2012.55.3, Sarah Charlesworth, Untitled (Skull) from the 0+1 series, 1999.


GENERAL DESCRIPTION  
Sarah Charlesworth was an important member of the Pictures Generation, a group of photographers in the 1970s and 80s concerned with the circulation of the image and its role in shaping the society we know. Using found images cut from their original sources, Charlesworth's removal of the original context interrogated the meaning of the image and how it can be used for different means in our modern culture. Untitled (Skull) is from a later series in which she photographed isolated objects instead of using pre-existing images. The objects varied from Buddha figurines to orchid flowers; all were primarily white and shown against a white background. In isolating each motif, Charlesworth offered a meditation on the symbolic significance of the images when lacking their typical surroundings. 

Excerpt from
Chelsea Pierce, Soft Focus, Label copy [2012.55.3], 2018.

NOTES
updated provenance and geo x refs

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
n.d. Gorney Bravin + Lee, New York, NY 

Until 2012: The Rachofsky Collection, Dallas, TX, purchased from above

From 2012: Dallas Museum of Art, gift of the above [1]

[1] the main source for this provenance is in the Documentation section of Collections Records Object File 2012.55.3

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 
  • YouTube~Watch an artist talk by Sara Charlesworth given at the Guggenheim Museum on May 4, 2010.

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES
Apply to objects where number equals 2012.55.3

Category
rules_operator
AND
General Description
 
Sarah Charlesworth was an important member of the Pictures Generation, a group of photographers in the 1970s and 80s concerned with the circulation of the image and its role in shaping the society we know. Using found images cut from their original sources, Charlesworth's removal of the original context interrogated the meaning of the image and how it can be used for different means in our modern culture. Untitled (Skull) is from a later series in which she photographed isolated objects instead of using pre-existing images. The objects varied from Buddha figurines to orchid flowers; all were primarily white and shown against a white background. In isolating each motif, Charlesworth offered a meditation on the symbolic significance of the images when lacking their typical surroundings. 

Excerpt from
Chelsea Pierce, Soft Focus, Label copy [2012.55.3], 2018.

Fun Facts

Archival Resources

Web Resources
 
  • YouTube~Watch an artist talk by Sara Charlesworth given at the Guggenheim Museum on May 4, 2010.

Notes
updated provenance and geo x refs

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
n.d. Gorney Bravin + Lee, New York, NY 

Until 2012: The Rachofsky Collection, Dallas, TX, purchased from above

From 2012: Dallas Museum of Art, gift of the above [1]

[1] the main source for this provenance is in the Documentation section of Collections Records Object File 2012.55.3

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
2012.55.3
tags
#draft
#completed
%copyedited_Gail
@Bowling
%Archived
*Contemporary Art
white (color): AAT: 300129784
skull (skeleton component): AAT: 300191856
imagery (artistic device): AAT: 300055825
photography (discipline): AAT: 300389795
photographs: AAT: 300046300
symbol: AAT: 300055878
found objects: AAT: 300047210
iconography: AAT: 300055859
Charlesworth_Sarah: ULAN: 500056759
The Pictures Generation: DMA
source file
object_notes_2_d-0359.xml.nores