1991.11 Francis William Edmonds, Commodore Trunnion and Jack Hatchway


GENERAL DESCRIPTION  
In this scene adapted from Tobias Smollett's novel The Adventures of Peregrine Pickle, the British veteran Commodore Trunnion (pouring himself a drink) learns from his friend Jack Hatchway that a hated rival naval officer has beaten him out of an honorary title. This early example of 19th-century genre painting combines an 18th-century British literary subject with the coloration, lighting, and detail of 17th-century Dutch still lifes and narrative scenes.

Francis Edmonds began life as a banker but soon devoted more and more time to his blossoming artistic career. The success of his first exhibition in 1839—and this painting in particular—caused him to change career paths for good.

Excerpt from
DMA label text

NOTES                                                                
c. 1839
Changed to By 1839. See General Description.

Object File reviewed

Geography cannot be verified. From 1834-1844 he lived in New York, with the exception of 1841 when he traveled through Europe after the death of his wife. 

17th century Dutch and Flemish art

Object Summary:
"Francis William Edmonds was a banker who, uncertain of his artistic abilities, painted and exhibited for many years under the pseudonym "E.F. Williams." Commodore Trunnion and Jack Hathaway was the first canvas shown under Edmond's name, and was widely considered equal to the work of the great American genre painter William Sidney Mount. The scene is taken from an 18th-century English novel by Tobias Smollet, "The Adventures of Peregrine Pickle," in which Jack Hatchway learns from the newspaper that the Commodore's rival, Admiral Bower, has been designated a peer of the realm.  The setting has been moved from the original tavern to the Commodore's workroom, and Edmonds chose the quiet moment just before Jack happens upon the bad news.  The skillfully rendered flagon in its straw casing, the pewter tankard, and the block and tackle reflect Edmonds's admiration for the 17th-century Dutch tradition of still-life and genre painting."


Acquisition Justification? (paper not labeled) 
"The painting also merits attention because it was one of the first paintings Edmonds is known to have parted with. In that transaction, Edmonds requested that the new owner permit the painting to be exhibited at the annual exhibition at the National Academy. He also wrote to the owner that Commodore Trunnion and Jack Hatchway was generally considered the best best picture he had executed."

Catalogue essays

Artist/designers
Edmonds, Francis William (American, 1806-1863)

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
n.d.: private collection, Rhode Island
From 1991: Dallas Museum of Art, gift of Maxus Energy and Nina B. Super by exchange, the Roberta Coke Camp Fund and the General Acquisitions Fund, purchased from the Vose Galleries of Boston

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS

WEB RESOURCES 

ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

RULES
Apply to objects where number equals 1991.11

Category
rules_operator
AND
General Description
 
In this scene adapted from Tobias Smollett's novel The Adventures of Peregrine Pickle, the British veteran Commodore Trunnion (pouring himself a drink) learns from his friend Jack Hatchway that a hated rival naval officer has beaten him out of an honorary title. This early example of 19th-century genre painting combines an 18th-century British literary subject with the coloration, lighting, and detail of 17th-century Dutch still lifes and narrative scenes.

Francis Edmonds began life as a banker but soon devoted more and more time to his blossoming artistic career. The success of his first exhibition in 1839—and this painting in particular—caused him to change career paths for good.

Excerpt from
DMA label text

Fun Facts

Archival Resources

Web Resources
 
Notes
                                                                
c. 1839
Changed to By 1839. See General Description.

Object File reviewed

Geography cannot be verified. From 1834-1844 he lived in New York, with the exception of 1841 when he traveled through Europe after the death of his wife. 

17th century Dutch and Flemish art

Object Summary:
"Francis William Edmonds was a banker who, uncertain of his artistic abilities, painted and exhibited for many years under the pseudonym "E.F. Williams." Commodore Trunnion and Jack Hathaway was the first canvas shown under Edmond's name, and was widely considered equal to the work of the great American genre painter William Sidney Mount. The scene is taken from an 18th-century English novel by Tobias Smollet, "The Adventures of Peregrine Pickle," in which Jack Hatchway learns from the newspaper that the Commodore's rival, Admiral Bower, has been designated a peer of the realm.  The setting has been moved from the original tavern to the Commodore's workroom, and Edmonds chose the quiet moment just before Jack happens upon the bad news.  The skillfully rendered flagon in its straw casing, the pewter tankard, and the block and tackle reflect Edmonds's admiration for the 17th-century Dutch tradition of still-life and genre painting."


Acquisition Justification? (paper not labeled) 
"The painting also merits attention because it was one of the first paintings Edmonds is known to have parted with. In that transaction, Edmonds requested that the new owner permit the painting to be exhibited at the annual exhibition at the National Academy. He also wrote to the owner that Commodore Trunnion and Jack Hatchway was generally considered the best best picture he had executed."

Catalogue essays

Artist/designers
Edmonds, Francis William (American, 1806-1863)

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
n.d.: private collection, Rhode Island
From 1991: Dallas Museum of Art, gift of Maxus Energy and Nina B. Super by exchange, the Roberta Coke Camp Fund and the General Acquisitions Fund, purchased from the Vose Galleries of Boston

AUDIO ASSETS 

VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1991.11
tags
#draft
#completed
%Archived
human figures: AAT: 300404114
*American Art
@Russell
pitchers (vessels): AAT: 300194765
tables (support furniture): AAT: 300039548
hats (headgear): AAT: 300046106
brown (color): AAT: 300127490
shoes (footwear): AAT: 300046065
newspapers (publications): AAT: 300026656
chairs (furniture): AAT: 300037772
eyes (animal or human components): AAT: 300400484
coats (garments): AAT: 300046143
rooms and spaces: AAT: 300133704
jackets (garments / saco / chaqueta): AAT: 300046167
buttons (fasteners): AAT: 300239261
bald (hairstyle): DMA
cravats (neckwear): AAT: 300210059
canes (walking sticks): AAT: 300224230
pipes (smoking equipment): AAT: 300248067
vest (garment): AAT: 300209904
hooks (object genre): AAT: 300400821
pulleys (moving and transporting machinery): AAT: 300024574
anchors (watercraft equipment): AAT: 300219429
eyepatch (medical equipment/personal equipment): DMA
steins (drinking vessels): AAT: 300043255
prosthetics: DMA
source file
object_notes_2_d-0164.xml.nores