1991.50 Anthony van Dyck, Mocking of Christ


GENERAL DESCRIPTION  


NOTES
c. 1630

2nd or 3rd state

Born 1599 ; died 1641. He received an excellent education and learned several languages. His amiable character and ch arm of manner attracted every one he met. In 161 7, he entered Rubens' workshop and soon became his favored pupil. The two often worked together; hut though Ruhens' influence was considerable, Van Dyck kept his originality. From 1620 to 1627, he spent most of his time in Italy, painting many portraits. H e returned to Antwerp and painted chiefly religious pictures until 1632 , when he settled in London as painter to the king. He was much sought after by the highest society. Commissions poured in, and he executed them with great rapidity. His dreamy, tender genius 'reveals itself in his religious themes, which he loved to paint. But it is chiefly as a portrait painter that he displayed all the resources of his rich color.

30 Masterpieces from the Collections of the Metropolitan (1957 exhibition)
Catalogue from Piction saved to Dropbox
OCRed text to pull biographies.

Portrait of a Man
Hemfsh, XVII Century

Description: trimmed to or just inside the image

Geography unverified: traveled throughout Italy, the Netherlands, England and Belgium during this time

Catalogue essays

Artist/designers
van Dyck, Sir Anthony (Flemish, 1599-1641)

Cultures

Geography 

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Notes
c. 1630

2nd or 3rd state

Born 1599 ; died 1641. He received an excellent education and learned several languages. His amiable character and ch arm of manner attracted every one he met. In 161 7, he entered Rubens' workshop and soon became his favored pupil. The two often worked together; hut though Ruhens' influence was considerable, Van Dyck kept his originality. From 1620 to 1627, he spent most of his time in Italy, painting many portraits. H e returned to Antwerp and painted chiefly religious pictures until 1632 , when he settled in London as painter to the king. He was much sought after by the highest society. Commissions poured in, and he executed them with great rapidity. His dreamy, tender genius 'reveals itself in his religious themes, which he loved to paint. But it is chiefly as a portrait painter that he displayed all the resources of his rich color.

30 Masterpieces from the Collections of the Metropolitan (1957 exhibition)
Catalogue from Piction saved to Dropbox
OCRed text to pull biographies.

Portrait of a Man
Hemfsh, XVII Century

Description: trimmed to or just inside the image

Geography unverified: traveled throughout Italy, the Netherlands, England and Belgium during this time

Catalogue essays

Artist/designers
van Dyck, Sir Anthony (Flemish, 1599-1641)

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1991.50
tags
#draft
#completed
%copyedited_Gail
%Archived
men: AAT: 300025928
@Schiller
@Russell
#routed
*European Art
Christianity: AAT: 300073711
robes: AAT: 300209852
Dyck_Anthony van: ULAN: 500115190
halos (glories): AAT: 300375684
Jesus Christ (Christian figure): ULAN: 500344051
crucifixions (executions): AAT: 300404300
works on paper: AAT: 300189621
etching (printing process): AAT: 300053241
black-and-white (colors): AAT: 300265434
rope: AAT: 300014248
spears (weapons): AAT: 300037038
helmet (protective wear): AAT: 300036794
engravings (prints): AAT: 300041340
thorns (plant material): AAT: 300011912
staffs (walking sticks): AAT: 300221444
source file
object_notes_2_d-0263.xml.nores