2008.38.2 Standing figure


GENERAL DESCRIPTION
This figure probably dates from the late 19th century to the early decades of the 20th century, a period of unprecedented missionary activity in Africa with most Christian denominations participating. After the Atlantic slave trade ended and legitimate trade replaced it in the 19th century, European missionary work was resumed in the context of colonization. Under the new conditions Western education and culture were keys to success. This does not mean the traditional way of life was abandoned. Instead, in many cultures, Christ was added to the traditional pantheon. Traditional African artists found new patronage in the Christian church for which they created crucifixes and sculptures representing priests and saints, and many artists continued to work in the traditional style of their ethnic group.

This figure, posed in a prayerful attitude, may depict a monk or a nun wearing a pith helmet or a veil. Because both men and women wore habits that concealed their bodies from head to toe, gender identification is difficult. The observant artist carefully depicted the knotted leather or fiber belt with ends that terminate in a cross, the folds of the garment, and the exposed shoes.

Adapted from
  • Roslyn A. Walker, Label text, Arts of Africa, 2015.
  • Roslyn A. Walker, DMA unpublished material, 2008.
  • Roslyn A. Walker, The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 266.

NOTES
Removed the following sentences from the general description because I could not trace them to published sources and they seemed unnecessary: African gods were impotent in the face of Western technology and modern medicine; the African's world had changed. [This does not mean the traditional way of life was abandoned]...or they stopped worshiping the old gods.

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
n.d.: Private European collection

2008: Dallas Museum of Art, purchased from Shango Gallery, Dallas, Texas

The main source for this provenance is the copy of the invoice dated September 21, 2008 in the Collections Records object file.

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES
Apply to objects where number equals 2008.38.2


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General Description
This figure probably dates from the late 19th century to the early decades of the 20th century, a period of unprecedented missionary activity in Africa with most Christian denominations participating. After the Atlantic slave trade ended and legitimate trade replaced it in the 19th century, European missionary work was resumed in the context of colonization. Under the new conditions Western education and culture were keys to success. This does not mean the traditional way of life was abandoned. Instead, in many cultures, Christ was added to the traditional pantheon. Traditional African artists found new patronage in the Christian church for which they created crucifixes and sculptures representing priests and saints, and many artists continued to work in the traditional style of their ethnic group.

This figure, posed in a prayerful attitude, may depict a monk or a nun wearing a pith helmet or a veil. Because both men and women wore habits that concealed their bodies from head to toe, gender identification is difficult. The observant artist carefully depicted the knotted leather or fiber belt with ends that terminate in a cross, the folds of the garment, and the exposed shoes.

Adapted from
  • Roslyn A. Walker, Label text, Arts of Africa, 2015.
  • Roslyn A. Walker, DMA unpublished material, 2008.
  • Roslyn A. Walker, The Arts of Africa at the Dallas Museum of Art (New Haven and London: Yale University Press, 2009), 266.

Fun Facts

Archival Resources

Web Resources
 
Notes
Removed the following sentences from the general description because I could not trace them to published sources and they seemed unnecessary: African gods were impotent in the face of Western technology and modern medicine; the African's world had changed. [This does not mean the traditional way of life was abandoned]...or they stopped worshiping the old gods.

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
n.d.: Private European collection

2008: Dallas Museum of Art, purchased from Shango Gallery, Dallas, Texas

The main source for this provenance is the copy of the invoice dated September 21, 2008 in the Collections Records object file.

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
2008.38.2
tags
#draft
#completed
sculpture: AAT: 300047090
%Archived
@Bilal-Gore
wood (plant material): AAT: 300011914
Christianity: AAT: 300073711
*Arts of Africa
crosses (motifs): AAT: 300010044
colonialism: AAT: 300400905
robes: AAT: 300209852
shoes (footwear): AAT: 300046065
belts (bandas / cinturones / costume accessories): AAT: 300210002
colonization: AAT: 300055402
Democratic Republic of the Congo (nation): TGN: 1000159
god (deity): AAT: 300343851
missionaries: AAT: 300025764
monks: AAT: 300025765
veils (headcloths): AAT: 300046128
nuns (religious people): AAT: 300025770
Kongo: AAT: 300016229
pith helmets: AAT: 300256657
source file
object_notes_2_d-0304.xml.nores