1986.269 Giovanni Battista Cipriani, Nymph


GENERAL DESCRIPTION  
In 1750, Italian artist Giovanni Battista Cipriani traveled from Florence to Rome, where he came into contact with English artists on the Grand Tour, the customary trip around Italy that complemented a classical education for upper-class young men. He became friendly with architect William Chambers and sculptor Joseph Wilton, proponents of a Neoclassical style. Chambers and Wilton eventually persuaded Cipriani to settle in London, where he was immediately in demand as one of the first exponents of the developing Neoclassicism. He was admitted to the Royal Academy in England as a painter, but he was best known for his engravings and drawings of antique subjects. This drawing of a nude nymph holding an antique vase, done in pencil and red chalk, is representative of the clarity of his draftsmanship and his careful attention to the tone and texture of flesh.

Excerpt from
Confluence 2016---Visions of Antiquity---is this Nicole????

NOTES
n.d. (Change to artist's life dates.)

Geography unverified because of n.d.

Catalogue essays

Artist/designers
Cipriani, Giovanni Battista (Italian, active in England, 1727-1785)

Cultures

Geography 

Process/materials
Sanguine (red chalk) and pencil

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 

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VIDEO ASSETS

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WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

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Apply to objects where number equals 1986.269

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General Description
 
In 1750, Italian artist Giovanni Battista Cipriani traveled from Florence to Rome, where he came into contact with English artists on the Grand Tour, the customary trip around Italy that complemented a classical education for upper-class young men. He became friendly with architect William Chambers and sculptor Joseph Wilton, proponents of a Neoclassical style. Chambers and Wilton eventually persuaded Cipriani to settle in London, where he was immediately in demand as one of the first exponents of the developing Neoclassicism. He was admitted to the Royal Academy in England as a painter, but he was best known for his engravings and drawings of antique subjects. This drawing of a nude nymph holding an antique vase, done in pencil and red chalk, is representative of the clarity of his draftsmanship and his careful attention to the tone and texture of flesh.

Excerpt from
Confluence 2016---Visions of Antiquity---is this Nicole????

Fun Facts

Archival Resources

Web Resources
 
Notes
n.d. (Change to artist's life dates.)

Geography unverified because of n.d.

Catalogue essays

Artist/designers
Cipriani, Giovanni Battista (Italian, active in England, 1727-1785)

Cultures

Geography 

Process/materials
Sanguine (red chalk) and pencil

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1986.269
tags
#draft
female: AAT: 300189557
@Russell
*European Art
chalk: AAT: 300011727
drapery (representations): AAT: 300262585
nudity (culture-related concepts): AAT: 300262617
back views: AAT: 300264745
drawing (visual works): AAT: 300033973
works on paper: AAT: 300189621
Neoclassical (style): AAT: 300021477
vases: AAT: 300132254
pencil: AAT: 300022439
nymphs (spirits-beings): AAT: 300379159
kneeling: AAT: 300265356
source file
object_notes_2_d-0206.xml.nores