GENERAL DESCRIPTION
Trained in the French Academic tradition, Hugues Merle was an expert draftsman who relied on the close study of human anatomy and a smooth, polished style to achieve a sense of naturalism in his paintings. Here the defiant gaze of the child draws viewers into an intimate scene of maternal dedication and youthful disobedience as the boy resists learning the alphabet. Although the subject of this painting seems drawn from everyday life, Merle infuses the scene with a timeless quality through the figures’ simple, classicizing attire and pyramidal pose (a stable arrangement of figures that forms a pyramid), which recalls Renaissance depictions of the Virgin and Child. This kind of moralizing and sentimental subject was popular with audiences at the Paris Salon, where Merle regularly submitted works and achieved a high degree of success in the 1860s.
Excerpt from
Nicole Myers, DMA label copy, 2017.
NOTES
Created in 1864
Checked Piction
The defiant gaze of the young child draws viewers into an intimate scene of maternal affection and youthful disobedience. The mother, who functions as a warm and supportive chair, holds an alphabet book in her hand and instructs her infant in his lesson. The furrowed brow and downturned lips of the young boy sharply contrast the patient expression of the mother and reveal his resistance to the lesson.
Hugues Merle, a French painter trained in the Academic tradition, was an expert draftsman who relied on the close study of human anatomy to achieve naturalism in his paintings. He regularly submitted his works to the Paris Salon and was twice awarded the second class medal in 1861 and 1863. The First Thorns of Knowledge once belonged to the Duke of Morny, the half-brother of Napoleon III.
Heather MacDonald, DMA label copy, 2010.
I wrote the NGA to correct error in Merle biography. JR 18
Catalogue essays
Artist/designers
Merle, Hugues (French, 1823-1881)
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
- National Gallery of Art, Washington, DC~Read a brief biography of the artist from the NGA.
- The Clark Art Institute, Williamstown, MA~View another painting of a mother and child by Hugues Merle.
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 1981.124
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General Description
Trained in the French Academic tradition, Hugues Merle was an expert draftsman who relied on the close study of human anatomy and a smooth, polished style to achieve a sense of naturalism in his paintings. Here the defiant gaze of the child draws viewers into an intimate scene of maternal dedication and youthful disobedience as the boy resists learning the alphabet. Although the subject of this painting seems drawn from everyday life, Merle infuses the scene with a timeless quality through the figures’ simple, classicizing attire and pyramidal pose (a stable arrangement of figures that forms a pyramid), which recalls Renaissance depictions of the Virgin and Child. This kind of moralizing and sentimental subject was popular with audiences at the Paris Salon, where Merle regularly submitted works and achieved a high degree of success in the 1860s.
Excerpt from
Nicole Myers, DMA label copy, 2017.
Fun Facts
Archival Resources
Web Resources
- National Gallery of Art, Washington, DC~Read a brief biography of the artist from the NGA.
- The Clark Art Institute, Williamstown, MA~View another painting of a mother and child by Hugues Merle.
Notes
Created in 1864
Checked Piction
The defiant gaze of the young child draws viewers into an intimate scene of maternal affection and youthful disobedience. The mother, who functions as a warm and supportive chair, holds an alphabet book in her hand and instructs her infant in his lesson. The furrowed brow and downturned lips of the young boy sharply contrast the patient expression of the mother and reveal his resistance to the lesson.
Hugues Merle, a French painter trained in the Academic tradition, was an expert draftsman who relied on the close study of human anatomy to achieve naturalism in his paintings. He regularly submitted his works to the Paris Salon and was twice awarded the second class medal in 1861 and 1863. The First Thorns of Knowledge once belonged to the Duke of Morny, the half-brother of Napoleon III.
Heather MacDonald, DMA label copy, 2010.
I wrote the NGA to correct error in Merle biography. JR 18
Catalogue essays
Artist/designers
Merle, Hugues (French, 1823-1881)
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
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1981.124
source file
object_notes_2_d-0279.xml.nores