GENERAL DESCRIPTION
The earliest goldweights were made of stone, copper, iron, or basalt. As the trans-Saharan trade routes became more established, the Akan learned the technique of brass casting from their North African trading partners, which allowed them to create figurative goldweights, such as this example depicting two men and a fowl. These utilitarian objects gained significance because their imagery often signified a proverb or maxim.
Adapted from
- Roslyn Walker, The Power of Gold: Asante Royal Regalia from Ghana, Gallery text, "Weighing Gold," 2018.
- Roslyn Walker, The Power of Gold: Asante Royal Regalia from Ghana, Label text, 2018.
NOTES
Catalogue essays
Weighing Gold
Weighing Gold
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 2000: The Alfred and Juanita Bromberg Collection
2000: Dallas Museum of Art Foundation for the Arts, bequest of Juanita K. Bromberg [1]
The main source for this provenance is the Dallas Museum of Art object receipt, dated November 2, 1999, copy in Dallas Museum of Art Collections Records object file. Exceptions and supporting documentation are noted.
[1] The Foundation for the Arts is a non-profit corporation created as a title-holding entity to serve the people of Dallas but to operate independently of the City. The Dallas Museum of Art (at its own cost) is responsible for the care, storage, insurance, conservation and maintenance of the collection, and agrees to maintain the highest museum standards in the management and handling of the Foundation’s collection. The title to all works of art purchased or otherwise acquired by the Foundation for the Arts is retained by the Foundation.
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 2000.229.39.FA
Category
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General Description
The earliest goldweights were made of stone, copper, iron, or basalt. As the trans-Saharan trade routes became more established, the Akan learned the technique of brass casting from their North African trading partners, which allowed them to create figurative goldweights, such as this example depicting two men and a fowl. These utilitarian objects gained significance because their imagery often signified a proverb or maxim.
Adapted from
- Roslyn Walker, The Power of Gold: Asante Royal Regalia from Ghana, Gallery text, "Weighing Gold," 2018.
- Roslyn Walker, The Power of Gold: Asante Royal Regalia from Ghana, Label text, 2018.
Fun Facts
Archival Resources
Web Resources
Notes
Catalogue essays
Weighing Gold
Weighing Gold
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 2000: The Alfred and Juanita Bromberg Collection
2000: Dallas Museum of Art Foundation for the Arts, bequest of Juanita K. Bromberg [1]
The main source for this provenance is the Dallas Museum of Art object receipt, dated November 2, 1999, copy in Dallas Museum of Art Collections Records object file. Exceptions and supporting documentation are noted.
[1] The Foundation for the Arts is a non-profit corporation created as a title-holding entity to serve the people of Dallas but to operate independently of the City. The Dallas Museum of Art (at its own cost) is responsible for the care, storage, insurance, conservation and maintenance of the collection, and agrees to maintain the highest museum standards in the management and handling of the Foundation’s collection. The title to all works of art purchased or otherwise acquired by the Foundation for the Arts is retained by the Foundation.
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2000.229.39.FA
source file
object_notes_2_d-0392.xml.nores