1985.136, Liliane De Cock Morgan, Trees and Canal near Bruges, Belgium, unknown date


GENERAL DESCRIPTION  
Artist Liliane De Cock Morgan lived a migratory life beginning when she and other children were forced to relocate to an orphanage in the south of Belgium to escape potential air bombing raids during World War II. She arrived in New York in 1960 and met Brett Weston, the son of photographer Edward Weston. She began dabbling in photography, and at Weston's recommendation she became studio assistant to the photographer Ansel Adams. Quickly learning Adams' composition strategies, Morgan soon began innovations of her own, exploring tonal effects such as the lights and darks shown in Trees and Canal near Bruges, Belgium. This photograph ranges from milky whites to sharp dark grays, using the subject of the tree-lined road to create a striated composition that emphasizes the contrasts of light and dark, soft and sharp.

Excerpt from
Chelsea Pierce, Soft Focus, Label copy [1985.136], 2018.

NOTES
updated provenance and geo x refs

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PROVENANCE 
Until 1985: Collection of Susan Teegardin, Dallas, TX

From 1985: Dallas Museum of Art, gift of the above

[1] See miscellaneous correspondence in Collections Records Object File 1985.136

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General Description
 
Artist Liliane De Cock Morgan lived a migratory life beginning when she and other children were forced to relocate to an orphanage in the south of Belgium to escape potential air bombing raids during World War II. She arrived in New York in 1960 and met Brett Weston, the son of photographer Edward Weston. She began dabbling in photography, and at Weston's recommendation she became studio assistant to the photographer Ansel Adams. Quickly learning Adams' composition strategies, Morgan soon began innovations of her own, exploring tonal effects such as the lights and darks shown in Trees and Canal near Bruges, Belgium. This photograph ranges from milky whites to sharp dark grays, using the subject of the tree-lined road to create a striated composition that emphasizes the contrasts of light and dark, soft and sharp.

Excerpt from
Chelsea Pierce, Soft Focus, Label copy [1985.136], 2018.

Fun Facts

Archival Resources

Web Resources
 

Notes
updated provenance and geo x refs

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 1985: Collection of Susan Teegardin, Dallas, TX

From 1985: Dallas Museum of Art, gift of the above

[1] See miscellaneous correspondence in Collections Records Object File 1985.136

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
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1985.136
tags
#draft
#completed
%copyedited_Gail
@Bowling
%Archived
*Contemporary Art
landscapes (representations): AAT: 300015636
trees (plants): AAT: 300132410
linear perspective (technique): AAT: 300056348
leaves (plant components): AAT: 300400479
repetition (artistic concept): AAT: 300400861
photography (discipline): AAT: 300389795
photographs: AAT: 300046300
composition (artistic arrangement): AAT: 300056255
black-and-white photographs: AAT: 300128347
lighting: AAT: 300051944
roads: AAT: 300008217
perspective (technique): AAT: 300056340
fog: AAT: 300055374
paths: AAT: 300008321
contrast: AAT: 300260079
world wars: AAT: 300247280
Belgium (nation): TGN: 1000063
mist: AAT: 300055374
source file
object_notes_2_d-0482.xml.nores