2017.9 Kuduo


GENERAL DESCRIPTION  
Kuduo are cast brass containers for storing valuables; they were also used in religious, social, and civic rites. Arabic calligraphy and geometric motifs were introduced to Akan peoples via the trans-Saharan and trans-Sudanic gold trade. Several Asante towns became important trading centers with a strong Muslim presence. By the 16th century, brass vessels had been assimilated into Akan culture as sacred objects. Their decoration was a combination of Muslim and Akan surface designs. Later, Akan metalsmiths created new configurations and designs based on the prototypes.

This object is an example of a casket kuduo, which are the most complex and typically largest form of Asante cast brass vessels. They have three integrated parts: a pedestal base, a body, and a hinged lid. The lid of the vessel is decorated with geometric relief castings of a stepped pyramid, and other forms that may represent powder kegs and beads. Over time, the complexity of casket kuduo decoration increased; later examples bear figural scenes in high relief. 

Adapted from
  • Roslyn Walker, The Power of Gold: Asante Royal Regalia from Ghana, Label text, 2018.  

NOTES

Catalogue essays

Artist/designers

Cultures
Akan (culture): AAT: 300016000
Asante: AAT: 300016004

Geography 
Ghana (nation): TGN: 1000166

Process/materials
brass (alloy): AAT: 300010946
casting (process): AAT: 300053104
calligraphy (process): AAT: 300053162

Historical periods

Individuals

Subject terms
Arabic (style): AAT: 300385957
containers (hierarchy name): AAT: 300045611
gold (color): AAT: 300311191
kuduo: AAT: 300261922
metalwork: AAT: 300015336
prestige: AAT: 300343604
sacred objects: AAT: 300234190
storage containers: AAT: 300197582
trade (function): AAT: 300061886

RELATED OBJECTS 

PROVENANCE 
Before 1960: Merton Simpson Gallery, New York

1960-2013: Roy and Sophia Seiber

2013-2017: Roy and Sophia Seiber Irrevocable Trust, Bloomington Indiana

From 2017: Dallas Museum of Art, African Collection Fund purchase from above

The main source for this provenance is information previously entered in TMS. 

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES
Apply to objects where number equals 2017.9

Category
rules_operator
AND
General Description
 
Kuduo are cast brass containers for storing valuables; they were also used in religious, social, and civic rites. Arabic calligraphy and geometric motifs were introduced to Akan peoples via the trans-Saharan and trans-Sudanic gold trade. Several Asante towns became important trading centers with a strong Muslim presence. By the 16th century, brass vessels had been assimilated into Akan culture as sacred objects. Their decoration was a combination of Muslim and Akan surface designs. Later, Akan metalsmiths created new configurations and designs based on the prototypes.

This object is an example of a casket kuduo, which are the most complex and typically largest form of Asante cast brass vessels. They have three integrated parts: a pedestal base, a body, and a hinged lid. The lid of the vessel is decorated with geometric relief castings of a stepped pyramid, and other forms that may represent powder kegs and beads. Over time, the complexity of casket kuduo decoration increased; later examples bear figural scenes in high relief. 

Adapted from
  • Roslyn Walker, The Power of Gold: Asante Royal Regalia from Ghana, Label text, 2018.  

Fun Facts

Archival Resources

Web Resources
 

Notes

Catalogue essays

Artist/designers

Cultures
Akan (culture): AAT: 300016000
Asante: AAT: 300016004

Geography 
Ghana (nation): TGN: 1000166

Process/materials
brass (alloy): AAT: 300010946
casting (process): AAT: 300053104
calligraphy (process): AAT: 300053162

Historical periods

Individuals

Subject terms
Arabic (style): AAT: 300385957
containers (hierarchy name): AAT: 300045611
gold (color): AAT: 300311191
kuduo: AAT: 300261922
metalwork: AAT: 300015336
prestige: AAT: 300343604
sacred objects: AAT: 300234190
storage containers: AAT: 300197582
trade (function): AAT: 300061886

RELATED OBJECTS 

PROVENANCE 
Before 1960: Merton Simpson Gallery, New York

1960-2013: Roy and Sophia Seiber

2013-2017: Roy and Sophia Seiber Irrevocable Trust, Bloomington Indiana

From 2017: Dallas Museum of Art, African Collection Fund purchase from above

The main source for this provenance is information previously entered in TMS. 

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
2017.9
tags
#draft
#completed
%copyedited_Gail
incising: AAT: 300053847
%Archived
trade (function): AAT: 300061886
@Courtney
containers (hierarchy name): AAT: 300045611
storage containers: AAT: 300197582
metalwork: AAT: 300015336
#routed
*Arts of Africa
prestige: AAT: 300343604
casting (process): AAT: 300053104
brass (alloy): AAT: 300010946
Asante: AAT: 300016004
Akan (culture): AAT: 300016000
Ghana (nation): TGN: 1000166
gold (color): AAT: 300311191
sacred objects: AAT: 300234190
calligraphy (process): AAT: 300053162
Arabic (style): AAT: 300385957
kuduo: AAT: 300261922
source file
object_notes_2_d-0260.xml.nores