GENERAL DESCRIPTION
Since porcelain could be made and decorated cheaper in China than in Europe, models were sent to China to be copied. This shell-handled tureen was probably copied from a Meissen porcelain prototype which, in turn, relies on an earlier European silver form. The enamel harbor scenes with black and iron-red cartouches are similar to those found on European porcelain. The grisaille landscapes and rose bird-and-flowering-branch scenes within gold cartouches on the rim are stock Chinese designs from the decorator's repertoire. The gold spearhead borders were used extensively during the thirty years between 1740-70 and are probably a simplified version of European Baroque lambrequins developed by Canton decorators for China trade porcelain. They were re-adapted by European decorators for use on European porcelain.
Adapted from
- Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 201.
- Label text, Reves Galleries, Porcelain Gallery, 2018
NOTES
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This tureen and stand were based on a Meissen prototype; the borders are traditionally Chinese.
excerpt from - Label text, Reves Galleries, Porcelain Gallery, 2018
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The Metropolitan Museum of Art~Read more about Chinese Export Porcelain
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Apply to objects where number equals 1985.R.864.A-C
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General Description
Since porcelain could be made and decorated cheaper in China than in Europe, models were sent to China to be copied. This shell-handled tureen was probably copied from a Meissen porcelain prototype which, in turn, relies on an earlier European silver form. The enamel harbor scenes with black and iron-red cartouches are similar to those found on European porcelain. The grisaille landscapes and rose bird-and-flowering-branch scenes within gold cartouches on the rim are stock Chinese designs from the decorator's repertoire. The gold spearhead borders were used extensively during the thirty years between 1740-70 and are probably a simplified version of European Baroque lambrequins developed by Canton decorators for China trade porcelain. They were re-adapted by European decorators for use on European porcelain.
Adapted from
- Dallas Museum of Art, The Wendy and Emery Reves Collection (Dallas, Texas: Dallas Museum of Art, 1985), 201.
- Label text, Reves Galleries, Porcelain Gallery, 2018
Fun Facts
Archival Resources
Web Resources
Notes
TMS updates
text entry
place of origin
provenance
search dates
publication reference
This tureen and stand were based on a Meissen prototype; the borders are traditionally Chinese.
excerpt from - Label text, Reves Galleries, Porcelain Gallery, 2018
Catalogue essays
Artist/designers
Cultures
Geography
Process/materials
Historical periods
Individuals
Subject terms
RELATED OBJECTS
PROVENANCE
AUDIO ASSETS
VIDEO ASSETS
rules
Apply To
Objects
number
Equals
1985.R.864.A-C
source file
object_notes_2_d-0053.xml.nores