GENERAL DESCRIPTION
This pier table is one of the most elaborate surviving examples of its type. Its richly carved and gilded feet, blue marble, ormolu bases and capital, mirrored glass, exotic woods, and stenciled ornamentation make this object extremely expensive. Such opulence reflects the wealth and status of its original owner.
Of the four marble-top pier tables in the Faith P. and Charles L. Bybee Collection, this is the most unusual and exciting example. In virtually every respect it differs from the straightforward, textbook examples of the other three. The unknown maker of this highly individualistic table followed no set pattern, or rather he took the basic pattern and changed and exaggerated virtually every feature. In place of the plain, white marble generally used for the top, columns, and pilasters, he used instead an unusual blue-colored variety. The top rests on a deeply ogee molded frame, faced with a marvelously-figured mahogany flame veneer. The base is cut out in highly exaggerated scrolls, emblematic of the pillar and scroll tables and other forms of the late Empire period. The gilded, Ionic scrolled feet resting on smaller, black-painted feet of similar design, must be an invention of the cabinetmaker, as no similar feet have been found on other examples of Philadelphia furniture. The total effect is grand and impressive.
Adapted from
DMA unpublished material.
NOTES
- provenance form in TMS changed to comply with Guidelines and Procedures for Provenance Display
- Venable catalogue essay added to TMS as a text entry
- DMA unpublished material = TMS data (1985.B.58), Curatorial Remarks and Unauthored, unnamed typed photocopy found in the Collections Records Object File (1985.B.58)
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
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RELATED OBJECTS
PROVENANCE
Until 1964: Israel Sack, New York, New York
1964-1985: The Faith P. and Charles L. Bybee Collection, Houston, Texas
From 1985: Collection of the Dallas Museum of Art, purchased from Faith P. and Charles L. Bybee
Notes:
The main source for this provenance is Charles L. Venable, American Furniture in the Bybee Collection, (Austin, TX: University of Texas Press, published in association with the Dallas Museum of Art, 1989), 107.
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Apply to objects where number equals 1985.B.58
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General Description
This pier table is one of the most elaborate surviving examples of its type. Its richly carved and gilded feet, blue marble, ormolu bases and capital, mirrored glass, exotic woods, and stenciled ornamentation make this object extremely expensive. Such opulence reflects the wealth and status of its original owner.
Of the four marble-top pier tables in the Faith P. and Charles L. Bybee Collection, this is the most unusual and exciting example. In virtually every respect it differs from the straightforward, textbook examples of the other three. The unknown maker of this highly individualistic table followed no set pattern, or rather he took the basic pattern and changed and exaggerated virtually every feature. In place of the plain, white marble generally used for the top, columns, and pilasters, he used instead an unusual blue-colored variety. The top rests on a deeply ogee molded frame, faced with a marvelously-figured mahogany flame veneer. The base is cut out in highly exaggerated scrolls, emblematic of the pillar and scroll tables and other forms of the late Empire period. The gilded, Ionic scrolled feet resting on smaller, black-painted feet of similar design, must be an invention of the cabinetmaker, as no similar feet have been found on other examples of Philadelphia furniture. The total effect is grand and impressive.
Adapted from
DMA unpublished material.
Fun Facts
Archival Resources
Web Resources
Notes
- provenance form in TMS changed to comply with Guidelines and Procedures for Provenance Display
- Venable catalogue essay added to TMS as a text entry
- DMA unpublished material = TMS data (1985.B.58), Curatorial Remarks and Unauthored, unnamed typed photocopy found in the Collections Records Object File (1985.B.58)
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 1964: Israel Sack, New York, New York
1964-1985: The Faith P. and Charles L. Bybee Collection, Houston, Texas
From 1985: Collection of the Dallas Museum of Art, purchased from Faith P. and Charles L. Bybee
Notes:
The main source for this provenance is Charles L. Venable, American Furniture in the Bybee Collection, (Austin, TX: University of Texas Press, published in association with the Dallas Museum of Art, 1989), 107.
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1985.B.58
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object_notes_2_d-0385.xml.nores