2008.26 Un Ballo in Maschera (A masked ball)


GENERAL DESCRIPTION
This film is based on Giuseppe Verdi's opera Un Ballo in Maschera  (A Masked Ball). Enlisting the talents of choreographers, costumers, and filmmakers, Yinka Shonibare reset Verdi's tale of intrigue in the court of Swedish King Gustav III (r. 1771-1792) as a beguiling meditation on power, colonialism, and the fusion of European and African cultures. The film follows an evening at court, where an ebullient king (played here by a woman) hosts a ball at which glamorous assassins lurk. After a striking sequence of dance (performed without music, as is the entire film), the king is shot in a fantastically stylized passage, and then comes back to life as the actors re-play events backwards to the very beginning. The dancers are costumed in European 18th century-style dresses made from colorful print fabrics that are associated with Africa, but actually have Dutch colonial origins. Shonibare weaves histories and identities, exploring power, excess, and the fabrication of authenticity. Un Ballo in Maschera was produced with Swedish Television and the Moderna Museet, Stockholm.

Adapted from
  • Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018.
  • "A Masked Ball (Un ballo maschera) [sic]," in Dallas Museum of Art: A Guide to the Collection, ed. Bonnie Pitman (Dallas: Dallas Museum of Art; New Haven and London: Yale University Press, 2012), 346.
  • Charles Wylie, DMA unpublished material, 2008.

NOTES
Exhibition: Performance/Art (added to Exhibitions module in TMS)
DMA unpublished material = Charles Wylie, "Acquisition Proposal," May 7, 2008. In Collections Records object file (2008.26).

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Artist/designers

Cultures

Geography

Process/materials

Historical periods

Individuals

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RELATED OBJECTS

PROVENANCE
Until 2008: Yinka Shonibare, b. 1962

2008: Dallas Museum of Art, DMA/amfAR Benefit Auction Fund, purchased from James Cohen Gallery, New York

Notes:
The main source for this provenance is the copy of Invoice 4037 dated June 3, 2008 in the Collections Records object file.

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FUN FACTS

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apply to objects where number equals 2008.26

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General Description
This film is based on Giuseppe Verdi's opera Un Ballo in Maschera  (A Masked Ball). Enlisting the talents of choreographers, costumers, and filmmakers, Yinka Shonibare reset Verdi's tale of intrigue in the court of Swedish King Gustav III (r. 1771-1792) as a beguiling meditation on power, colonialism, and the fusion of European and African cultures. The film follows an evening at court, where an ebullient king (played here by a woman) hosts a ball at which glamorous assassins lurk. After a striking sequence of dance (performed without music, as is the entire film), the king is shot in a fantastically stylized passage, and then comes back to life as the actors re-play events backwards to the very beginning. The dancers are costumed in European 18th century-style dresses made from colorful print fabrics that are associated with Africa, but actually have Dutch colonial origins. Shonibare weaves histories and identities, exploring power, excess, and the fabrication of authenticity. Un Ballo in Maschera was produced with Swedish Television and the Moderna Museet, Stockholm.

Adapted from
  • Anna Katherine Brodbeck, ed., TWO X TWO X TWENTY: Two Decades Supporting Contemporary Art at the Dallas Museum of Art (Dallas: Dallas Museum of Art), 2018.
  • "A Masked Ball (Un ballo maschera) [sic]," in Dallas Museum of Art: A Guide to the Collection, ed. Bonnie Pitman (Dallas: Dallas Museum of Art; New Haven and London: Yale University Press, 2012), 346.
  • Charles Wylie, DMA unpublished material, 2008.

Fun Facts

Archival Resources

Web Resources

Notes
Exhibition: Performance/Art (added to Exhibitions module in TMS)
DMA unpublished material = Charles Wylie, "Acquisition Proposal," May 7, 2008. In Collections Records object file (2008.26).

Catalogue essays

Artist/designers

Cultures

Geography

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS

PROVENANCE
Until 2008: Yinka Shonibare, b. 1962

2008: Dallas Museum of Art, DMA/amfAR Benefit Auction Fund, purchased from James Cohen Gallery, New York

Notes:
The main source for this provenance is the copy of Invoice 4037 dated June 3, 2008 in the Collections Records object file.

AUDIO ASSETS

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
2008.26
tags
#draft
#completed
%Archived
masks (costume): AAT: 300138758
king: AAT: 300025481
Contemporary (style of art): AAT: 300264737
@Bilal-Gore
*Contemporary Art
time-based works: AAT: 300185191
London (England): TGN: 7011781
dance (discipline): AAT: 300054144
loops (components): AAT: 300265322
single-channel video: AAT: 300390573
opera (performances): AAT: 300255765
Sweden (nation): TGN: 1000097
Shonibare_Yinka: ULAN: 500057413
balls (parties): AAT: 300069619
opera (discipline): AAT: 300054147
assassinations: AAT: 300069682
source file
object_notes_2_d-0311.xml.nores