GENERAL DESCRIPTION
The impressive silk court robes of China represent the potential of clothing and costume to communicate directly both rank and symbolism to an informed audience. High-ranking people at the imperial court of China wore particular types of robes, with designs that signified their status and underlined their position at court. While this silk coat is finely embroidered and glamorous, it is not simply a fashion statement. The squared shape of the sleeve identifies this robe as a woman’s semi-formal court coat. The most important motif is an elegant white crane, whose wings curve gracefully out and down to form a circular emblem within the roundels on the body of the garment. The crane, like other white things, was considered auspicious and symbolized longevity. It was also the insignia for a first-rank civil official. This coat may well have been worn by the wife of an official of that rank.
Excerpt from
- Carol Robbins, Label text, All the World's a Stage: Celebrating Performance in the Visual Arts, 2009.
NOTES
Catalogue essays
Artist/designers
Cultures
Geography
China (nation): TGN: 1000111
Process/materials
silk (textile): AAT: 300243428
tapestry (process): AAT: 300061981
weaving: AAT: 300053642
Historical periods
Qing: AAT: 300018478
nineteenth century (dates CE): AAT: 300404513
Individuals
Subject terms
courts (social groups): AAT: 300236519
cranes (wading birds family gruidae): AAT: 300254555
fish (animals): AAT: 300266085
geometric patterns: AAT: 300165213
insignias (devices / symbols): AAT: 300028725
mountains: AAT: 300008795
rank (social status): AAT: 300250915
robes: AAT: 300209852
stripes: AAT: 300010230
wave pattern: AAT: 300009936
wives: AAT: 300154343
women (female humans): AAT: 300025943
RELATED OBJECTS
PROVENANCE
1995: Dallas Museum of Art, gift of Beatrice M. Haggerty
The main source for this provenance is the Acquisition Proposal dated April 4, 1995, copy in Dallas Museum of Art Collections Records object file.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
- The National Museum in Krakow~Learn more about Qing (Manchu) dynasty clothing.
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1995.40
Category
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General Description
The impressive silk court robes of China represent the potential of clothing and costume to communicate directly both rank and symbolism to an informed audience. High-ranking people at the imperial court of China wore particular types of robes, with designs that signified their status and underlined their position at court. While this silk coat is finely embroidered and glamorous, it is not simply a fashion statement. The squared shape of the sleeve identifies this robe as a woman’s semi-formal court coat. The most important motif is an elegant white crane, whose wings curve gracefully out and down to form a circular emblem within the roundels on the body of the garment. The crane, like other white things, was considered auspicious and symbolized longevity. It was also the insignia for a first-rank civil official. This coat may well have been worn by the wife of an official of that rank.
Excerpt from
- Carol Robbins, Label text, All the World's a Stage: Celebrating Performance in the Visual Arts, 2009.
Fun Facts
Archival Resources
Web Resources
Notes
Catalogue essays
Artist/designers
Cultures
Geography
China (nation): TGN: 1000111
Process/materials
silk (textile): AAT: 300243428
tapestry (process): AAT: 300061981
weaving: AAT: 300053642
Historical periods
Qing: AAT: 300018478
nineteenth century (dates CE): AAT: 300404513
Individuals
Subject terms
courts (social groups): AAT: 300236519
cranes (wading birds family gruidae): AAT: 300254555
fish (animals): AAT: 300266085
geometric patterns: AAT: 300165213
insignias (devices / symbols): AAT: 300028725
mountains: AAT: 300008795
rank (social status): AAT: 300250915
robes: AAT: 300209852
stripes: AAT: 300010230
wave pattern: AAT: 300009936
wives: AAT: 300154343
women (female humans): AAT: 300025943
RELATED OBJECTS
PROVENANCE
1995: Dallas Museum of Art, gift of Beatrice M. Haggerty
The main source for this provenance is the Acquisition Proposal dated April 4, 1995, copy in Dallas Museum of Art Collections Records object file.
AUDIO ASSETS
VIDEO ASSETS
rules
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Objects
number
Equals
1995.40
source file
object_notes_2_d-0436.xml.nores