GENERAL DESCRIPTION
Between 1963 and 1967, Warren Platner collaborated with the Knoll Design Development Group, and the result was perhaps Platner's most widely admired furniture. His nickel-finished, steel-rod chairs, stools, and table are subtly gathered at their centers, providing the viewer an optical sense of motion in the static object. In this way, Platner's designs show his appreciation of Russian-born constructivist Naum Gabo's kinetic sculptures that consisted of plastic sheets on which closely spaced nylon threads were strung to enclose varied spatial volumes. Gabo's sculpture and Platner's furniture allow one to see through the enclosed space but alter the perception of that space through form and material. Platner's work also relates to the earlier wirework designs of Marcel Breuer and Harry Bertoia. Arguably, Platner's wire-based armchair has become an icon of modern furniture design.
Adapted from
Stephen Harrison, DMA unpublished material, 2000.
NOTES
DMA unpublished source: Stephen Harrison, Associate Curator of Decorative Arts, DMA Acquisition Justification dated October 19, 2000 (2000.394)
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 2000: Collection of Margaret Anne Cullum, Dallas, Texas [1]
From 2000: Dallas Museum of Art, gift of above
[1] Collections Records Object File [2000.394]
AUDIO ASSETS
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
ARCHIVAL RESOURCES
FUN FACTS
TEACHING IDEAS
RULES
Apply to objects where number equals 2000.394
Category
rules_operator
AND
General Description
Between 1963 and 1967, Warren Platner collaborated with the Knoll Design Development Group, and the result was perhaps Platner's most widely admired furniture. His nickel-finished, steel-rod chairs, stools, and table are subtly gathered at their centers, providing the viewer an optical sense of motion in the static object. In this way, Platner's designs show his appreciation of Russian-born constructivist Naum Gabo's kinetic sculptures that consisted of plastic sheets on which closely spaced nylon threads were strung to enclose varied spatial volumes. Gabo's sculpture and Platner's furniture allow one to see through the enclosed space but alter the perception of that space through form and material. Platner's work also relates to the earlier wirework designs of Marcel Breuer and Harry Bertoia. Arguably, Platner's wire-based armchair has become an icon of modern furniture design.
Adapted from
Stephen Harrison, DMA unpublished material, 2000.
Fun Facts
Archival Resources
Web Resources
Notes
DMA unpublished source: Stephen Harrison, Associate Curator of Decorative Arts, DMA Acquisition Justification dated October 19, 2000 (2000.394)
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 2000: Collection of Margaret Anne Cullum, Dallas, Texas [1]
From 2000: Dallas Museum of Art, gift of above
[1] Collections Records Object File [2000.394]
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
2000.394
source file
object_notes_2_d-0148.xml.nores