GENERAL DESCRIPTION
Artist Liliane De Cock Morgan lived a migratory life beginning when she and other children were forced to relocate to an orphanage in the south of Belgium to escape potential air bombing raids during World War II. She arrived in New York in 1960 and met Brett Weston, the son of photographer Edward Weston. She began dabbling in photography, and at Weston's recommendation she became studio assistant to the photographer Ansel Adams. Quickly learning Adams' composition strategies, Morgan soon began innovations of her own, exploring tonal effects such as the lights and darks shown in Trees and Canal near Bruges, Belgium. This photograph ranges from milky whites to sharp dark grays, using the subject of the tree-lined road to create a striated composition that emphasizes the contrasts of light and dark, soft and sharp.
Excerpt from
Chelsea Pierce, Soft Focus, Label copy [1985.136], 2018.
NOTES
updated provenance and geo x refs
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1985: Collection of Susan Teegardin, Dallas, TX
From 1985: Dallas Museum of Art, gift of the above
[1] See miscellaneous correspondence in Collections Records Object File 1985.136
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
- AnselAdams.com~Read more about Liliane De Cock Morgan.
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1985.136
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General Description
Artist Liliane De Cock Morgan lived a migratory life beginning when she and other children were forced to relocate to an orphanage in the south of Belgium to escape potential air bombing raids during World War II. She arrived in New York in 1960 and met Brett Weston, the son of photographer Edward Weston. She began dabbling in photography, and at Weston's recommendation she became studio assistant to the photographer Ansel Adams. Quickly learning Adams' composition strategies, Morgan soon began innovations of her own, exploring tonal effects such as the lights and darks shown in Trees and Canal near Bruges, Belgium. This photograph ranges from milky whites to sharp dark grays, using the subject of the tree-lined road to create a striated composition that emphasizes the contrasts of light and dark, soft and sharp.
Excerpt from
Chelsea Pierce, Soft Focus, Label copy [1985.136], 2018.
Fun Facts
Archival Resources
Web Resources
Notes
updated provenance and geo x refs
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1985: Collection of Susan Teegardin, Dallas, TX
From 1985: Dallas Museum of Art, gift of the above
[1] See miscellaneous correspondence in Collections Records Object File 1985.136
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1985.136
source file
object_notes_2_d-0482.xml.nores