2001.323, Robert Venturi, "Chippendale side chair," designed 1984


GENERAL DESCRIPTION  
Robert Venturi's designs for Knoll International are widely regarded as among the most important decorative arts commissions of the Venturi firm to date. For Knoll, Venturi produced nine chair designs, three tables, one sofa, and two surface designs.  Venturi was clearly thinking about these designs as early as June of 1976 when he executed a series of drawings for the Queen Anne, Chippendale, and Arts and Crafts models. Perhaps inspired by the Bicentennial of that year, Venturi turned to his copy of Wallace Nutting's Furniture Treasury, the Bible of colonial furniture collecting, to give him a reference for iconic colonial designs. The resulting concept would evolve over the next eight years before finally being put into production in 1984.

As one of his three original designs for this group, the Chippendale side chair is perhaps the most easily recognizable of the lot. The silhouette of the back follows loosely that of a mid-18th century Philadelphia side chair, though bulging in an exaggerated cartoon-like manner. The seat flows into the front legs in a thoroughly anti-historical treatment common to all the models in the series. Though also available with patterned Formica surfaces, this example in natural maple stays true to Venturi's original concept of laminated wooden finishes. 

Venturi's work for Knoll embodies the architect's mimicry of historical ornament and form found so characteristically in his designs for buildings at the same time.  As conscious leaders of a movement dubbed "Post Modern" by critics and peers, Robert Venturi and his partner Denise Scott Brown sought to expand their understanding of past and present by offering a new interpretations of traditional forms. As such, their work of the 1970s and 80s provides a necessary coda to Modernism and a bridge to a new century of design. 

Adapted from
DMA unpublished material [2001.323], 2001.

NOTES
Brownlee, David B., David G. Delong, Katheryn B. Heisinger. Out of the Ordinary: Robert Venturi, Denise Scott Brown and Associates-Architecture, Urbanism, Design. Philadelphia Museum of Art, 2001.

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Artist/designers

Cultures

Geography 

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Historical periods

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RELATED OBJECTS 

PROVENANCE 
Until 2001: Collage 20th Century Classics, Dallas, Texas [1]

From 2001: Dallas Museum of Art

[1] See check in Collections Records Object File [2001.323]

AUDIO ASSETS 
  • 13310560: UMO. Listen to a gallery talk in Form/Unformed given by Kevin W. Tucker, Curator of Decorative Arts and Design.
  • 267026258: UMO. Listen to a gallery talk in Form/Unformed given by Heather Bowling, Digitial Content Coordinator for Decorative Arts.

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General Description
 
Robert Venturi's designs for Knoll International are widely regarded as among the most important decorative arts commissions of the Venturi firm to date. For Knoll, Venturi produced nine chair designs, three tables, one sofa, and two surface designs.  Venturi was clearly thinking about these designs as early as June of 1976 when he executed a series of drawings for the Queen Anne, Chippendale, and Arts and Crafts models. Perhaps inspired by the Bicentennial of that year, Venturi turned to his copy of Wallace Nutting's Furniture Treasury, the Bible of colonial furniture collecting, to give him a reference for iconic colonial designs. The resulting concept would evolve over the next eight years before finally being put into production in 1984.

As one of his three original designs for this group, the Chippendale side chair is perhaps the most easily recognizable of the lot. The silhouette of the back follows loosely that of a mid-18th century Philadelphia side chair, though bulging in an exaggerated cartoon-like manner. The seat flows into the front legs in a thoroughly anti-historical treatment common to all the models in the series. Though also available with patterned Formica surfaces, this example in natural maple stays true to Venturi's original concept of laminated wooden finishes. 

Venturi's work for Knoll embodies the architect's mimicry of historical ornament and form found so characteristically in his designs for buildings at the same time.  As conscious leaders of a movement dubbed "Post Modern" by critics and peers, Robert Venturi and his partner Denise Scott Brown sought to expand their understanding of past and present by offering a new interpretations of traditional forms. As such, their work of the 1970s and 80s provides a necessary coda to Modernism and a bridge to a new century of design. 

Adapted from
DMA unpublished material [2001.323], 2001.

Fun Facts

Archival Resources

Web Resources
 

Notes
Brownlee, David B., David G. Delong, Katheryn B. Heisinger. Out of the Ordinary: Robert Venturi, Denise Scott Brown and Associates-Architecture, Urbanism, Design. Philadelphia Museum of Art, 2001.

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
Until 2001: Collage 20th Century Classics, Dallas, Texas [1]

From 2001: Dallas Museum of Art

[1] See check in Collections Records Object File [2001.323]

AUDIO ASSETS 
  • 13310560: UMO. Listen to a gallery talk in Form/Unformed given by Kevin W. Tucker, Curator of Decorative Arts and Design.
  • 267026258: UMO. Listen to a gallery talk in Form/Unformed given by Heather Bowling, Digitial Content Coordinator for Decorative Arts.

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2001.323
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*Decorative Arts and Design
chairs (furniture): AAT: 300037772
design (discipline): AAT: 300054171
postmodern (international style and movement): AAT: 300022208
furniture designers: AAT: 300386292
Chippendale: AAT: 300021214
Knoll International: ULAN: 500214314
leather: AAT: 300011845
plywood: AAT: 300012849
13310560: UMO
Venturi Scott Brown and Associates: ULAN: 500033102
267026258: UMO
source file
object_notes_2_d-0147.xml.nores