GENERAL DESCRIPTION
Robert Venturi's designs for Knoll International are widely regarded as among the most important decorative arts commissions of the Venturi firm to date. For Knoll, Venturi produced nine chair designs, three tables, one sofa, and two surface designs. Venturi was clearly thinking about these designs as early as June of 1976 when he executed a series of drawings for the Queen Anne, Chippendale, and Arts and Crafts models. Perhaps inspired by the Bicentennial of that year, Venturi turned to his copy of Wallace Nutting's Furniture Treasury, the Bible of colonial furniture collecting, to give him a reference for iconic colonial designs. The resulting concept would evolve over the next eight years before finally being put into production in 1984.
As one of his three original designs for this group, the Chippendale side chair is perhaps the most easily recognizable of the lot. The silhouette of the back follows loosely that of a mid-18th century Philadelphia side chair, though bulging in an exaggerated cartoon-like manner. The seat flows into the front legs in a thoroughly anti-historical treatment common to all the models in the series. Though also available with patterned Formica surfaces, this example in natural maple stays true to Venturi's original concept of laminated wooden finishes.
Venturi's work for Knoll embodies the architect's mimicry of historical ornament and form found so characteristically in his designs for buildings at the same time. As conscious leaders of a movement dubbed "Post Modern" by critics and peers, Robert Venturi and his partner Denise Scott Brown sought to expand their understanding of past and present by offering a new interpretations of traditional forms. As such, their work of the 1970s and 80s provides a necessary coda to Modernism and a bridge to a new century of design.
Adapted from
DMA unpublished material [2001.323], 2001.
NOTES
Brownlee, David B., David G. Delong, Katheryn B. Heisinger. Out of the Ordinary: Robert Venturi, Denise Scott Brown and Associates-Architecture, Urbanism, Design. Philadelphia Museum of Art, 2001.
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 2001: Collage 20th Century Classics, Dallas, Texas [1]
From 2001: Dallas Museum of Art
[1] See check in Collections Records Object File [2001.323]
AUDIO ASSETS
- 13310560: UMO. Listen to a gallery talk in Form/Unformed given by Kevin W. Tucker, Curator of Decorative Arts and Design.
- 267026258: UMO. Listen to a gallery talk in Form/Unformed given by Heather Bowling, Digitial Content Coordinator for Decorative Arts.
VIDEO ASSETS
IMAGE ASSETS
WEB RESOURCES
- VSBA Architects and Planners~Explore Robert Venturi's website.
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TEACHING IDEAS
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Apply to objects where number equals 2001.323
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General Description
Robert Venturi's designs for Knoll International are widely regarded as among the most important decorative arts commissions of the Venturi firm to date. For Knoll, Venturi produced nine chair designs, three tables, one sofa, and two surface designs. Venturi was clearly thinking about these designs as early as June of 1976 when he executed a series of drawings for the Queen Anne, Chippendale, and Arts and Crafts models. Perhaps inspired by the Bicentennial of that year, Venturi turned to his copy of Wallace Nutting's Furniture Treasury, the Bible of colonial furniture collecting, to give him a reference for iconic colonial designs. The resulting concept would evolve over the next eight years before finally being put into production in 1984.
As one of his three original designs for this group, the Chippendale side chair is perhaps the most easily recognizable of the lot. The silhouette of the back follows loosely that of a mid-18th century Philadelphia side chair, though bulging in an exaggerated cartoon-like manner. The seat flows into the front legs in a thoroughly anti-historical treatment common to all the models in the series. Though also available with patterned Formica surfaces, this example in natural maple stays true to Venturi's original concept of laminated wooden finishes.
Venturi's work for Knoll embodies the architect's mimicry of historical ornament and form found so characteristically in his designs for buildings at the same time. As conscious leaders of a movement dubbed "Post Modern" by critics and peers, Robert Venturi and his partner Denise Scott Brown sought to expand their understanding of past and present by offering a new interpretations of traditional forms. As such, their work of the 1970s and 80s provides a necessary coda to Modernism and a bridge to a new century of design.
Adapted from
DMA unpublished material [2001.323], 2001.
Fun Facts
Archival Resources
Web Resources
Notes
Brownlee, David B., David G. Delong, Katheryn B. Heisinger. Out of the Ordinary: Robert Venturi, Denise Scott Brown and Associates-Architecture, Urbanism, Design. Philadelphia Museum of Art, 2001.
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Until 2001: Collage 20th Century Classics, Dallas, Texas [1]
From 2001: Dallas Museum of Art
[1] See check in Collections Records Object File [2001.323]
AUDIO ASSETS
- 13310560: UMO. Listen to a gallery talk in Form/Unformed given by Kevin W. Tucker, Curator of Decorative Arts and Design.
- 267026258: UMO. Listen to a gallery talk in Form/Unformed given by Heather Bowling, Digitial Content Coordinator for Decorative Arts.
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rules
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2001.323
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