1981.124 Hugues Merle, The First Thorns of Knowledge


GENERAL DESCRIPTION  
Trained in the French Academic tradition, Hugues Merle was an expert draftsman who relied on the close study of human anatomy and a smooth, polished style to achieve a sense of naturalism in his paintings. Here the defiant gaze of the child draws viewers into an intimate scene of maternal dedication and youthful disobedience as the boy resists learning the alphabet. Although the subject of this painting seems drawn from everyday life, Merle infuses the scene with a timeless quality through the figures’ simple, classicizing attire and pyramidal pose (a stable arrangement of figures that forms a pyramid), which recalls Renaissance depictions of the Virgin and Child. This kind of moralizing and sentimental subject was popular with audiences at the Paris Salon, where Merle regularly submitted works and achieved a high degree of success in the 1860s.

Excerpt from
Nicole Myers, DMA label copy, 2017.


NOTES
Created in 1864

Checked Piction

The defiant gaze of the young child draws viewers into an intimate scene of maternal affection and youthful disobedience. The mother, who functions as a warm and supportive chair, holds an alphabet book in her hand and instructs her infant in his lesson. The furrowed brow and downturned lips of the young boy sharply contrast the patient expression of the mother and reveal his resistance to the lesson. 

Hugues Merle, a French painter trained in the Academic tradition, was an expert draftsman who relied on the close study of human anatomy to achieve naturalism in his paintings. He regularly submitted his works to the Paris Salon and was twice awarded the second class medal in 1861 and 1863. The First Thorns of Knowledge once belonged to the Duke of Morny, the half-brother of Napoleon III.
Heather MacDonald, DMA label copy, 2010.

I wrote the NGA to correct error in Merle biography.  JR 18


Catalogue essays

Artist/designers
Merle, Hugues (French, 1823-1881)

Cultures

Geography 

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Historical periods

Individuals

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Apply to objects where number equals 1981.124

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General Description
 
Trained in the French Academic tradition, Hugues Merle was an expert draftsman who relied on the close study of human anatomy and a smooth, polished style to achieve a sense of naturalism in his paintings. Here the defiant gaze of the child draws viewers into an intimate scene of maternal dedication and youthful disobedience as the boy resists learning the alphabet. Although the subject of this painting seems drawn from everyday life, Merle infuses the scene with a timeless quality through the figures’ simple, classicizing attire and pyramidal pose (a stable arrangement of figures that forms a pyramid), which recalls Renaissance depictions of the Virgin and Child. This kind of moralizing and sentimental subject was popular with audiences at the Paris Salon, where Merle regularly submitted works and achieved a high degree of success in the 1860s.

Excerpt from
Nicole Myers, DMA label copy, 2017.


Fun Facts

Archival Resources

Web Resources
 


Notes
Created in 1864

Checked Piction

The defiant gaze of the young child draws viewers into an intimate scene of maternal affection and youthful disobedience. The mother, who functions as a warm and supportive chair, holds an alphabet book in her hand and instructs her infant in his lesson. The furrowed brow and downturned lips of the young boy sharply contrast the patient expression of the mother and reveal his resistance to the lesson. 

Hugues Merle, a French painter trained in the Academic tradition, was an expert draftsman who relied on the close study of human anatomy to achieve naturalism in his paintings. He regularly submitted his works to the Paris Salon and was twice awarded the second class medal in 1861 and 1863. The First Thorns of Knowledge once belonged to the Duke of Morny, the half-brother of Napoleon III.
Heather MacDonald, DMA label copy, 2010.

I wrote the NGA to correct error in Merle biography.  JR 18


Catalogue essays

Artist/designers
Merle, Hugues (French, 1823-1881)

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
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1981.124
tags
#draft
#completed
%copyedited_Gail
women: AAT: 300025943
%Archived
sitting (seated): AAT: 300263970
.TeachingIdeas
@Russell
*European Art
hands (animal or human components): AAT: 300310193
children (people by age group): AAT: 300025945
feet (animal components): AAT: 300310200
flowers (plants): AAT: 300132399
mothers: AAT: 300025932
profiles (vantage point for figure): AAT: 300123319
signature: AAT: 300028705
dresses (garments): AAT: 300046159
eyes (animal or human components): AAT: 300400484
books: AAT: 300028051
ears (human and animal components): DMA
flowerpots: AAT: 300194749
vest (garment): AAT: 300209904
alphabet books: AAT: 300202510
alphabets (symbols): AAT: 300255216
source file
object_notes_2_d-0279.xml.nores