1995.56, Mantel clock, St. Nicolas d'Aliermont and Paris, c. 1825


GENERAL DESCRIPTION  
The finely cast and finished ornament of this ornate timepiece boasts a draped classical female figure, a cornucopia, oar, anchor, shell, and wreaths, which all together suggest the theme of the sea's bounty. This clock was exported from France to the United States in the early 19th century, and was purchased by jeweler and watchmaker John A. Roche of Baltimore, Maryland. Few French clocks now in the United States can be traced to early American owners.
 
Allied with France during the Revolutionary War, the United States sought to distance itself from its former status as a British colony. Because of this, during the late 1700s and early 1800s French luxury goods such as this clock became important and fashionable symbols of American independence and taste. Consequently, French art and design was increasingly influential in the United States during the late 18th and early 19th centuries. In cities like New York, Philadelphia, and Boston, native craftsmen began making furniture and silver in the French taste as well as importing large numbers of French luxury goods. This mantle clock is an example of the high quality of some of the objects shipped to the United States.

Adapted from
  • Kevin W. Tucker, DMA Label copy, 2006.
  • Charles Venable, DMA unpublished material, 1997.
  • Charles Venable, "Mantel clock," in Dallas Museum of Art: A Guide to the Collection, ed. Charles Venable (New Haven, NJ: Yale University Press, 1997), 223.

NOTES
  • changed provenance to comply with Guidelines and Procedures for Provenance display
  • DMA unpublished material = TMS text entry, Charles Venable, November 1995

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RELATED OBJECTS 

PROVENANCE 
c. 1825-d.1854: John A. Roache (d. 1854), Baltimore, Maryland

1854-1859: Mrs. John A. Roache (widow of John A. Roach, mother of Henry), thence by descent

From 1859: Henry C. Roache (son of John A. Roach), by inheritance

Before 1995: Charles Clark, dealer of 19th century American Decorative Arts, Nolensville Tennessee [1]

From 1995: Collection of the Dallas Museum of Art, Dallas, Texas, purchased from Charles Clark [2]

[1] The Mantel clock (1995.56) is featured in an advertisement for Charles Clark (specializing in 19th century American Decorative Arts) found in the catalog for the Tri Delta Charity Antiques Show: The Twentieth Anniversary (1975-1995) held a the Dallas Convention Center, March 2-March 5, 1995, page 72.
[2] See check #4633 in Collections Records Object File (1995.56)

AUDIO ASSETS 

VIDEO ASSETS

IMAGE ASSETS
_____________:UMO pending: handwritten letter with original provenance of mantle clock

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ARCHIVAL RESOURCES

FUN FACTS

TEACHING IDEAS

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Apply to objects where number equals 1995.56

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AND
General Description
 
The finely cast and finished ornament of this ornate timepiece boasts a draped classical female figure, a cornucopia, oar, anchor, shell, and wreaths, which all together suggest the theme of the sea's bounty. This clock was exported from France to the United States in the early 19th century, and was purchased by jeweler and watchmaker John A. Roche of Baltimore, Maryland. Few French clocks now in the United States can be traced to early American owners.
 
Allied with France during the Revolutionary War, the United States sought to distance itself from its former status as a British colony. Because of this, during the late 1700s and early 1800s French luxury goods such as this clock became important and fashionable symbols of American independence and taste. Consequently, French art and design was increasingly influential in the United States during the late 18th and early 19th centuries. In cities like New York, Philadelphia, and Boston, native craftsmen began making furniture and silver in the French taste as well as importing large numbers of French luxury goods. This mantle clock is an example of the high quality of some of the objects shipped to the United States.

Adapted from
  • Kevin W. Tucker, DMA Label copy, 2006.
  • Charles Venable, DMA unpublished material, 1997.
  • Charles Venable, "Mantel clock," in Dallas Museum of Art: A Guide to the Collection, ed. Charles Venable (New Haven, NJ: Yale University Press, 1997), 223.

Fun Facts

Archival Resources

Web Resources
 

Notes
  • changed provenance to comply with Guidelines and Procedures for Provenance display
  • DMA unpublished material = TMS text entry, Charles Venable, November 1995

Catalogue essays

Artist/designers

Cultures

Geography 

Process/materials

Historical periods

Individuals

Subject terms

RELATED OBJECTS 

PROVENANCE 
c. 1825-d.1854: John A. Roache (d. 1854), Baltimore, Maryland

1854-1859: Mrs. John A. Roache (widow of John A. Roach, mother of Henry), thence by descent

From 1859: Henry C. Roache (son of John A. Roach), by inheritance

Before 1995: Charles Clark, dealer of 19th century American Decorative Arts, Nolensville Tennessee [1]

From 1995: Collection of the Dallas Museum of Art, Dallas, Texas, purchased from Charles Clark [2]

[1] The Mantel clock (1995.56) is featured in an advertisement for Charles Clark (specializing in 19th century American Decorative Arts) found in the catalog for the Tri Delta Charity Antiques Show: The Twentieth Anniversary (1975-1995) held a the Dallas Convention Center, March 2-March 5, 1995, page 72.
[2] See check #4633 in Collections Records Object File (1995.56)

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VIDEO ASSETS

rules
Apply To
Objects
number
Equals
1995.56
tags
#draft
#completed
%copyedited_Gail
@Bowling
%Archived
*Decorative Arts and Design
seas: AAT: 300008694
balance (composition concept): AAT: 300056247
%UMO pending
Paris (France): TGN: 7008038
Neoclassical (style): AAT: 300021477
time: AAT: 300133089
seashell (shell): AAT: 300310135
clocks: AAT: 300041575
mantel clock: AAT: 300041578
wreaths: AAT: 300391223
allegory (artistic device): AAT: 300055866
gilt bronze (ormolu): AAT: 300011048
Empire (style): AAT: 300021269
cornucopias (motifs): AAT: 300303413
oars: AAT: 300213077
source file
object_notes_2_d-0091.xml.nores