GENERAL DESCRIPTION
Sculptor James Surls affirms that drawing is not only closely related to his sculptures, but also is the essence of his art, the key to his thinking. His drawings, like his sculptures, are what he calls registered mental pictures or psychic images. This drawing, Through the Point Cloud , is reminiscent of surrealist automatism (a nonrational, uncontrolled method used to tap the subconscious), coupled with an array of rich symbolic and narrative imagery. Radiating heads and multiple eyes, hands, and needles are formed by energetic but elegant lines that vary from light to dark. Seer, shaman, and storyteller, Surls threads a layered tale of quiet, pulsating power that rhythmically combines the real and imagined, the visible and invisible, the physical and spiritual.
Adapted from
Suzanne Weaver, "Through the Point Cloud," in Dallas Museum of Art: A Guide to the Collection, ed. Charles Venable (New Haven, NJ: Yale University Press, 1997), 293.
NOTES
- updated provenance and geo x refs
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Before 1991: Private Collection, Dallas, Texas [1]
From 1991: Dallas Museum of Art, Dallas Museum of Art, Foundation for the Arts Collection, anonymous gift.
[1] See object receipt, Collections Records Object File 1991.125.FA
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VIDEO ASSETS
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ARCHIVAL RESOURCES
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Apply to objects where number equals 1991.125.FA
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General Description
Sculptor James Surls affirms that drawing is not only closely related to his sculptures, but also is the essence of his art, the key to his thinking. His drawings, like his sculptures, are what he calls registered mental pictures or psychic images. This drawing, Through the Point Cloud , is reminiscent of surrealist automatism (a nonrational, uncontrolled method used to tap the subconscious), coupled with an array of rich symbolic and narrative imagery. Radiating heads and multiple eyes, hands, and needles are formed by energetic but elegant lines that vary from light to dark. Seer, shaman, and storyteller, Surls threads a layered tale of quiet, pulsating power that rhythmically combines the real and imagined, the visible and invisible, the physical and spiritual.
Adapted from
Suzanne Weaver, "Through the Point Cloud," in Dallas Museum of Art: A Guide to the Collection, ed. Charles Venable (New Haven, NJ: Yale University Press, 1997), 293.
Fun Facts
Archival Resources
Web Resources
Notes
- updated provenance and geo x refs
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Before 1991: Private Collection, Dallas, Texas [1]
From 1991: Dallas Museum of Art, Dallas Museum of Art, Foundation for the Arts Collection, anonymous gift.
[1] See object receipt, Collections Records Object File 1991.125.FA
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1991.125.FA
source file
object_notes_2_d-0336.xml.nores