GENERAL DESCRIPTION
This tall case clock is among the very first of its type made entirely in America and one of only four existing examples by clockmaker Benjamin Bagnall. Rather than fit British works into a colonial cabinet, which was typical considering the cost and complexity of the mechanical components, Bagnall created the works himself with parts acquired from fellow Bostonians. He then installed them in an elegant walnut cabinet created by a local cabinetmaker.
Bagnall proudly signed this clock and inscribed it with the name of his town, Boston. In 18th-century America, timepieces were rare and expensive; most colonial citizens kept track of time by checking clocks on church towers or public buildings. The owner of this clock must have been a person of great wealth who, in acquiring a tall clock, came to "own," and thus partially control, time.
Excerpt from
Kevin W. Tucker, DMA unpublished material, Label text (1985.B.4), 2006.
NOTES
- provenance form in TMS changed to comply with Guidelines and Procedures for Provenance Display
- text entries added to TMS: Venable catalog essay, 1997 DMA guide entry, and 2012 DMA Guide entry
- fun fact source: Un-authored and Un-dated TMS text entry labled "Label Copy" that is different than the public notes or "Label Text" that is in the galleries June 2016, (1985.B.4)
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PROVENANCE
Before 1954: John Walton, Inc., Riverside, Connecticut
1954-1985: The Faith P. and Charles L. Bybee Collection, Houston, Texas
From 1985: Collection of the Dallas Museum of Art, purchased from Faith P. and Charles L. Bybee
Notes:
The main source for this provenance is Charles L. Venable, American Furniture in the Bybee Collection, (Austin, TX: University of Texas Press, published in association with the Dallas Museum of Art, 1989), 10-13.
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FUN FACTS
When Europeans arrived in the New World, they brought alternative and viable concepts of space and time, both of which utterly transformed American experience. No pre-contact American had ever seen (or even considered) a clock, despite the fact that the historical and astronomical knowledge of many ancient Americans was as subtle as and often more complex than that of Europeans. In a hemisphere in which time moved continuously forward from creation, the notion of repeatable or circular time must have been as jolting-- and as exciting--as other imports such as guns, horses, and books.
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Apply to objects where number equals 1985.B.4
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General Description
This tall case clock is among the very first of its type made entirely in America and one of only four existing examples by clockmaker Benjamin Bagnall. Rather than fit British works into a colonial cabinet, which was typical considering the cost and complexity of the mechanical components, Bagnall created the works himself with parts acquired from fellow Bostonians. He then installed them in an elegant walnut cabinet created by a local cabinetmaker.
Bagnall proudly signed this clock and inscribed it with the name of his town, Boston. In 18th-century America, timepieces were rare and expensive; most colonial citizens kept track of time by checking clocks on church towers or public buildings. The owner of this clock must have been a person of great wealth who, in acquiring a tall clock, came to "own," and thus partially control, time.
Excerpt from
Kevin W. Tucker, DMA unpublished material, Label text (1985.B.4), 2006.
Fun Facts
When Europeans arrived in the New World, they brought alternative and viable concepts of space and time, both of which utterly transformed American experience. No pre-contact American had ever seen (or even considered) a clock, despite the fact that the historical and astronomical knowledge of many ancient Americans was as subtle as and often more complex than that of Europeans. In a hemisphere in which time moved continuously forward from creation, the notion of repeatable or circular time must have been as jolting-- and as exciting--as other imports such as guns, horses, and books.
Archival Resources
Web Resources
Notes
- provenance form in TMS changed to comply with Guidelines and Procedures for Provenance Display
- text entries added to TMS: Venable catalog essay, 1997 DMA guide entry, and 2012 DMA Guide entry
- fun fact source: Un-authored and Un-dated TMS text entry labled "Label Copy" that is different than the public notes or "Label Text" that is in the galleries June 2016, (1985.B.4)
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
Before 1954: John Walton, Inc., Riverside, Connecticut
1954-1985: The Faith P. and Charles L. Bybee Collection, Houston, Texas
From 1985: Collection of the Dallas Museum of Art, purchased from Faith P. and Charles L. Bybee
Notes:
The main source for this provenance is Charles L. Venable, American Furniture in the Bybee Collection, (Austin, TX: University of Texas Press, published in association with the Dallas Museum of Art, 1989), 10-13.
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