
RELATED OBJECTS
PROVENANCE
1981: Doris Weiner Gallery, New York
1982: Dallas Museum of Fine Arts, Foundation for the Arts Collection, gift of the Virginia C. and Floyd C. Ramsey Fund of Communities Foundation of Texas, purchase from above. [1] [2]
The main source for this provenance is the Foundation for the Arts Acquisition Record, dated February 24, 1982, copy in Dallas Museum of Art Collections Records object file. Exceptions and supporting documentation are noted.
[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
[2] The Foundation for the Arts is a non-profit corporation created as a title-holding entity to serve the people of Dallas but to operate independently of the City. The Dallas Museum of Art (at its own cost) is responsible for the care, storage, insurance, conservation and maintenance of the collection, and agrees to maintain the highest museum standards in the management and handling of the Foundation’s collection. The title to all works of art purchased or otherwise acquired by the Foundation for the Arts is retained by the Foundation.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
- Heilbrunn Timeline of Art History~Explore the history of Vajrayana Buddhism in more detail.
ARCHIVAL RESOURCES
FUN FACTS
- Also missing from the figure is the upper part of her staff. This is the khatvanga or staff that rests on the ground, goes up under left elbow, and rises over her left shoulder. It would have been topped with a spear, upon which three heads would have been impaled. This staff represents her unseen consort, the supreme tantric god Chakrasamvara.
TEACHING IDEAS
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Apply to objects where number equals 1982.9.FA
Category
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General Description
Vajravarahi is one of the wrathful deities of Tantric Buddhism, and like other dakini (celestial female divinities) she possesses supernatural wisdom and power. The conventional iconography for Vajravarahi shows the deity holding a knife and a bowl of blood, and wearing other grotesque attributes that symbolize her power over worldly concerns and fear of death. In many images, she balances gracefully on her left foot while standing upon a prostrate humanlike figure. However, this bronze, gilded statue of Vajravarahi has been separated from its lower elements. The missing prostrate figure under her foot would have represented the "ultimate evil" of Buddhism: the delusion of a truly existent self (atmagraha). By standing upon this figure, Vajravarahi shows that she has vanquished the delusion, and that it will be conquered by all who successfully achieve her Tantra (mystical path to enlightenment).
Vajravarahi's name derives from vajra (the mystical tool of enlightenment) and varahi (sow). The sow aspect is seen in the pig head that emerges from the right side of her head. This cosmic pig represents the light of wisdom in the inner mind, and the light of the sun in the outer world, with its power to warm, nurture, and illuminate. Vajravarahi's dancing pose and kinetic energy demonstrate her power to suppress ignorance and greed, while her nudity and wrathful expression combine the seductiveness of feminine beauty with the fearsome attributes of a ferocious deity. She wears a long necklace of fifty-one severed heads representing the elimination of the fifty-one worldly states of mind. A crown of five skulls represents the extinction of the five poisons. The human skull cup in her left hand is filled with the scrambled brains of worldly thoughts and conceptions, while the upraised vajra-handled knife in her right hand cuts off all those worldly concepts and leaves only pristine awareness (jnana).
Vajravarahi's nakedness represents the purity of the mind and body, unencumbered by the "clothing" of the conventional world: misconceptions and delusions. Her beauty represents the sublime nature of pure awareness. The use of fine gold and jewels seen here represents the glory of supreme realization and is a traditional Buddhist way of paying homage to the deity embodied by the image. Images of deities are hollow-cast so that precious relic offerings and small scrolls of mantras or prayers relevant to that deity may be sealed within by a qualified monk or yogi, thus consecrating the image so that the deity abides within it. In this way the sculpture becomes a suitable object for worship, devotion, and meditation. The contrast between the jeweled luxury of the inlaid gilt-bronze sculpture and its harsh underlying meanings occurs frequently in Tantric art, where sex and death are seen as part of one universal reality, to be expressed in art by glowing colors, exuberant rhythms, lavish ornament, and expressive, earthy vigor.
Adapted from
- Robert Warren Clark, "Vajravarahi" in The Arts of India, South East Asia, and the Himalayas, Anne R. Bromberg (Dallas: Dallas Museum of Art; New Haven: Yale University Press, 2013), 179.
- Emily Sano, DMA unpublished material, 1992.
- Label text, 2018.
Fun Facts
- Also missing from the figure is the upper part of her staff. This is the khatvanga or staff that rests on the ground, goes up under left elbow, and rises over her left shoulder. It would have been topped with a spear, upon which three heads would have been impaled. This staff represents her unseen consort, the supreme tantric god Chakrasamvara.
Archival Resources
Web Resources
Notes
Excerpt from Emily Sano found on TMS. Not sure where it was from originally.
Catalogue essays
Artist/designers
Cultures
Tibetan Buddhism: AAT: 300265647
Tantrism: AAT: 300143658
Geography
Tibet: TGN: 7001319
Process/materials
bronze: AAT: 300010957
gilding (technique): AAT: 300053789
gold (metal): AAT: 300011021
sculpture: AAT: 300047090
casting (process): AAT: 300053104
Historical periods
Individuals
Subject terms
blood: AAT: 300011797
Vajrayana: AAT: 300022016
cups (drinking vessels): AAT: 300043202
dancing: AAT: 300389779
deaths: AAT: 300151836
deities: AAT: 300343850
devotional images (religious works): AAT: 300178241
devotional objects: AAT: 300234144
enlightenment (religious concept): AAT: 300404722
eroticism: AAT: 300249821
fear: AAT: 300055160
goddess: AAT: 300343852
knives: AAT: 300024668
meditation: AAT: 300264363
mortality: AAT: 300265775
nudity (culture-related concepts): AAT: 300262617
pig (animals/genus sus): AAT: 300250114
power: AAT: 300374809
prayers (oral works): AAT: 300400521
relics: AAT: 300250795
reliquaries (liturgical containers): AAT: 300187549
ritual objects: AAT: 300312158
skull (skeleton component): AAT: 300191856
Tantrism: AAT: 300143658
Tibet: TGN: 7001319
Tibetan Buddhism: AAT: 300265647
Vajrayana: AAT: 300022016
wisdom: AAT: 300380150
worship: AAT: 300056005
RELATED OBJECTS
PROVENANCE
1981: Doris Weiner Gallery, New York
1982: Dallas Museum of Fine Arts, Foundation for the Arts Collection, gift of the Virginia C. and Floyd C. Ramsey Fund of Communities Foundation of Texas, purchase from above. [1] [2]
The main source for this provenance is the Foundation for the Arts Acquisition Record, dated February 24, 1982, copy in Dallas Museum of Art Collections Records object file. Exceptions and supporting documentation are noted.
[1] The name of the Dallas Museum of Fine Arts, founded in 1933, was changed to the Dallas Museum of Art in 1983.
[2] The Foundation for the Arts is a non-profit corporation created as a title-holding entity to serve the people of Dallas but to operate independently of the City. The Dallas Museum of Art (at its own cost) is responsible for the care, storage, insurance, conservation and maintenance of the collection, and agrees to maintain the highest museum standards in the management and handling of the Foundation’s collection. The title to all works of art purchased or otherwise acquired by the Foundation for the Arts is retained by the Foundation.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1982.9.FA
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object_notes_2_d-0491.xml.nores