2009.46 Robe for a dignitary (boubou lomasa)


GENERAL DESCRIPTION  
The long, flowing form of this robe and its vast sleeves are typical of prestigious boubous worn by high-ranking Muslim and non-Muslim men throughout West Africa; however, the rectangular neckline, indigo-dyed cotton fabric, and elaborate embroidered designs mark it as a boubou lomasa, distinctive to the Soninke peoples of Mali. The unfolding spiral across the chest embroidered with brightly colored silk thread, two spirals on the back, and a dense braid-like center are specific to this type. Minuscule holes surrounded by and stabilized by tiny stitches occur at the perimeter of the design areas, where they provide visual transition between the bold embroidered shapes and the plain background. 

Adapted from
  • Roslyn A. Walker, Add To, Take Away: Artistry and Innovation in African Textiles, Label text, 2014.
  • Carol Griffin, DMA unpublished material, 2009.

NOTES

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PROVENANCE 
Before World War II: Collected in Cairo by Bishop Stephen Vernon

n.d.: Sheila Payne Collection, UK

2009: Dallas Museum of Art, purchased from Jonathan Hope, London [1]

The main source for this provenance is the Acquisition Proposal in the Collections Records object file. 

[1] See the copy of the invoice dated December 15, 2009 in the Collections Records object file. 

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General Description
 
The long, flowing form of this robe and its vast sleeves are typical of prestigious boubous worn by high-ranking Muslim and non-Muslim men throughout West Africa; however, the rectangular neckline, indigo-dyed cotton fabric, and elaborate embroidered designs mark it as a boubou lomasa, distinctive to the Soninke peoples of Mali. The unfolding spiral across the chest embroidered with brightly colored silk thread, two spirals on the back, and a dense braid-like center are specific to this type. Minuscule holes surrounded by and stabilized by tiny stitches occur at the perimeter of the design areas, where they provide visual transition between the bold embroidered shapes and the plain background. 

Adapted from
  • Roslyn A. Walker, Add To, Take Away: Artistry and Innovation in African Textiles, Label text, 2014.
  • Carol Griffin, DMA unpublished material, 2009.

Fun Facts

Archival Resources

Web Resources
 

Notes

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Before World War II: Collected in Cairo by Bishop Stephen Vernon

n.d.: Sheila Payne Collection, UK

2009: Dallas Museum of Art, purchased from Jonathan Hope, London [1]

The main source for this provenance is the Acquisition Proposal in the Collections Records object file. 

[1] See the copy of the invoice dated December 15, 2009 in the Collections Records object file. 

AUDIO ASSETS 

VIDEO ASSETS

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2009.46
tags
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%Archived
spirals (geometric figures): AAT: 300163114
@Bilal-Gore
white (color): AAT: 300129784
*Arts of Africa
red (color): AAT: 300126225
patterns (design elements): AAT: 300010108
textiles (visual works): AAT: 300014063
robes: AAT: 300209852
weaving: AAT: 300053642
Islam: AAT: 300073715
symbols of office or status: AAT: 300212147
embroidering: AAT: 300053653
cotton (fiber): AAT: 300183670
thread (material): AAT: 300014250
dyeing: AAT: 300053049
dye (colorant): AAT: 300013029
embroidery (visual works): AAT: 300264024
indigo (color): AAT: 300311066
silk (general_animal material): AAT: 300191700
Mali (nation): TGN: 1000175
sleeves (costume): AAT: 300210530
Soninke: AAT: 300015853
Obamadesara: DMA
boubous: AAT: 300258465
source file
object_notes_2_d-0481.xml.nores